Austin City Limits Music Festival - Weekend Two

Austin City Limits Music Festival - Weekend Two

Zilker Park, 2100 Barton Springs Rd, 78746 Austin Kort

sun. 11.10.2026 12:00

Flytjendur

  • TWENTY ØNE PILØTS
    TWENTY ØNE PILØTS

    Twenty One Pilots is an alternative rock duo from Columbus, Ohio. It started out as a band in 2009, formed by singer and songwriter Tyler Joseph, bassist Nick Thomas, and drummer Chris Salih. Joseph and Thomas were high school friends, and Joseph later met Salih while attending Ohio State University.

  • The xx
    The xx

    It all started in a bedroom in south west london, after school, drinking too much pepsi. We just keep on growing.

  • Geese
    Geese

    Geese play original music from different time periods. Rock, Jazz, Blues, Swing, Funk, Prog,

  • Sofi Tukker.
    Sofi Tukker.

    Tuck & Soph

    tour: https://sofitukker.com/tour

    LINKS: https://sofitukker.komi.io/

    MAILING LIST: https://smarturl.it/SOFITUKKERSignUp

    TEXT US: 617-249-7556

  • Parcels
    Parcels
    LOVED https://parcels.lnk.to/bio
  • The War On Drugs
    The War On Drugs

    The history of rock ’n’ roll is a story of splintering. Stop here for 10 seconds, and think: How many niches can you name without even trying, without having to pause for just a split second? They seem infinite and, already the better part of a century since rock’s bastard birth, still ceaseless, each new form defined by the mainframe’s perpetuity of flux.

    But over the last 15 years, The War on Drugs have steadily emerged as one of the mightiest counterweights to this endless division, reconnecting rock’s manifold hyphenates with an ardor and ease that suggest they were never split far apart in the first place. Folk, indie, kosmiche, noise, roots, arena, psychedelic, soft, whatever—The War on Drugs are this century’s great rock ’n’ roll synthesists, obviating the gaps between the underground and the mainstream, between the abstruse and the anthemic, making records that wrestle a fractured past into a unified and engrossing present. The War on Drugs have never done that so well as they do with I Don’t Live Here Anymore, their fifth studio album and their most compulsive and bold set of songs to date.

  • Blood Orange
    Blood Orange

    Blood Orange (founded in 2009) is the indie-rock, R&B and new wave soul project of eccentric musician Devonte “Dev” Hynes, hailing from London, England.

  • Max McNown
    Max McNown

    Oregon-Bred, Nashville Bound.

    'Call Me If You Miss Me' OUT NOW!

    Listen at the link below!

    https://maxmcnown.lnk.to/callmeifyoumissme

  • Houndmouth
    Houndmouth

    Houndmouth (formed in 2011) is an Americana-infused indie-folk four-piece, best known for their 2013 album “From the Hills Below the City”, hailing from New Albany, Indiana, U.S.

  • Fcukers
    Fcukers

    RA: Resident Advisor

  • Claire Rosinkranz
    Claire Rosinkranz

    Claire Rosinkranz turns idyllic days of a teenage summer, road trips, post-school adventures, and the butterflies of young love into breezy alternative pop anthems. In 2020, the platinum- certified Southern California singer, songwriter, and multi-instrumentalist emerged as a smart and savvy voice for Gen-Z with her breakout “Backyard Boy.” It amassed more than 1 billion total streams, and was RIAA-certified platinum. She maintained this momentum with fan favorite EPs BeVerly Hills BoYfRiEnd [2020] and 6 Of A Billion [2021]. Along the way, she collaborated with Jeremy Zucker, ROLE MODEL, Clinton Kane, Hauskey and Aidan Bissett in addition to touring alongside Alec Benjamin and Dermot Kennedy, and packing out her
    own headline shows and festival sets. Beyond praise from The New York Times, Billboard, HYPEBAE and more, Claire garnered the MTV Trending VMA for “Best Breakthrough Song.” On her 2023 full-length debut album, Just Because
    [slowplay/Republic Records], captures all of the joy, confusion, anxiety, and wonder of growing up songs set to a soundtrack of gleeful guitars, lo-fi production, and chantable choruses under the California sun.

  • Ethan Regan

    gearing up for some shows, see you out there!!

  • Bad Nerves
    Bad Nerves
    Gluecifer was a key band in the scandinavian rock-wave that swept across Europe 20 years ago. If you weren't there, or if you've been dying to experience this one more time, now is your chance.

    2018 saw Gluecifer return to the stage for the first time since 2005. 13 years after they broke up, the band found back together to play some exclusive shows. The reception was overwhelming. In their hometown Oslo, they sold out four shows in no time. The comeback-shows got rave reviews, some said the band sounded better than ever.

    Gluecifer started out as a punkrock band in Oslo in 1994. A string of underground releases led to a record deal with the swedish White Jazz label, home of bands like The Hellacopters etc. This led to touring all across Europe, and eventually some tours in the US. From 1997 to 2005 Gluecifer released 5 albums, a string of other releases, and played hundreds of shows.

    In 2004 they released their last record "Automatic Thrill" on Sony Music and SPV. The album became the best-selling record of their career, and was also recognized as an artistic peak. The year after, the band broke up, with a promise never to return to the stage.
    Fortunately Gluecifer couldn't keep that promise, and found back together to play rock once again. In June 2018 at the Azkena-festival in Spain, they played their first show in 13 years. This was followed by some exclusive festival appearances, and a string of sold-out shows in their hometown Oslo.
  • Rum Jungle
    Rum Jungle

    Hailing from the coastal backstreets of a steel city, Rum Jungle craft raw alt-rock anthems and late-night ballads that capture the haze of nostalgia, the chaos of youth, and the strange comfort of letting it all fall apart in style. Their sound pulls from surf-punk grit, indie sleaze swagger, and the kind of hooks that stick like salt on skin after a long summer.

    The story began with a hand-me-down name from Bennys dad’s 70’s band – a reminder that music was always going to be the family business, whether official or not. For Rum Jungle, being a band isn’t optional; it’s hard-wired into who they are. It’s how they process their world, tell their story, and chase the moments that only exist when you’re plugged in together, pushing the same noise out into the night.

    Since forming, Rum Jungle have grown from backyard parties to selling out rooms across North America, the UK, Europe, and Australia, while playing The Great Escape, Reeperbahn, and SXSW (Sydney). Their debut album Recency Bias landed at #1 on the ARIA charts, and with new music on the horizon, Rum Jungle are pushing deeper into their pretty-but-gritty world.

  • Calder Allen
    Calder Allen
    Born and raised in Austin, Texas, Calder Allen is a fifth-generation Texan whose music reflects the deep roots and creative spirit of his upbringing. Influenced by his artist grandparents, Terry and Jo Harvey Allen, Calder grew up surrounded by authentic artistic expression. Originally set on becoming a fly-fishing guide, he turned to songwriting during the 2020 pandemic, leading to his debut album The Game, produced by mentor Charlie Sexton.
    With his new album, Fault Lines, recorded at Austin’s legendary Arlyn Studios with Sexton and Jacob Sciba, Calder delivers his most personal work yet—a cinematic exploration of love, loss, and self-discovery. Featuring contributions from Martie Maguire, Jon Randall, and Jack Ingram, the record captures the emotional depth and honesty at the heart of his songwriting.
    A commanding live performer, Calder has shared stages with Cody Jinks, Turnpike Troubadours, Miranda Lambert, and others, earning acclaim at festivals like Austin City Limits, Bonnaroo, and Two Step Inn. With Fault Lines, Calder Allen cements himself as a powerful new voice in Americana, blending Texas tradition with raw, introspective storytelling.
  • Thomas Day
    Thomas Day

    Thank you for listening to my music!!

  • Sasha Keable
    Sasha Keable
    South London. Colombiana
  • twenty one pilots
    twenty one pilots
    Formed during the punk era of the 1970s while still in secondary school in Crawley, West Sussex, England, The Cure has been one of the most enduring bands of the last thirty years, even if that has come at the price of multiple line-up changes, with only original frontman Robert Smith remaining in the band. Shunning the anarchistic tendencies of many punk bands after their formation in 1976, The Cure's first release was Killing an Arab, based on material from French writer Albert Camus' "L'Etranger" (translated into English as The Stranger or The Outsider). This track courted controversy because of its theme (misinterpreted as racist, it was in fact, about the futility of killing any ethnicity), but it started to secure a small following, which grew following the release of debut album Three Imaginary Boys and non-LP single Boys Don't Cry in 1979, the latter of which would become one of The Cure's most famous songs.

    Following this, The Cure moved from their punk leanings into the portentous post-punk territory, releasing three albums of doom-laden rock in three years, Seventeen Seconds, Faith and Pornography, the latter of which charted inside the UK top 10, though the band were repeatedly dogged by the "Second-class Joy Division" tag. The group's fifth album, following their third set of line-up changes, Japanese Whispers was, through their desire to escape the Joy Division description, a poppier effort, featuring danceable singles like Let's Go to Bed alongside pop songs like Love Cats. Following the commercial disappointment of follow-up album The Top in 1984, The Cure returned to form with 1985's The Head on the Door. Featuring the singles In Between Days and Close to Me, The Head on the Door was distant from the band's punk roots, having more in common with successful alternative bands like The Smiths and Echo & the Bunnymen than their gloomier roots.

    Two years later, the eighth studio album Kiss Me, Kiss Me, Kiss Me was a more stadium-sized effort, though featuring audacious pop songs like Why Can't I Be You, it was seemingly caught between two styles. However, it was the band's ninth effort (following the departure of last surviving founder member other than Robert Smith, Lol Tolhurst), Disintegration, that would be their greatest success, both critically and commercially. Disintegration spawned hit singles like Lullaby (no.5 in the UK), Love Song (an impressive no. 2 in the USA), Pictures of You, and Fascination Street. The album itself was a culmination of The Cure's directions through the eighties, featuring the poppier side combined with the more tender aspects, as well as the gloomier facets.

    Following this, a remix compilation named Mixed Up was released in 1990, featuring one new track, Never Enough, and two years later tenth studio album Wish surfaced, which was a hit mainly from the momentum gained by Disintegration, though it also featured their most famous pop song, Friday I'm In Love (no.6 in the UK and no.18 in the US). During the years following this, the band became distracted and discouraged by the lawsuit launched by former member Lol Tolhurst, who felt he had been deprived of royalties. As a result, the 1996 album Wild Mood Swings felt unfocused, and was a critical and commercial failure, though the single Mint Car was a moderate hit.

    In 1997, the Cure released the compilation Galore, featuring new song Wrong Number. Three years later, at the release of original album Bloodflowers, Robert Smith announced it would be the last album for the band, the album itself being a return to the gloomier rock of Pornography and Faith. Resultantly, another hits compilation was released in 2001. However, in 2004, the band surprised all by returning with a self-titled album, their twelfth studio album, which was a surprise hit, reaching the US Top 10, its lead single - The End of the World - becoming a modest hit on Modern Rock radio, and receiving a relatively warm reception from the press.

    In May 2005, Smith fired Roger O'Donnell and Perry Bamonte from the band, along with Bamonte's brother Daryl, who had been The Cure's tour manager for many years. The remaining members of the band (Robert Smith, Simon Gallup and Jason Cooper) made a few appearances as a trio before it was announced that Porl Thompson would be returning to The Cure.

    Their thirteenth studio album was penciled in for the first quarter of 2007, but its release was postponed. They played one live concert in Miami (23 March 2007) at the unlikely dance-focussed Ultra Music Festival. Further concerts in 2007 followed in Australasia: Fuji Rock Festival, Japan (27 July); Hong Kong (30 July); Singapore (1 August) and a tour of Australia and New Zealand.

    The Australasian concerts were the first in the region since the Dream Tour of 2000 in support of Bloodflowers. These 4Tour dates featured a heavier, guitar-based sound (with Roger O'Donnell's departure The Cure's signature delicate guitar/keyboard layering also vanished) and no new songs were included in the sets. However, fans were treated to close to three hours of pure, classic The Cure, the band playing a long string of hits and fan-favourites before ending their shows with thrashing encores which delved into their back catalogue to some of their earliest recordings such as, Fire in Cairo, Grinding Halt and Three Imaginary Boys.

    An Autumn US tour was to follow but was eventually cancelled to enable the band to finish the recording and mixing of the new record. Despite the cancellation of the tour, four shows were played in October 2007, the last three in Mexico City. Here The Cure introduced a handful of new songs which displayed both the melodic/pop as well as the sombre/tender aspect of their songwriting.

    In 2008, The Cure embarked on the next leg of the 4Tour, starting in Stockholm (9 Feb) and continuing through to London (20 Mar) before heading across the Atlantic to complete the previously cancelled tour of 2007. The European 4Tour saw the band deliver powerful shows lasting over three hours, none more exhilarating and charged than their superb performance at Vienna's small-sized, 3000-capacity Gasometer (23 Feb). In Paris, Bercy (12 March), The Cure returned to the stage for an amazing fourth encore, ending the 3 hour 30 mins show with their emotional classic, Faith. In London (20 Mar), The Cure were again in top form, performing for over 3 hours and offering a great set including brilliant versions of A Night Like This, From the Edge of the Deep Green Sea, Friday I'm In Love and Disintegration. Also notable was the magnificant, swirling guitar playing of Porl Thompson on the often over-looked Wrong Number and Never Enough, featuring a guitar-less and dancing Robert. The set included a large number of pop hits drawing a huge reaction from the crowd; amongst them: Hot Hot Hot !!!, The Lovecats, Close to Me and Why Can't I Be You?. New songs played were: The Only One (formerly known as Please Project), Freakshow and the emotional A Boy I Never Knew.

    Finally, the 4Tour reached stateside in May/June 2008. The Cure again thrilled fans by playing epic yet energetic shows. Although the setlists on this leg of the tour followed a similar structure to those heard in Europe, the band also mixed in a few songs and encores that added a darker energy. To open and close the main set, the band occasionally played, Out of This World and Bloodflowers whilst The Holy Hour, Other Voices, Faith and the rarely-played Forever entered their set as part of The Cure's hour-long three-section encores. A further glimpse of their forthcoming album was heard via the inclusion of more new songs: Underneath The Stars, The Perfect Boy, Sleep When I'm Dead and Baby Rag Dog Book. In addition to the recording of the Paris, France show, both the Charlotte, N.C. and New York City, N.Y. (Madison Square Garden) concerts were filmed for a possible TV/DVD release.

    In preparation for the release of their new album (believed to be titled) 'Dream 13', The Cure released 4 singles and a remix EP in 2008. Starting with the long-awaited release of The Only One/NY Trip on May 13, each single was released on the 13th of each month leading up to the October 13 release of the album. The artwork for the singles, The Only One, Freakshow/All Kinds of Stuff, Sleep When I'm Dead/Down Under, The Perfect Boy/Without you and Hypnagogic States EP (remixes of all 4 singles), was produced by Porl Thompson's 'Parched Art' and was reminiscent of the covers for, Primary, The Caterpillar, Lovesong, High, Friday I'm In Love, A Letter to Elise and the album Wish.

    The Cure...

    The Cure official website: www.thecure.com
    Chain of Flowers fan website: http://ourworld.compuserve.com/homepages/ChainofFlowers