Wavves
Off Broadway, 3509 Lemp Avenue, 63118 Saint Louis Kort
sun. 19.07.2026 20:00
WAVVESW/ BASS DRUM OF DEATHWORLDS WORSTSUN. July 19, 2026Doors 7PM | Show 8PM$25 ADV | $30 DOS | $40 BALCONYBandsintown Presale begins Tuesday, March 24th, at 10 AM CTSpotify Presale begins Wednesday, March 25, at 10 AM CTGeneral Onsale begins Friday, March 27, at 10 AM CT.All Ages (21+ with valid ID to drink, $3 minor surcharge under 21)In order to combat third-party resale, we have recently enacted a delivery delay on all tickets purchased online. You will receive an order confirmation immediately after your purchase, and your tickets will be emailed to you/made available in your Ticketweb account TWO DAYS before the event.
Flytjendur
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Wavves
Bass Drum of Death is getting back to basics. From the bare-bones title of their sixth record—SIX—to the writing approach—their first two LPs were recorded entirely on GarageBand—the creative process for the group is strikingly similar to the early stages of their career. While the new album marks a return to their original recording method, there are a few notable changes. Instead of working solo on the demos, frontman John Barrett and the band (Jim Barrett, guitar; Ian Kirkpatrick, drums) convened for several sessions in Barrett’s home studio in Nashville to bring the songs to life. Manning the faders was producer Jeremy Ferguson (Cage the Elephant, White Reaper), who then hosted the band for ten snowy days of fine tuning at his Battle Tapes studio. The result is a scuzzy blast of their signature sound, with influences ranging from The Stooges to ZZ Top and very much aided by Ferguson’s deft engineering touch. If SIX sounds like a return to form, the band proves they still have a few tricks in their pocket and things up their sleeve.
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Bass Drum of Death
Bass Drum of Death is getting back to basics. From the bare-bones title of their sixth record—SIX—to the writing approach—their first two LPs were recorded entirely on GarageBand—the creative process for the group is strikingly similar to the early stages of their career. While the new album marks a return to their original recording method, there are a few notable changes. Instead of working solo on the demos, frontman John Barrett and the band (Jim Barrett, guitar; Ian Kirkpatrick, drums) convened for several sessions in Barrett’s home studio in Nashville to bring the songs to life. Manning the faders was producer Jeremy Ferguson (Cage the Elephant, White Reaper), who then hosted the band for ten snowy days of fine tuning at his Battle Tapes studio. The result is a scuzzy blast of their signature sound, with influences ranging from The Stooges to ZZ Top and very much aided by Ferguson’s deft engineering touch. If SIX sounds like a return to form, the band proves they still have a few tricks in their pocket and things up their sleeve.
