Monster Energy Aftershock

Limp Bizkit

*THIS IS THE OFFICIAL LIMP BIZKIT FACEBOOK PAGE*

The original line-up of Fred Durst, Wes Borland, Sam Rivers, John Otto, and DJ Lethal are back from an eight year hiatus to bring their world back to ours. Fred Durst and Wes Borland said in a joint statement:

"We decided we were more disgusted and bored with the state of heavy popular music than we were with each other. Regardless of where our separate paths have taken us, we recognize there is a powerful and unique energy with this particular group of people we have not found anywhere else. This is why Limp Bizkit is back."

The guys will kick off a world tour in the Spring on the overseas festival circuit with headline shows sprinkled in throughout Eastern Europe and Europe, selected dates include, in late May, Russia, Ukraine, and the Baltic countries where Limp Bizkit has never played before despite huge demand, along with major festivals like Rock Am Ring and Rock Im Park in Germany, more dates to be announced shortly. A new album, which would be the original group’s first full-length effort since 2000, is also planned. Limp Bizkit’s first three albums have sold over 20 million copies in the U.S. alone, and another 13 million in the rest of the world.

$UICIDEBOY$

One look at the underground rap duo known as Suicideboys (styled $UICIDEBOY$) and you won’t’ be surprised that they’re from New Orleans.

Wu Tang Clan

One of the most revolutionary hip-hop acts, Wu-Tang Clan helped prove rap to be an art form, establishing a hip-hop enterprise in the process whilst delivering their uncompromising, dark sound and hard-hitting, intelligent wordplay.

Public Enemy

Cypress Hill

Cypress Hill is an American hip-hop group hailing from South Gate in California, USA. Cypress Hill was the first Latino-American hip hop group to have both platinum and multi-platinum albums.

Slaughter To Prevail

Slaughter To Prevail is pushing heavy music to new extremes, delivering unapologetically hard modern metal while smashing expectations, and becoming one of the most talked about bands in heavy music in the process. With over one million monthly Spotify listeners, STP are arguably the highest streaming band in extreme music, a fact further reflected in their live shows. Packing out sizeable venues on their headline shows, the band also draw huge crowds at their festival appearances, and led a record-breaking wall-of-death at last summer’s HELLFEST OPEN AIR.

Slaughter To Prevail’s journey began in the most unlikely of ways—two musicians from completely different worlds. Alex Terrible, forging his monstrous vocals from a small bedroom in the cold, rural Russian city of Yekaterinburg, crossed paths online with guitarist Jack Simmons, who sharpened his craft in a quiet town on the outskirts of Essex, UK. What started as a distant collaboration quickly turned into a brotherhood, as their exchanges of ideas took shape, songs were formed and it became apparent to Jack and Alex that they were on to something special.

When they’re not commanding festival crowds, frontman Alex Terrible is proving his fighting spirit beyond his musical career. Fresh off a brutal 37-second knockout in Russia’s RCC Bare Knuckle—a promotion known for its savage, no-nonsense fights, Alex is in training to sharpen his skills for a bout with Top Dog Bare Knuckle in May, while discussions continue regarding his American debut with Bare Knuckle FC. Whether wrestling bears in Siberia, preparing for fights in the deep South, or bleeding on stage across the rest of the world, Alex thrives in the most unforgiving environments.

With the summer packed with main stage festival performances across the U.S., Canada, and Europe, 2025 is already shaping up to be a career-defining year for Slaughter To Prevail. Their logo now sits high on the world’s biggest festival posters, a reflection of their rapid ascent. This summer, the band will unveil a brand-new live show, reimagining their already punishing performances with a harder-hitting, more visceral production—an experience designed to pull fans deeper into the chaos, making every moment feel explosive and unpredictable.

All of this momentum leads to “Grizzly”, their most anticipated release yet. Featuring the already released singles 'Conflict,' 'Viking,' '1984,' 'Behelit,' and 'Kid of Darkness,' the album is a relentless assault, balancing raw aggression with massive, unforgettable catchiness, with the next single, 'Russian Grizzly In America,' set to be a heavy metal anthem, packed with hooks strong enough to hang a bear from.

This is Slaughter To Prevail’s moment. “Grizzly” is the culmination of everything they have built, a defining record that cements their place at the top of modern heavy music.

Coheed and Cambria

Taking inspiration from two main characters Claudio Sanchez’s fictional works, prog-rock band Coheed and Cambria from New York, US who since formation in 1995 have steadily climbed to the top of the ranks while achieving global success with their Children of the Fence firmly by their side.

Dethklok

Three 6 Mafia

Insane Clown Posse

Hallowicked 2024 Tickets On Sale Now!

🔗 https://is.gd/hw24tickets 🎟

https://linktr.ee/insaneclownposse

Kublai Khan TX

Energetic, aggressive, and passionate music. A four piece metalcore band based in north Texas. We say whats on our hearts to express how we feel, who we are, what we stand for, and wont stand for, as well as the problems of our generation. In hopes of tapping into the underground and revealing the unseen lives and feelings of the youth in modern American society. We are fighting to make an impact in a music scape bogged down with meaningless lyrics and recycled with mindless music. Trying to push messages that often get overlooked or ignored in the nation today, hoping to use our music as a vessel to relate with people and emit hope.

Underoath

Underoath has been a formative voice in progressive, heavy rock for almost two decades. Today, they share their blistering new single “Damn Excuses” out on Fearless Records. This release marks the first new music from Underoath since 2018’s Grammy-nominated full-length, Erase Me, and launches a brand new chapter in the band’s career. “Damn Excuses” was completely self-recorded and produced at guitarist Tim McTague’s studio, Feral Sound, in Tampa, Florida. It evokes the beautiful chaos that so many fans have found special about Underoath for years while still managing to break through new sonic and emotional boundaries.

This far into their storied career, Underoath has unsurprisingly faced their fair share of adversity. Through the trials and tribulations, a commitment to their craft and a sense of accountability rooted in mutual respect for each other has ensured that each new chapter for the band continues to mold their legacy in a positive fashion. With their shared history of remarkable accolades and trying hardships continuing to shape who the individual members are as people, Underoath is still just scratching the surface of what they can accomplish as a band. There are few acts in the annals of rock history that can say their best work is still ahead of them almost two decades into their career. Fortunately, Underoath falls into that category. As the world opens back up in 2021, the band is deeply committed to living up to the high expectations that fans (and themselves) have come to expect for anything associated with the project. It will undoubtedly be something special to witness as this next chapter in the Underoath story manifests.

Alexisonfire

Drain

Anyone who’s seen Drain live has felt it. The electricity coming off of the stage. The communal energy of the fans singing upfront. The primal thrills of fists flying in the moshpit. The uninhibited joy emanating from every banging head, screaming lung, and airborne foot in that room. There’s nothing like a Drain show. There’s no other hardcore band like Drain. The Santa Cruz band is an institution in their genre and an affable neighbor to their adjacent ones. Punks love Drain. Metalheads love Drain. Haters can’t help but love Drain. Drain is for everyone. Well, venue security guards might not love Drain. But to everyone else: Drain…Is Your Friend.

Drain -- frontman Sammy Ciaramitaro, guitarist Cody Chavez, and drummer Tim Flegal -- formed back in 2014 and cut their teeth in Santa Cruz’s fertile DIY hardcore scene. COVID lockdown couldn’t stop their 2020 debut, California Cursed, from making waves, and their 2023 follow-up, Living Proof, hit the hardcore scene like a Cali beach during hurricane season -- a torrential classic. Since then, Drain have blazed through hundreds of shows worldwide: headlining festivals, taking their friends and heroes on tour, and even playing arenas with Blink-182. Regardless of whether they're opening for pop-punk jukeboxes like Neck Deep or grabbing the stage-dive torch from Terror, Drain’s only goal is to make the crowd go buckwild.

“We call the shots for these 30 minutes,” Ciaramitaro beams excitedly while describing Drain’s nightly ritual. “I’m the boss and I’m gonna turn this place into a warzone. We’re ripping shit up, we’re breaking shit, but it’s coming from a good place in our hearts. People are feeling alive and we’re sharing this energy back and forth.”

With their third full-length album and second for Epitaph Records, …Is Your Friend, Drain had two primary goals in mind: to capture their quintessential live essence on recording, and to write new songs that’ll make their next shows even crazier. Their previous albums were written before Drain were on the road all year, and they spent the last few hundred nights onstage making note of which songs their fans respond best to. …Is Your Friend is designed to maximize their audience’s shit-losing abilities. Its 10-song tracklist includes the heaviest mosh parts, the catchiest choruses, the tastiest thrash riffs, and the most scream-able lyrics Drain have ever written. Producer Jon Markson (The Story So Far, Drug Church, One Step Closer) tracked the whole album live -- 100% real-time drums, no metronome, no programmed bullshit. It sounds the way Drain were always meant to: crisp, serrated, animated.

“There are a few moments that we call the Drain push and pull,” says Ciaramitaro, who played bass on this record for the first time in Drain’s history. “I’m pretty sure every one of these songs gets a little faster before the chorus. Just because we’re feeling it, it’s fucking happening right now. It feels alive.”

Drain are a group of best friends playing at the top of their game, and …Is Your Friend flexes their instinctive chemistry. Therefore, it made sense for Ciaramitaro to take a similar approach while writing the album’s lyrics. Instead of intently scribbling his words into a notepad like on previous Drain records, the frontman put the pen down and freestyled many of the album’s subjects off the dome. The words flowed easily because so much has happened to Ciaramitaro since California Cursed, both within the band and on a personal level. Ciaramatiro got married. Drain became a full-time touring machine. So many of their wildest dreams became everyday occurrences. However, every coin has its flipside, and Drain’s success hasn’t come without its disadvantages. The trio are spending less time at home with family, losing touch with longtime friends, and occasionally feeling weird energy from people who treat them like they’ve changed just because their band has grown.

…Is Your Friend takes stock of both the good and the bad. In the bouncy banger “Nights Like These,” Ciaramatiro pauses to cherish the lifelong goals that have become Drain’s average Tuesday: leveling a 1,000-capacity room, hopping in the van with their dearest pals, and motoring off to the next city while commencing their version of a rowdy night on tour. “Basically, it’s like a seventh grade sleepover, but we’re 30-year-old men,” Ciaramitaro quips. In the thrashy “Nothing But Love,” Ciaramitaro gives Drain’s fairweather friends the middle finger while simultaneously taking the high road: “There’s room for all of us to win/just worry about yourself and stop watching my fucking pockets,” he barks.

”I want to be a good person,” Ciaramitaro says. “But sometimes I’m like, ‘you know what? Fuck these guys!’”

There couldn’t be a better visual representation of that thematic dichotomy than …Is Your Friend’s cover art. The visual depicts the band’s iconic kewpie mascot lounging back on a beach chair, grinning into the sunlight while an angel and a devil hover above each shoulder, taunting Drain’s cartoon protagonist with two opposing paths. “That little kewpie character is exactly where I personally want to be,” Ciaramitaro says. “There’s good, there’s bad, and then there's me in the middle just tuning out all the bullshit, listening to music and trying to vibe exactly where I am. Also, the art is just sick, dude. Devils, angels -- kind of badass.”

The cover art also illustrates where Drain see themselves on a macro level. Not on either side of the punk/metal spectrum; not entirely posi-core nor one-dimensionally brooding; not just for scene newbies and not just for grizzled pit veterans. But right at the center of it all. For anyone who’s ever felt it, for everyone who wants to.

“My favorite thing right now is for someone to say, ‘I’ve never heard of you but I’m excited to see you play,’” Ciaramitro says. “This band is for everybody. We’re not different from you, we’re not going to treat anybody different than us. I’m gonna give the same respect to the kid at his first show as I will to the dude from the really cool band in that city. No one’s too cool at the Drain show.”

The title puts a bow on it. …Is Your Friend is a slogan that Drain have been printing on merch since they were playing to 15 people on a floor. Over the years, Drain have gotten bigger, their crowds have gotten more diverse, and their music has become more eclectic. But Ciaramitaro underscores what this album makes abundantly clear: their founding ethos remains unchanged. “Drain is your friend, Drain was your friend, Drain will forever be your friend.”

Paleface Swiss

P.O.D.

Cradle of Filth

Cradle of Filth are an extreme metal band hailing from Suffolk, England who formed in 1991. The band is the brainchild of Dani Filth, A.K.A Daniel Lloyd Davey, the bands singer and lyricist who has led the band to become one of the biggest extreme metal bands in Europe.

Atreyu

Named after the lead character in the fantasy novel “NeverEnding Story”, Atreyu is a metalcore band based in Orange County, California, US, noted for crossing intense screamo stylistics with strong pop sensibilities.

Finch

Instagram: https://www.instagram.com/finch

Senses Fail

Senses Fail is an American rock band whose sound encroaches on genre variants ranging from post-hardcore, emo, screamo, and punk. They cite influences that encompass introspective and emotionally bare indie acts like The Promise Ring as well as brazen non-authoritative punk rockers like The Nation of Ulysses.

Spite

spite.

Drowning Pool

The Black Dahlia Murder

The Black Dahlia Murder is an American metal band from Waterford, Michigan, formed in 2000 and currently consists of Trevor Strand, Brian Eschbach, Ryan Knight, Max Lavelle and Alan Cassidy.

Bodysnatcher

Debut album "Death Of Me" available 11.10.17 via Stay Sick Recordings

Haarper

PeelingFlesh

Alesana

Alesana are a band hailing from Raleigh, North Carolina, U.S who formed in 2004. They are famous for their blend of modern day post-hardcore with influences from classic rock bands from The Beatles to Iron Maiden, and they have released four studio albums since their debut E.P in 2005.

Nekrogoblikon

We have a goblin.

Psychostick

Powerglove are a video game metal band from Arlington, Massachusetts. They are an unsigned band currently with two releases, the "Total Pwnage EP" and the "Metal Kombat for the Mortal Man" album. The band plays a variety of heavy metal/speed metal covers of popular video game music such as "Tetris" and "Power Rangers". The band's name comes from the name of a Nintendo product which was worn as a glove to control video games.

Rivers Of Nihil

Rivers of Nihil have never fit neatly into a box, but with 2018’s Where Owls Know My Name, they transcended all labels applied to them. Returning in 2021 with The Work, they forged further into new territory, once again upending any expectations fans had placed on them. And now, following a new series of singles recorded in early 2023, the band returns with their self-titled album, out May 30 via Metal Blade, a triumphant statement that has once again shattered the ceiling of how far they are willing to go in search of new sonic terrain.

The Reading, Pennsylvania-based progressive death metallers spent 2021 and 2022 burning the candle at both ends with a frenzied tour schedule including headline runs of the U.S. and Europe, a jaunt on the European festival circuit and two runs in support of The Black Dahlia Murder and The Contortionist in North America. But once the latter tour wrapped up, they were short a band member.

For personal reasons, founding member and lead vocalist Jake Dieffenbach and the band went their separate ways. The split took place just three days after the recording of a live video and audio session for Audiotree’s new 'From Nothing' series, which was released on April 20, 2023. And while initially the band wasn't sure how to approach the release with the departure of a founding member and lead singer — or whether to release it at all — they decided to move forward with it to honor Dieffenbach's contributions to the group over the years and mark the beginning of a new chapter.

In March 2023, Rivers of Nihil wrapped up a recording session that saw the now four-piece band birth a considerable amount of new music featuring their previous bassist/backup vocalist Adam Biggs as the new lead vocalist/bassist. This recording session also marked the first appearance of new guitarist Andy Thomas (ex-Black Crown Initiate), whose vocals also play prominently in the music, as a member of Rivers of Nihil. These new singles are the first to showcase the band’s new lineup in full-on collaboration, and demonstrates that while this is a new, brave sound with tons of potential, it also carries the band's classic energy.

Released across all digital platforms on June 15, “The Sub-Orbital Blues,” the first single from those sessions, is about the dichotomy of living in a 21st century society rife with scientific and technological advancements such as artificial intelligence and ever more sophisticated space travel, while also dealing with the increasing threat of old world problems like out of control governments and the looming threat of world war.

The remaining three singles from the April 2023 recording session will be released leading up to the release of the band’s next full-length studio album, which the band is eager to begin work on.

Previous Releases:

2023: Audiotree From Nothing Sessions EP

2021: The Work

2018: Where Owls Know My Name

2015: Monarchy

2013: The Conscious Seed of Light

Find Rivers of Nihil at:

http://www.facebook.com/riversofnihil

http://www.youtube.com/Riversofnihilpa

https://www.instagram.com/riversofnihil/

http://www.twitter.com/riversofnihil

Silly Goose

Eyes Set To Kill

Eyes Set to Kill have taken the hardcore community by storm with an intense live show and a crushing EP. They unleash a whirlwind of melodic guitar riffs that violently flood into the ears of listeners, emotionally capturing screams, and hypnotizing melodic vocal hooks that seethe with emotion. Originally conceived by as the two piece of consisting of Alexia Rodriguez (Lead Guitar, Vocals), and Anissa Rodriguez (Bass Guitar), this Phoenix, AZ screamo outfit attempted to create a unique sound that would combine the soft, melodic feel of female vocals and gut-wrenching screaming, backed up by powerful instrumentals with a post-hardcore influence. “Having a screamer and a melodic singer has just always been our vision. We wanted to try something different because we didn’t want to be the typical screamo band,” said former singer Lindsey Vogt. “We didn’t try to make our songs a certain sound. We play what we feel.” Searching the local area for talented and dedicated musicians to create this sound the group was frequently ignored and turned down by sexist musicians, despite their obvious talent and potential. The girls were classified, stereotyped, and rejected by the ignorant music scene before their demo was given a mere listen. “People just assumed we were going to be just another chick band that has no musical talent," Vogt said. "Since we were girls, no one took us seriously and assumed that we couldn’t play and write good songs.” After struggling to be heard for what seemed an eternity, the girls found their missing pieces in early 2006 with the addition of Greg Kerwin, (Guitar), Brandon Anderson (Vocals), and Caleb Clifton(Drums) to an already blistering line-up. From there the band would shared stages with the likes of Chiodos, Blessthefall, Goodbye Tomorrow, My American Heart, and Greeley Estates and even did a stint on the Warped Tour. "We booked our first tour this summer completely through MySpace," says Screamer Brandon Anderson about the young band embracing a ‘do it yourself’ work ethic. "The band operates our own MySpace; reply to all comments, messages, and friend requests and does a lot promoting. Our manager made our DVD, music videos and live videos. We do everything on our own and don’t wait around for anyone."

vianova

Aftershock

Flytjendur