Flytjendur
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LordeFew artists can capture the essence of an entire generation like Lorde. Since her breakthrough at just sixteen with the minimalist anthem Royals, the New Zealand singer-songwriter has redefined the sound of modern pop—intimate yet grand, poetic yet grounded in raw emotion. With her distinctive voice and profound lyrics, Lorde has built her own world where introspection and power go hand in hand. From the moody sophistication of Pure Heroine to the pulsating energy and self-discovery of Melodrama to the sun-drenched introspection of Solar Power, Ella Yelich-O'Connor's music is constantly evolving – each album represents a new chapter not only in her artistic career, but also in the emotional lives of her listeners. She writes like a novelist, creating vivid scenes and penetrating truths about youth, fame, loneliness, and joy. Now her career, including live performances, has entered a new phase defined by her latest album, Virgin. Her live performances are literally transformative. Whether she commands the stage in complete silence or leads a euphoric sing-along, Lorde creates an atmosphere that resonates emotionally. At Colours of Ostrava, Lorde will bring her unmistakable energy, a voice that moves between fragility and fire, and a repertoire of songs that have shaped a decade of pop culture. Expect moments of pure joy with the anthems What Was That and Green Light, as well as electrifying emotions with the ballads Liabitlity and Man Of The Year.
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Zara LarssonZara Larsson is a Swedish singer and songwriter.
Website: http://zaralarssonofficial.com/
Twitter: @ZaraLarsson
Instagram: http://instagram.com/ZaraLarsson
Facebook: https://www.facebook.com/ZaraLarssonOfficial
Snapchat: zaralarsson
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PINKPANTHERESSPinkPantheress is an English singer, songwriter and record producer.
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OklouContained in Ninajirachi’s music is all the beauty, mystery, and danger of the natural world. The 23-year-old Central Coast-raised dance producer makes bristling electronic pop and club music that’s glassy, uncanny, and totally enthralling; like stalactites or spiderwebs, each of her songs is structurally impossible but spectacular to behold. A restless innovator and a renowned collaborator, she’s spent her teenage summers making adored, festival-ready pop from the avant-garde fringes, becoming an in-demand producer and one of the first landmark names of Australia’s burgeoning hyperpop scene. But even as her productions have shifted form and context, from the maximalist experimentation of her debut single “Pure Luck”, with Freya Staer, through to last year’s sprawling and intricate Second Nature Mixtape, Ninajirachi’s vision has remained remarkably consistent, each increasingly sophisticated track a new microcosm of organic fantasy to step into.
Born Nina Wilson, Ninajirachi first started making music before she had even left primary school, absorbing myriad influences — namely her piano classes and the maximalist dance-pop of Lady Gaga and Ke$ha — and channelling them into rudimentary Garageband sessions that led to an instant interest in production. At high school, Wilson discovered electronic and dance music, first stumbling across a Madeon song in the background of a YouTube tie-dye tutorial. In contrast to school, where few friends shared her decidedly niche interests, the internet — and, specifically, the internet electronic music communities she found herself in — provided a unique space where Wilson could be herself and celebrate her interests. Spurred on by a Porter Robinson fan community she was active in, Wilson began producing her own electronic music, taking inspiration from avant-garde electronic luminaries like Mura Masa, Flume, SOPHIE, and Robinson himself.
Once she started producing her own songs and remixes, Wilson began uploading them to SoundCloud and YouTube, and when she felt they were good enough, put them on triple j Unearthed, where she ended up as an Unearthed High finalist two years running. Wilson followed up the release of “Pure Luck”, and her success on Unearthed, with a string of gossamer, sugary singles released on NLV Records: tracks like “Lapland”, and its namesake EP, that combine the ambient rave aesthetics of Drain Gang with attention-grabbing, post-Y2K touchpoints, as well as remixes for everyone from Flight Facilities to Deadmau5. Between working on music, Ninajirachi established herself as a must-see artist, performing at Spilt Milk, Beyond The Valley, Listen Out, Splendour, Groovin’ The Moo, FOMO, and Falls Festival, and touring with Mallrat, Charli XCX, What So Not, and, in a perfect twist of fate, her production idol Cashmere Cat.
In 2020, despite the chaos occurring throughout the world, Ninajirachi thrived, releasing both the Blumiere EP and releasing the acclaimed True North (Deluxe) — one of The Atlantic’s top 10 albums of 2021 — and selling out Oxford Art Factory with Kota Banks. As other musicians struggled to adapt to existing solely online, Ninajirachi had a leg up, having spent much of her life in virtual worlds already. Throughout the pandemic, Ninajirachi performed at all of the international hyperpop scene’s most epochal events, including Club Immaterial, Nocturne, and Club Quarantine, as well as livestreams for Brownies and Lemonade and RL Grime’s Sable Valley — for whom she also released singles “Dracodraco” and “Stoneteller”. Known for her work on electronic music’s cutting edge, Ninajirachi has also worked with iconic brands like Ableton, Logitech and the
Over the course of 2022, Ninajirachi made good on the “One To Watch” promise made by Billboard Dance with the release of her debut full-length project, “Second Nature”. Led by the infectious “Start Small”, “Second Nature” captures a darker, more variegated side of her production, and which brings her songwriting and lyricism to the fore. A set of glassy electronic pop and club songs that are transporative and bracingly real, Second Nature was quickly identified as a turning point in her career, culminating with her covering NME Magazine’s December issue, and EDM.com naming her as one of the Top Producers of 2022. -
ML Buch
http://hyperurl.co/tcvn1e
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Rose GraySinger/Songwriter
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Fabiana PalladinoFor more or less a brand-new artist, Fabiana Palladino faces an unusual level of anticipation. The London musician broke out in 2017 as one of the Paul Institute’s founding artists after her shadowy, classicist R&B influenced pop reached Jai Paul, who started the label alongside his brother A. K. Paul. Releasing just three singles in four years, she caught the ear of critics – Pitchfork likened “Mystery” to “a scratch track from a big-budget 80s studio that’s been smuggled out on reel-to-reel tape” – but Palladino’s output remained slight while she worked as an in-demand session musician for the likes of SBTRKT and Jessie Ware, cycling from one tour to the next. This year, she formed part of Jai’s band for his live debut (which she also supported), the most wildly awaited performances in years. All the while, she was intensively working on her self-titled debut album - Fabiana Palladino - in secret. Written and produced by Palladino, it has been a long time coming, partially because of her playing commitments but also because of her perfectionism. “I have a horrible fear of putting something out and regretting it,”