Jesse Welles - Red Tour 2026
Kettlehouse Amphitheater, 605 Cold Smoke Lane, 59823 Bonner Kort
sun. 09.08.2026 20:00
General Admission Pit (Standing) tickets, 2-Person Premium Boxes, Reserved Stadium Seating, and General Admission Lawn tickets are available for this performance. All seating in the lawn section is available on a first-come, first-served basis only. All concerts are held rain or shine. Be prepared for extremes such as sunshine, heat, wind or rain. All sales are final and tickets are non-refundable. **Please understand that Logjam Presents takes every measure possible to ensure YOU, the fans, get tickets. There are many layers of bot-stopping efforts in place, but even then, demand may occasionally outweigh the available supply of tickets.**
Flytjendur
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Jesse WellesJesse Welles, from garage-rock frontman to one of today’s most urgent folk voices.
With lyrics both topical and timeless, Jesse captures the grit and soul of American protest music.
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Ratboys
Ratboys have been recording and releasing music for over a decade, but their newest album, The Window, marks the first time they’d ever traveled outside their home base of Chicago to make a record, journeying to the Hall of Justice Recording Studio in Seattle to work with producer Chris Walla. The sessions with Walla (Death Cab for Cutie, Tegan and Sara, Foxing) struck the perfect balance between preparation and experimentation, injecting new life into the band’s style of soft-hearted Midwestern indie rock with an ever so subtle Americana twist. The solidified Ratboys lineup stretched and expanded their vision in the studio, adding unexpected elements and instruments like rototoms, talkboxes, and fiddles. The result is Ratboys’ most sonically diverse record, shifting wildly from track to track. It flexes everything from fuzzy power pop choruses on “Crossed That Line” and “It’s Alive!” to a warm country twang on “Morning Zoo” to mournful folk on the titular track. After more than ten years and four studio albums, The Window finally captures Ratboys as they were always meant to be heard—expansive while still intimate, audacious while still tender—the sound of four friends operating as a single, cohesive unit.
