STEPHAN EICHER
THÉATRE DU ROND POINT | SALLE RENAUD BARRAULT, 2 Bis Avenue Franklin Roosevelt, 75008 Paris Kort
fös. 02.10.2026 21:00
STEPHAN EICHERDe la scène rock aux planches, itinéraire d’un musicien libreEntre le concert en pointillé et le monologue buissonnier, Stephan Eicher revient sur sa carrière, depuis ses débuts sur la scène rock underground des années 80 jusqu’à aujourd’hui, vieilli mais bon pied bon œil, facétieux et généreux. Dans ce décor minimaliste en noir et blanc où, élégant, le chanteur suisse prend ses aises, s’accompagne à la guitare, au piano, et nous mène en bateau, l’artiste invite à prendre le temps au présent tout en se retournant sur une vie d’albums réalisés et de tournées.Drôle, touchant, d’anecdotes en confidences, au rythme de ses souvenirs, l’artiste surprend, joue avec son image et son public et trouve, dans cette performance musicale et narrative atypique, une liberté de ton et une poésie scénique qui lui vont comme un gant. De et avec Stephan EicherMise en scène François GremaudDurée 1h30
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Stephan Eicher
Stephan Eicher is a Swiss singer-songwriter born 17 August 1960 in Münchenbuchsee close to the Swiss capital Bern. He combines French chanson and rock music. Being from a multilingual country Stephan Eicher sings in English, French, Italian, German and Swiss-German. Sometimes he even sings several languages in just one song.
He first started out in 1980 when he formed the band Grauzone with his brother. From 1982 on he sang solo and had his breakthrough in Switzerland in 1985 with the album I tell this night.
In April 2007 he released the album: Eldorado. From his website:
It seems that Stephan Eicher had this album in mind for a long time; almost fifteen years… Since « Carcassonne », when he was already thinking about reinventing himself, after six years of real success (Two people in a room, Combien de temps, Déjeuner en paix, Pas d’ami (comme toi…).
With 2003's generous "Taxi Europa, marked by continental climates, he went in a different direction, around the old continent. “By the end of this long tour, I couldn’t stand the idea of singing out loud. I felt like singing for myself or for someone. As a coincidence, I began to compose new songs in places where I couldn’t make so much noise. In the Camargue, there was a dog barking each time I started to sing. In Brussels, I had almost to whisper melodies to avoid waking up the child sleeping next to me. Progressively, I began to place my voice differently”.
Eldorado was born like that, in hushed silence, in the secret of the nights. And as usual with Stephan, the voice has opened the way. Softened, contained in intimacy, it drove all the instruments choices implicitly. It had to be organic, with grain, matter, in order to give more space to silences, a figurative instrumentation, almost a real original soundtrack which could tell what the voice was concealing.
