Sublime

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Limp Bizkit

*THIS IS THE OFFICIAL LIMP BIZKIT FACEBOOK PAGE*

The original line-up of Fred Durst, Wes Borland, Sam Rivers, John Otto, and DJ Lethal are back from an eight year hiatus to bring their world back to ours. Fred Durst and Wes Borland said in a joint statement:

"We decided we were more disgusted and bored with the state of heavy popular music than we were with each other. Regardless of where our separate paths have taken us, we recognize there is a powerful and unique energy with this particular group of people we have not found anywhere else. This is why Limp Bizkit is back."

The guys will kick off a world tour in the Spring on the overseas festival circuit with headline shows sprinkled in throughout Eastern Europe and Europe, selected dates include, in late May, Russia, Ukraine, and the Baltic countries where Limp Bizkit has never played before despite huge demand, along with major festivals like Rock Am Ring and Rock Im Park in Germany, more dates to be announced shortly. A new album, which would be the original group’s first full-length effort since 2000, is also planned. Limp Bizkit’s first three albums have sold over 20 million copies in the U.S. alone, and another 13 million in the rest of the world.

Lindsey Stirling

Lindsey Stirling is one of the biggest artist development breakthrough stories in recent years. An acclaimed violinist from Gilbert, Ariz., Lindsey has entered a futurist world of electronic big beats and animation, using her classical violin training to leap through the music industry with over 10 million YouTube subscribers, over 2 billion views on her YouTube channel, 2 Billboard Music Awards, Billboard chart-topping hits and sold out tours worldwide. She’s created a new music world where modern classical meets the infectious energy of dance and electronica. On stage, Stirling moves with the grace of a ballerina but works the crowd into a frenzy, “dropping the beat” like a rave fairy.

Recently, Lindsey released her first ever holiday album called Warmer in the Winter in October which featured classic and original songs and continues to climb the charts. She also was the runner-up on Season 25 of ABC’s hit show “Dancing with the Stars” with her partner Mark Ballas. Lindsey’s last album Brave Enough, debuted at #5 on Billboard’s Top 200 Album Chart and went on to score the #1 spot on Billboard’s year-end Top Dance/Electronic Album list, placing ahead of dance music heavyweights Chainsmokers, Flume and Kygo. The album also had the highest selling week for an album title on the ranking chart and Lindsey herself placed at #6 on the Billboard Top Dance/Electronic Artist year-end list. Collaborations on the album include ZZ Ward, Andrew McMahon and the Wilderness, Rivers Cuomo and Christina Perri to name a few, and earned Stirling a 2017 Billboard Music Award for “Top Dance/Electronic Album”. The album’s current single “Love’s Just A Feeling” featuring up and coming songstress Rooty, recently made its powerful debut on Jimmy Kimmel Live!, and has begun to pick up traction at radio across the US.

Lindsey’s professional journey began in September of 2012, with the release of her self-titled debut album. Featuring her smash hit “Crystallize,” which has racked up over 185 million YouTube views, the album reached #1 on Billboard’s Dance/Electronic Chart and Classical Album Chart, earned her a 2014 Billboard Music Award nomination for “Top Dance/Electronic Album,” and was certified Gold by the RIAA. The album reached #1 on Billboard’s Dance/Electronic Chart and Classical Album Chart and peaked at #23 on the Billboard Top 200.

In 2014, Lindsey released her sophomore album Shatter Me which debuted at #2 on Billboard’s Top 200 album chart and has sold over a quarter million copies in the US. It was #2 on the Billboard Year End Dance Electronic Album Chart, #1 on the iTunes Album Chart, spent an impressive 21 weeks straight at the #1 spot on the Billboard Classical Album Chart, and was recently certified Gold by the RIAA. The album includes a collaboration with Halestorm lead singer Lzzy Hale on her smash single “Shatter Me,” which has over 78 million views on YouTube and took home the 2015 Billboard Music Award for “Top Dance/Electronic Album” of which Avicii, Disclosure, Calvin Harris and Skrillex were also nominated.

In 2016, Lindsey released her first book with Simon& Schuster, a memoir called “The Only Pirate at the Party” which she co-wrote with her sister, Brook S. Passey. Released in January of 2016, the book debuted on the New York Times’ best-seller list and shares stories of Lindsey’s humble yet charmed childhood, humorous adolescence, life as a struggling musician, personal struggles with anorexia, and finally, success as a world-class entertainer.

Lindsey’s critically praised concerts have sold out theaters and arenas across the globe, spanning a wide range of continents including the U.S., Europe and South America. Recently Stirling has played to packed crowds at venues such as Red Rocks Amphitheater in Denver, Chicago Theater, New York’s Central Park Summerstage and the Greek Theater in Los Angeles and to date, Lindsey’s tours have sold over 500,000 headline tickets worldwide.

Stirling is the model of a modern independent recording artist, with a symbiotic relationship with her fans. A motivational speaker in her spare time, Stirling uses her own story to show teenagers that you’ve got to have confidence in the very thing that makes you unique – then wait for the world to catch up.

Halestorm

Halestorm (formed in 1998) is an American hard rock band, hailing from Red Lion, Pennsylvania, U.S., known for their non-stop touring and big-voiced lead vocalist Lzzy Hale.

In This Moment

Ice Nine Kills

Based in Boston, Massachusetts, US, Ice Nine Kills are a metalcore four-piece, whose intense and aggressive sound has landed them a legion of fans.

Dance Gavin Dance

Metal from Paris, Fr.

www.novelists.store

P.O.D.

Sonny Sandoval (Vocals)

Marcos Curiel (Guitar)

Traa Daniels (Bass)

Wuv Bernardo (Drums)

More than two decades into their career, P.O.D. enjoy the kind of popularity most rock bands would envy. The San Diego quartet continue to be a rock radio staple, with newer songs "Lost in Forever" and "Beautiful" drawing the kind of airplay the band's early hits "Alive," "Youth of the Nation" and "Boom" once did. On the touring front, P.O.D. have performed at the best festivals around the world—to name a few, Download Festival, Hellfest, Rock on the Range, River City Rockfest, Carolina Rebellion, and Aftershock Festival—and have done shows with In This Moment, Prophets of Rage, ShineDown, and Five Finger Death Punch.

However, P.O.D. has built this successful career by never letting themselves be pigeonholed. "If you listen to all of our songs side by side, we don't focus on one style of music," says frontman Sonny Sandoval. "We have reggae songs; we have punk rock songs. We've done jazzy songs. We've mixed in loops and DJs, and we've experimented."

P.O.D.'s tenth studio album, Circles, marks another leap forward. The band members decided to shake up their creative process by collaborating with an L.A.-based production duo called the Heavy, who provided behind-the-scenes musical tweaks, and served as a sounding board for vocal and melodic ideas.

"We started with guitar riffs—more of a core P.O.D sound—and on some of these songs, the Heavy would add ambient stuff to it that just really brightened up the songs," Sandoval said. "Or maybe we changed up a heavy riff and made it more catchy and more hooky. Vocally, there's also a lot of stuff that's going on—even some three-part harmonies, four-part harmonies in certain choruses or verses."

The results are contemporary-sounding without losing any of the band's core sonic signifiers. "Rockin' With The Best" is described by Sandoval as having an "old-school P.O.D. sound, very rap-driven and Beastie Boys-ish" vibe; the reggae-inflected rocker "Always Southern California" has a massive sing-along chorus; and the groove-heavy "Soundboy Killa" is the kind of chugging hip-hop/metal hybrid at which the band excels.

Other songs find P.O.D. pushing themselves into slightly new territory. The midtempo "Dreaming" mixes snaky blues guitar with glacial digital programming, while the Linkin Park-reminiscent "Circles" shows off P.O.D.'s command of dynamics: Moody electronic flourishes, glassy piano and laid-back rapping verses give way to a bridge that explodes with chugging guitars and ferocious drumming.

"This time, we're like, 'Let it sound fresh,'" Sandoval says. "If we have to get these samples, or if we have to bring in an extra keyboard player that can do some loops, we'll figure it out. We decided not to hold back just because we're trying to be so old-school and raw."

Sandoval's long-time collaborators in P.O.D.— lead guitarist Marcos Curiel, bassist Traa Daniels and drummer Wuv Bernardo—were fully on board with this forward progress. "They're some of the most underrated musicians in our genre," Sandoval says of his bandmates. "They're all self-taught musicians. If you listen from demos 26 years ago to now, they just continue to get better and better. They continue to get more creative. My guys are players. They jam, they hear the music, they feel the music. They're musicians first."

This versatility was a big plus on Circles, since P.O.D. didn't have any preconceived notions about what the new music should sound like. But as it turns out, working with the Heavy brought out the best in the band, and gave them a new perspective on their own work. "We've always been so stubborn about writing with people, and we never have," Sandoval says. "This really was us going in a little bit vulnerable. We had an open mindset. But they let us do our thing."

From a lyrical standpoint P.O.D. kept a similar open mind. As per usual, Sandoval didn't scribble ideas in a journal or notebook in advance, with plans to write songs around a set theme. Instead, he let inspiration come to him as the music evolved.

"I'm always writing in the moment," he says. "I don't write down my thoughts and say, 'One day, I'm gonna put this to music.' It's always the music that digs deep and brings out the lyrics and the melody and all that comes with it."

In many cases, Circles turns to optimism for inspiration. The title track addresses trying to get out of an unhealthy cycle in which someone feels stuck, while "Dreaming" envisions seeking out a brighter future even if the present day is tough. Other songs grapple with how to navigate life's biggest challenges. "Home" emerged after Sandoval suddenly lost a close friend who was more like a brother to him. "Fly Away," meanwhile, acknowledges that all of us sometimes struggle, and need to rely on others for help.

"We're looking for answers—and we're going to people to help us get through things—but at the same time, no one's perfect," Sandoval says. "Everybody's going through stuff, and we're all kind of on this same level and the same journey of experience and just trying to figure out our course of life."

Above all, Sandoval always wants P.O.D.'s songs to resonate with listeners on a deeper emotional level, and make people see their lives—or challenges—in a positive light.

"Whatever I happen to be going through at the time, or maybe what the band is going through, or even the public climate at the time, issues come through," he says. "Our ultimate goal is that we can either shed light on these, or we can turn your upside down frown into a smile, or make you laugh, or make you feel good or approach them in a different way."

Being open to new experiences and sounds is just one more way P.O.D. has continued to thrive and reach new fans, even as they keep challenging themselves to become better musicians.

"On Circles, we didn't limit ourselves and say, 'Hey, we need to please the metal crowd, or the hardcore crowd, or the punk crowd,'" Sandoval says. "We just wanted to play and write songs that we hope are relevant and catchy to a new audience—while, at the same time, still being true to ourselves.

"We are touring and making music because it still means something to the people that are coming out to see us, and people that are still listening to our music," he adds. "We're humbled, we're grateful, and we're thankful for people that still enjoy what we're doing."

Circa Survive

Chiodos

After nearly a decade, the legendary CHIODOS has stormed back onto the scene!

CHIODOS’ return performance at the 2024 WHEN WE WERE YOUNG festival in Las Vegas was nothing short of legendary. CHIODOS made history with an unforgettable, high-octane set that left fans in awe and buzzing for days. One of the most anticipated acts of the weekend, CHIODOS lit up the stage with a showcase of iconic tracks from their groundbreaking albums All’s Well That Ends Well and Bone Palace Ballet.

This was a triumphant celebration of the 20th anniversary of All’s Well That Ends Well, the album that started it all! During the jaw-dropping set, frontman Craig Owens took the energy to another level, announcing a headline anniversary tour. Kicking off soon, CHIODOS will hit the road with none other than HAWTHORNE HEIGHTS, EMMURE, and THE CALLOUS DAOBOYS for an epic, nationwide celebration.

Fans can expect an all-out musical blowout, reliving the unforgettable hits – and maybe catching a few surprises along the way. Buckle up, CHIODOS is BACK and ready to ignite the stage!

Babymetal

Nothing More

Rock

Set It Off

The Los Angeles-based band - comprised of Cody Carson (vocals), Zach DeWall (guitar) and Maxx Danziger (drums) - have become known for creating their own original brand of pop music, infusing bold electronic elements with rock instrumentations and guitar riffs as catchy as the choruses and an overall feel-good, dance-worthy vibe.

The lead single, “Skeleton” off their latest album Elsewhere epitomizes Set It Off - a group both fully committed to its roots and diving into its future by embracing inevitable change. Since forming in Florida in 2008, the genre-blending group has released four previous albums, amassed a loyal following, relocated to L.A., while their Top 10 Spotify tracks alone have racked up 528 million plays. The band’s full-length debut album Cinematics in 2012 embraced their moodier rock side, and later efforts took on an upbeat pop twist that culminated in a darker synergy of those styles on their last album Midnight. Elsewhere is a transitional, moody, and forward thinking release, one in which they have faced their demons and come out happier and more full of life than ever before.

Emarosa

Fronted by the unmistakable voice of Bradley Walden, the band returns with High Horse Heaven, their most emotionally charged and sonically expansive work to date. A natural successor to 2019’s Peach Club which peaked Top 20 on Billboard and marked their pivot into alt-pop this new album deepens the sound and sharpens the story. Bradley’s vocals remain the anchor: elastic, raw, and deeply human. Paired with a visual world rooted in legacy and emotional grit: welcome to High Horse Heaven.

Alien Ant Farm

Alien Ant Farm is a Southern California alt-rock band known for fusing heavy riffs, catchy hooks, and an unmistakable sense of personality. Since forming in Riverside in 1996, the band has carved out a unique place in rock history; first exploding onto the global stage with their breakout 2001 album ANThology, which featured the hit single “Movies” and their era-defining cover of Michael Jackson’s “Smooth Criminal.” That record would go on to be certified multi-platinum, and its 25th anniversary is just around the corner in 2026; a milestone that underscores the band’s enduring impact on the genre.

Comprised of Dryden Mitchell (vocals), Terry Corso (guitar), Mike Cosgrove (drums), and Tim Peugh (bass), Alien Ant Farm continues to push forward creatively while embracing their legacy. Known for their genre-defying approach to alternative rock and blending elements of metal, punk, prog, and pop… they’ve built a reputation for experimentation, evolution, and explosive live shows that have taken them around the world.

Across six studio albums, including TruANT (2003), Up in the Attic (2006), Always and Forever (2015), and most recently mAntras (2024), the band has explored everything from introspective struggles to full-blown anthemic rock with both emotional depth and sonic variety. Their latest work reflects a band that has grown up without losing the spark that made them stand out in the first place.

Currently, Alien Ant Farm is writing new music and continuing to tour, reconnecting with longtime fans while winning over new ones with every performance. Nearly three decades into their career, the band remains as passionate and driven as ever proving that reinvention and staying power can go hand in hand.

Tom Morello

Thomas Baptist Morello or Tom Morello (born May 30, 1964) is an American guitarist for the bands Audioslave and Rage Against the Machine. He also performs as a solo acoustic artist under the pseudonym The Nightwatchman. He is acclaimed for his unique guitar style and is noted for his outspoken radical politics. Morello was ranked #26 on Rolling Stone magazine's list of "100 Greatest Guitarists of All Time". Morello was born in Harlem, New York. His mother, Mary Morello, who is part Irish and part Italian, is a founder of Parents For Rock And Rap, an anti-censorship group. She was also a teacher at Libertyville High School. His father, Ngethe Njoroge, was a Mau Mau guerrilla and revolutionary. Morello's great-uncle, Jomo Kenyatta, was the first elected president in Kenya. Morello grew up in Libertyville, Illinois, at the time a virtually all-white suburb of Chicago. There he attended Libertyville High School. He played French horn in the school band, sang in the chorus, and was active in speech and drama club. (One prominent role was Oberon in A Midsummer Night's Dream.) He showed his political leanings early; in the 1980 mock elections at LHS, he campaigned for a fictitious anarchist "candidate" named Hubie Maxwell, who came in fourth place after Jimmy Carter at the overwhelmingly Republican school. Ronald Reagan won the mock election. He also wrote a piece headlined "South Africa: Racist Fascism That We Support" for the school's alternative paper, The Student Pulse. At age 13, Morello purchased his first guitar at Rigoni Music in Libertyville. He wanted a solid-body Ovation guitar, but he didn't have the money to buy one. Instead, he purchased a Kay guitar. Wanting to learn how to play "Black Dog" by Led Zeppelin, he took two guitar lessons, but instead was taught the C-major scale. He decided that playing the guitar was a waste of his time, so he placed it in his closet for the next four years. Around 1980, Morello first started studying the guitar seriously. He had formed a band in the same year called the Electric Sheep which featured future Tool guitarist Adam Jones on bass. Jones wasn't originally in the band; he was a replacement for a member who quit because he felt his musical skills were far superior to those of the other Sheep. Few if any of the Sheep could really play an instrument at first (Most of their songs consisted of a single chord), but the band was an impetus for Morello to start honing his skills. Instead of performing cover songs, the Sheep wrote original material that including politically charged lyrics. None of the songs composed by the Sheep contained solos; soloing was a skill that Morello began learning in college. At the time Morello's musical tastes lay in the direction of heavy metal, particularly KISS, Alice Cooper, Led Zeppelin and Black Sabbath. Morello developed his own unique sound through the electric guitar. Later his music--and musical politics--were greatly influenced by punk rock bands like The Clash, the Sex Pistols and Devo. Morello graduated in 1982 and began attending Harvard University. There he made a point of practicing every day for up to eight hours without fail, no matter how much studying he had to do. [5] He graduated in 1986 with an honors degree in political science. He moved to L.A., where he briefly worked as an aide to Sen. Alan Cranston as he set about trying to join or start a band. (Adam Jones moved to L.A. as well; Morello introduced Jones to some of his future bandmates.) In 1988 Morello joined Lock Up, a glam rock band that released one album through Geffen Records before splitting up. This record was called Something Bitchin' This Way Comes, which enjoyed only slight success. Morello had been crushed by the lack of success he experienced in Lock Up. He visited a club in Los Angeles where Zack de la Rocha was rapping. After viewing de la Rocha's lyric books, Tom asked him to front a band. Morello drafted Brad Wilk, a drummer who had unsuccessfully auditioned for Lock Up, and de la Rocha introduced the two to his friend Tim Commerford. The four formed a new band, Rage Against the Machine. Rage had great success, especially in North America and Europe. Their first, self-titled album, was recognized by fans for Morello's innovative guitar as well as its originality (being one of the first records to combine rock and hip-hop). Morello expressed his attitude toward songwriting during this period as overtly political: A good song should make you wanna tap your feet and get with your girl. A great song should destroy cops and set fire to the suburbs. I’m only interested in writing great songs. After four years of silence and rumors of break-ups, the band released its second album, Evil Empire. The album moved away from the traditional metal guitar work of the first album; it was experimental in nature and demonstrated Morello's ability to use the guitar in strange ways, showcasing his abilities with the "kill switch". In 1999, the band released The Battle of Los Angeles, their most commercially successful record. In late 2000, they released another album entitled Renegades. Shortly before the release, de la Rocha left Rage, and the band's instrumentalists said they wanted to continue making music together. Billboard reported on January 19, 2007 that there were rumors that Rage Against the Machine could reunite at the Coachella Valley Music and Arts Festival.[3]. These rumors were confirmed in a Los Angeles Times article on January 22and later on the band's official website. The band are billed to headline the final day of Coachella 2007 on Sunday, April 29. Billboard reports that sources suggest this will likely be a one-off. After de la Rocha left Rage Against the Machine, the remaining bandmates started jamming with former Soundgarden vocalist Chris Cornell at the suggestion of producer Rick Rubin. The new group was first called Civilian, but changed their name to Audioslave before their first album was released. The band released their eponymous debut album on November 19, 2002. It was a massive critical and commercial success, attaining triple-platinum status. The band released their sophomore album,Out of Exile, on May 24, 2005. It debuted at number 1 on the Billboard charts and attained platinum status. In the same year, they released a DVD documenting their trip as the first American rock band to play a free show in Cuba. Morello recently stated he has made a commitment to Audioslave and is "in it for the long haul." The band's third album, Revelations, was released in the fall of 2006. Morello is less known for his folk music, which he plays under the alias "The Nightwatchman". He has explained: The Nightwatchman is my political folk alter ego. I've been writing these songs and playing them at open mic nights with friends for some time. This is the first time I've toured with it. When I play open mic nights, it's announced as The Nightwatchman. There will be kids there who are fans of my electric guitar playing, and you see them there scratching their heads. But it's something that I enjoy doing. I look at it more as an extension of my politics. Then again, some of the songs are not explicitly political. It really helped me grow as an artist and songwriter. Once you prick the vein you never know what is going to come out. You could aim for all union songs and you find yourself in other territory. One of his folk songs, "No One Left," which compares the aftermath of September 11 to that of a U.S. attack on Iraq, appears on the album Songs and Artists that Inspired Fahrenheit 9/11. According to Billboard, Morello as The Nighwatchman will be releasing his first debut album, One Man Revolution, in April, and his website confirms the album will be released on April 24th. Morello and Wilk joined with Maynard James Keenan of Tool and Billy Gould of Faith No More to record the song "Calling Dr Love" for the 1994 KISS tribute album Kiss My Ass. The lineup was billed as Shandi's Addiction. In August 1995 Morello contacted former Articles of Faith frontman Vic Bondi and asked him if he wanted to work on a Rage side project. Tentatively titled Weatherman, the short-lived group featured Bondi on vocals, Morello on guitar, Matt Johnson on bass, and Abe Van Eyck on drums. The recorded demos in September 1995. Bondi wrote all the lyrics, while Morello wrote all the music. One track, "Enola Gay", was recorded by Brett Eliason in fall 1996. Tom re-used the main riff of the song for the Audioslave single "Cochise." Morello also played lead guitar on three tracks of Primus' 1999 studio album Antipop. Morello worked with The Crystal Method on their 2001 album Tweekend. He co-produced and played guitars on the smash single "Name of the Game" and "Wild, Sweet and Cool". Morello played guitar in the score for Talladega Nights: The Ballad of Ricky Bobby (2006). Morello played the guitar riff heard in the final battle scene of the film Dodgeball. Morello played guitar in the single "One Man Army" by The Prodigy. In July 2006, TheNewsTribune.com reported that Morello and Boots Riley, front man of The Coup, would collaborate on a project called Street Sweepers. Riley has often performed alongside Morello's alter ego The Nightwatchman, and Morello produced and performed on a few tracks for The Coup's 2006 release Pick a Bigger Weapon. Morello is famed for his guitar style, which consists of punk/funk hybrid riffs and hip hop-inspired sounds. His guitar playing is also characterized by heavy use of guitar effects, such as delay, modulation, harmonizers, distortion, pitch shifters, feedback, and others in unique ways and combinations. Critically acclaimed, he is said to use the guitar in a unique and imaginative way; rather than just plucking the strings, he pulls off maneuvers such as toggling between two pickups - one on and one off - while fretting notes to mimic the sound of a DJ's crossfader, using feedback from the amp and the Digitech Whammy to create a solo, and creating sounds in the strings using innovative techniques such as the guitar's jack and a phillips wrench. He is still a very accomplished traditional metal guitarist, as heard on some of his earlier recordings such as "Know Your Enemy" and "Take the Power Back", which both have very fast fret work. Despite his alien guitar sounds, Morello chooses from a very limited supply of effects. During his tenure in RATM, he used a Dunlop Cry Baby, a Digitech WH-1 Whammy, a Boss DD-2 Digital Delay, a DOD EQ pedal (used to boost the volume during guitar solos), and an MXR Phase 90. For his work with Audioslave, Morello added a Boss TR-2 Tremolo pedal (which can be heard on "Like a Stone" and "Gasoline"). His amplifier of choice has always been a 50-watt Marshall JCM800 2205 and a Peavey 4x12 cabinet. While the amplifier has two channels, he only uses the overdrive channel, and simply turns down the volume on his guitar to get cleaner sounds. In the studio, Tom uses the same setup for the bulk of the guitar tracks. For The Battle of Los Angeles, he also used a few other amps, such as a Line 6 as heard on the clean, spacey intro of "Mic Check," plus a Pignose mini-amp and a MusicMan "Twin" style amp. [6] The MusicMan has a built-in phaser and has made its way onto several tracks as overdubs. It also appears in the "Show Me How To Live" video. In an interview with Guitar World Magazine Morello stated that he occasionally used a Vox amp that was in the studio for the making of Out of Exile. Morello and Serj Tankian of System of a Down are the co-founders of Axis of Justice, a political group whose declared purpose is "to bring together musicians, fans of music, and grassroots political organizations to fight for social justice together. We aim to build a bridge between fans of music around the world and local political organizations to effectively organize around issues of peace, human rights, and economic justice." The group has worked for such causes as immigrant rights and death-penalty abolition. Its recommended book list includes such authors as Noam Chomsky, Che Guevara, George Orwell, Mumia Abu-Jamal and Grant Morrison. Morello and Tankian, together with a handful of other artists, including Maynard James Keenan, Wayne Kramer of the MC5, the hip hop group Jurassic 5, and Michael "Flea" Balzary of the Red Hot Chili Peppers, released a live recording of covers and original songs, titled The Axis of Justice Concert Series Volume 1. On April 6, 2006, Tom Morello was honoured with the Eleanor Roosevelt Human Rights Award for his support of worker's rights and for his AOJ work. Tom has worked on numerous labor campaigns: the Guess sweatshop boycott, the LA janitors strike, the Taco Bell boycott, the southern California grocery workers strike and lockout, and others. Morello was a strong supporter of the Immigrants Reform Rally and protest around the US. Morello played as The Nightwatchman at Macarthur Park in Los Angeles and has featured many articles on AOJ. On September 28, 2006, Morello was one of 400 protesters arrested protesting in support of immigrant hotel workers' rights, in what organizers called "the largest act of civil disobedience in the history of the Los Angeles". Morello knew he was going to be arrested; he wore a bright yellow shirt, and gave the LAPD his driver's license number a few days before the march. Morello told MTV: In these political dark ages, it's important for us to stand up for one another. These hotel workers by the airport make 20% less wages than the hotel workers around the rest of Los Angeles. We are here to express our solidarity with them, to help them unionize and help them close the gap between their sub-poverty wages and the millions and millions of dollars the people who own these hotels make. Axis of Justice is also in iTunes Podcasts

Orianthi

Orianthi is a female guitarist from Australia who for one of her first gigs supported Steve Vai, other acts she has supported have included ZZ Top & Carlos Santana who was so impressed he invited her on stage with him doing six songs together. In 2005 she played the 20th anniversary party of Paul Reed Smith Guitars (who endorse her) & appeared on stage with both Carlos Santana & Paul Reed Smith.In 2007 she appeared at Eric Clapton's Crossroad Festival. Her CD Voilet Journey was written,recorded, produced & mixed by herself as well as playing all the instruments.

Thursday

Mayday, ground control to no one

Scary Kids Scaring Kids

Agnostic Front

Agnostic Front (formed in 1980) is an American hardcore punk and crossover thrash band, hailing from New York City, New York, U.S.

Kublai Khan TX

Texas Metalcore. ‘Exhibition of Prowess’ out now: https://kktx.lnk.to/ExhibitionOfProwess

Icon For Hire

Madball

MORE POWER. MORE PAIN.

Coal Chamber

Soil

Gemini Syndrome

‣ CONQUISTADOR ⌱ New Mūsik

‣ X•XXVII•MMXXIII

‣ Listen ⌱ below

Tantric

H2o

Hailing from New York, US, H2O are a popular punk rock act, who cut their teeth alongside the likes of Sick of It All, Misfits and The Mighty Mighty Bosstones.

Otherwise

Bilmuri

BILMURI STRIVES TO OBTAIN THE MOST OPTIMAL LEVELS OF ETHEREAL RIFFAGE.

Hail The Sun

Texas Hippie Coalition

Texas Hippie Coalition are the purveyors of their own patented Red Dirt Metal sound: designing their own line in life and in music. For them, there is no other way. Texas Hippie Coalition are committed to crafting a unique, original and thoroughly raucous brand of music that’s born of both life experience and a respect for rock ‘n’ roll’s forefathers.

What exactly is Red Dirt Metal? Take outlaw country, toss in a dash of Southern-fried classic rock and mix it with some potent Texas power grooves and you’ve got a combustible sonic cocktail on your hands. Texas Hippie Coalition’s third album Peacemaker is a textbook example of Red Dirt Metal, which is the sound the band has been honing and cultivating for its entire existence.

Bodysnatcher

Debut album "Death Of Me" available 11.10.17 via Stay Sick Recordings

Spite

spite.

Doobie

“GIVE EM HELL UNTIL YOU GET TO HEAVEN”

Out Now on All Platforms.

Diamante

TX2

Rising out of the shadows of a small town known for music, Fort Collins; TX2 brings an unmatchable intensity in his music through the form of powerful raw lyrics and explosive performances. After struggling for so many years as an artist, TX2 used his pain as fuel and finally found his sound. As a result, his music went viral on Tik Tok and he now has 950k+ followers on the platform.

TX2 has since begun a movement known among his fans known as the "X Movement", which is all about bringing awareness to mental health and creating a safe space for those in need to talk. The rules are simple, any member can vent and share how they are feeling- while other members are encouraged to push other members' self-esteem up. The movement is currently growing every day, providing a platform to speak about mental health, vent, and support one another. TX2 wants everyone to know they are not alone in their struggles.

Blood for Blood

Boundaries

Connecticut Metalcore. New album “Death Is Little More” out March 29th, 2024 on 3Dot Recordings.

The Funeral Portrait

Greetings from Suffocate City, The Funeral Portrait’s first full-length for Better Noise Music, expands the group’s mythology to new heights and dimensions with invigorating, authentic, and passionate anthems. Songs like “Alien,” “Voodoo Doll,” “You’re So Ugly When You Cry” (featuring The Used’s Bert McCracken), and the title track (featuring Spencer Charnas of Ice Nine Kills) fuse the vibrant accessibility of Active Rock with the earnest honesty once screamed at the Warped Tour of the 2000s.

Steadily growing since the band’s formation in 2014, The Coffin Crew is a worldwide assemblage of devotees united in the shared catharsis of The Funeral Portrait’s music. It’s a tight-knit fandom built in the spirit of AFI’s Despair Faction, the MCRmy, the BVB Army, and Ice Nine Kills’ Psychos. It’s a diverse and welcoming community bound by perseverance through adversity and heartbreak.

PeelingFlesh

Kami Kehoe

Heavy//Hitter

Many Eyes

Codefendants

The Barbarians of California

Fox Lake

If you know, you know.

If you don't, you will.

foxlakeband.com

Fox Lake

Flytjendur