Xavier Rudd

Flytjendur

• 

  Xavier Rudd

  Looking back over Xavier Rudd's stunning career, one could easily ask what is possibly left for him to achieve. Already one of Australia's most loved artists, he has earned accolades of every kind, Gold and Platinum certification, and legions of fans worldwide. Yet, with each new release, Xavier Rudd continues to surpass expectation and produce his finest work to date.

  Storm Boy, Xavier's ninth studio album, continues this upwards trajectory. Led by the radiating single Walk Away, Storm Boy is both classic Xavier and something a little new. Produced by Chris Bond (Ben Howard, Tom Speight) and mixed by Tim Palmer (Pearl Jam, Bowie, U2) it is a record that reflects the power of Xavier's songwriting – his timeless, philosophical lyrics and his masterful sculpting of melody.

  Beginning his career with 2002's definitive To Let, Xavier Rudd put his message out into the world and was answered immediately. Fans from all over the globe were drawn to the distinctly Australian-looking musician, activist and surfer. It was the start of a journey that would span well over 15 years (and counting); taking Xavier to almost every continent on the planet, where he has connected with people from all cultures and walks of life. There are no borders that apply to Xavier Rudd's music.

  His earliest live format was a wonderful spectacle, placing Xavier inside a forest of yidakis (didgeridoos) from which he dexterously crafted layers of guitar, percussion, blues harp and vocals. He was distinct, unique and unforgettable. Since then he has played in a variety of solo and band formats, each with an unmistakable personality of its own. The further the ripples of his career reached, the bigger the wave got. Australia was the first to fall in love with Xavier. Then it was Canada. Then it was Europe...the snowball kept rolling.

  As his popularity grew worldwide, so too did Xavier's musical palette. Each new record, always accompanied by breathtaking singles, gave his fans everything they wanted and more. In return, ARIA nominations, chart placings and Gold and Platinum records honoured each release, spurring Xavier even further and producing a stellar discography: To Let (2002), Solace (2004), Food In The Belly (2005), White Moth (2007), Dark Shades Of Blue (2008), Koonyum Sun (2010), Spirit Bird (2012), and his first album with The United Nations, Nanna (2015).

  This alone would be impressive enough, but in that time Xavier has also released eight live albums, recorded around the world in Canada, The Netherlands, Brussels, and different parts of Australia. Each live album is an essential snapshot of a moment in Xavier's career, documenting his path and commemorating the bond he shares with his fans.

  But in spite of all his success, Xavier Rudd has never stopped working. He has continued to tour the world and make incredible records – showing absolutely no desire to rest on his achievements. He truly loves his fans and feels constantly blessed to be able to perform in countries all across our beautiful planet. He has inspired thousands of people and been the catalyst for others to find their own voice. He is helping his own country to reconcile its past, and he is beloved as both an icon and a human being.

  There is no one else like Xavier Rudd.

• 

  Lenny Kravitz

  2026 Tour ⚡️ Tickets on sale now: lennykravitz.com/tour

• 

  Editors

  Marrying dark angular rock with a sharp pop sense, English band Editors emerged in the early 2000s as part of the post-punk revival that also included contemporaries Interpol, White Lies, and the Cinematics. Following their 2005 debut, The Back Room, they scored a pair of U.K. chart-toppers, including In This Light and on This Evening, which found the band incorporating more synth pop elements. They furthered that digital push on 2015's In Dream, before striking a balance between rock and electronic with 2018's Violence.

  Formed in 2003, Editors became one of the leading bands in the post-punk revival that swept America and England in the early 21st century. Originally dubbed Snowfield, the group comprised four music technology students from Stafford University -- singer/guitarist Tom Smith, lead guitarist Chris Urbanowicz, bassist Russell Leetch, and drummer Ed Lay -- all of whom had relocated to Birmingham after graduation. A series of a well-received club dates and demo recordings earned Editors some attention from British labels, and the group soon signed with the revitalized Kitchenware, the venerable indie label once home to Prefab Sprout.

  Kitchenware issued the band's debut single, "Bullets," in early January 2005. The record reportedly sold out in one day, and its sound earned comparisons to the dark, dramatic atmospherics of contemporary bands like Interpol and Bloc Party (not to mention veteran outfits like Joy Division and Echo & the Bunnymen). Editors' follow-up single, "Munich," made them darlings of the U.K. music press, and just weeks after their standout performance at the annual Glastonbury Music Festival, the band issued a third single, "Blood." Their much-anticipated debut LP, The Back Room, followed in mid-2005. "Munich" was reissued in January 2006 to ramp up support for the album, which entered the Top Five in the U.K. and eventually earned platinum sales. A U.S. tour with stellastarr* coincided with the American release of The Back Room in March, and a Mercury Music Prize nomination followed in July.

  Editors' sophomore effort, An End Has a Start, came out the following summer, preceded by the Top 10 single "Smokers Outside the Hospital Doors." Like its predecessor, the album went platinum in the U.K. and maintained the band's modest audience in America, where they returned in September 2007 to launch another stateside tour. Editors remained on the road through the middle of 2008, playing a slew of festivals in the U.K. and opening a string of European shows for R.E.M. before the year was up. By this point, the band had grown tired of their sound, however, and 2009 found them tinkering with synthesizers and industrial music. After enlisting the help of producer Flood (known for his work with Depeche Mode, U2, and Nine Inch Nails), they decamped to the studio to record In This Light and on This Evening, which unveiled their newfound electronic fixation upon its release in October 2009.

  Eager to build on the success of a second U.K. number one album in a row, Smith immediately began to write material for a prospective fourth full-length. By the time the In This Light and on This Evening promotional tour had ended in late 2010, the band had enough new songs to enter a London studio, with Flood once again behind the desk. The majority of the band wasn't satisfied with the initial results of these sessions, and by early 2012, Smith, Leetch, and Lay had asked Urbanowicz to leave Editors when it became clear that the vision they had for the band's future wasn't shared by their guitarist and founding member. Very shortly after Urbanowicz had departed, the band were offered a high-profile festival slot in Werchter, Belgium. They honored this commitment, bringing in ex-Yourcodenameis: Milo guitarist Justin Lockey and Airship member Elliott Williams to their lineup, bolstering the band's sound and laying the foundations for the straight-ahead rock approach that their fourth album would ultimately take. Recorded as a five-piece in Nashville with Jacquire King as producer, The Weight of Your Love was issued in June 2013 and nodded to the ambitious, guitar-led, stadium-filling sound of U2 and R.E.M.

  In 2015, Editors delivered their fifth studio album, the self-produced In Dream, which featured background vocals from Slowdive's Rachel Goswell and included the singles "No Harm," "Marching Orders," and "Life Is Fear." They toured extensively behind the effort before returning to the studio for their sixth LP, 2018's Violence, which featured the singles "Magazine" and "Hallelujah (So Low)." A version of the album originally recorded with electronic producer Blanck Mass was issued a year later as The Blanck Mass Sessions. The short set featured alternate versions of seven tracks from Violence, adding the previously unreleased song "Barricades." ~ Jason Ankeny & James Wilkinson

• 

  Suede

  Suede (also known as The London Suede in the United States) is an alternative rock/ Britpop band from London, England.