Notodden Blues Festival

Europas Beste Bluesopplevelse

Blues Festival

Blues

The Kenny Wayne Shepherd Band

The Darkness

VANESSA COLLIER

5x BLUES MUSIC AWARD WINNER

2025 BMA WINNER "HORN PLAYER OF THE YEAR"

2024 BMA WINNER "HORN PLAYER OF THE YEAR"

2022 BMA WINNER “CONTEMPORARY BLUES FEMALE ARTIST OF THE YEAR”

2020 BMA WINNER “HORN PLAYER OF THE YEAR!”

2019 BMA WINNER “HORN PLAYER OF THE YEAR!”

“There’s a young lady [Vanessa Collier] came onstage with me, I forget where I was, but she’s playing an alto saxophone, and man, she was amazing.”

Those are the words of Buddy Guy in an issue of American Blues Scene, describing an impromptu performance with Vanessa Collier on the Legendary Rhythm & Blues Cruise. If you haven’t been fortunate enough to meet Vanessa and witness one of her head-turning, fiery, and passionate performances, you should definitely make sure you do. As a master musician and multi-instrumentalist, Vanessa Collier, weaves funk, soul, rock, and blues into every powerful performance and she is downright impressive. With soulful vocals, searing saxophone, and witty songwriting, Vanessa is blazing a trail, racking up an impressive arsenal of honours, and has already singled herself out as an artist of distinction and one we would all do well to watch.

It’s not simply the accolades she has accumulated so far, although they’ve been many -- two Blues Music Awards for “Horn Player of the Year”, and a third BMA for “Contemporary Blues Female Artist of the Year”, eight Blues Music Award Nominations (BMAs), a Blues Blast Award nomination, the Jammingest Pro Award bestowed by the Legendary Rhythm & Blues Cruise, First Place for lyrics in the International Songwriting Competition, Best of 2014 Blues Breaker on Dan Aykroyd’s BluesMobile -- it’s the fact that she has accumulated all these honours even while her career is still in its infancy. A 2013 graduate of the prestigious Berklee College of Music, she’s toured nationally and internationally, released four critically acclaimed albums (2014’s Heart, Soul & Saxophone, 2017’s Meeting My Shadow, and 2018’s Honey Up, 2020’s Heart On The Line. Honey Up spent 9 weeks atop the Billboard Blues Album Charts Top 15, 3 months on the Living Blues Charts at #10 and #23, and continues to be spun on Sirius XM’s B.B. King’s Bluesville radio station!

It’s not surprising that the press has been quick to commend her efforts as well. Blues Blast Magazine affirms, “Vanessa Collier is a fresh face on the American blues scene, and in addition to her soulful vocals, she brings a mighty sax to the table...” Blues Music Magazine proclaims, “Collier is a fresh face who comes to the blues stage carrying her reed instruments, a dual degree from Berklee College of Music in Boston, a major label debut, almost two years of touring with Joe Louis Walker, and a mature musical vision…Collier commands center stage with her vocals, soloing, and stage presence.” Midwest Record exclaims, “This bluesy singing sax player knows how to bring the slinking funk to her captivating, award winning sound that has echoes in young Bonnie Raitt/Maria Muldaur vocal sounds…Killer stuff on every level, this sounds like one of the reasons you first became a music fan. Killer stuff.” and AXS.Com declares that she “might as well go ahead and add another shelf to her trophy case because clearly, she’s going to need it. With a voice that often recalls that of blues-rock stalwart Bonnie Raitt, Collier turns up the heat...”

Having first picked up the saxophone at the age of nine, Collier embarked on her road to recognition at Berklee, earning dual degrees in Performance and Music Production & Engineering. While still completing her degree, Collier landed a position touring with Joe Louis Walker for a year and a half before Joe encouraged her to strike out on her own. And strike out she did.

These days, Collier spends much of her time on the road, performing at some of the most prestigious music festivals in the world. Her talents have taken her to the Blues Music Awards Show where, in the words of the Blues Foundation, Vanessa “blew the doors off the Blues Music Awards!”; Ottawa Blues Festival, where she earned two front page newspaper photos and rave reviews after her foot stomping debut there; twice on the Legendary Rhythm and Blues Cruise, where she earned the Jammingest Pro Award and was a featured artist with Tommy Castro’s Blues Review; Briggs Farm Festival, where she was the “most popular Briggs Farm act in 2017” (Elmore Magazine), and the list continues.

Vanessa has won 3 Blues Music Awards - two for “Horn Player of the Year” in 2019 and 2020 and one in 2022 for “Contemporary Blues Female Artist of the Year”!! She has been nominated for eight Blues Music Awards since 2017, which puts her in elite company with artists such as Beth Hart, Samantha Fish, Shemekia Copeland, Ruthie Foster, Trombone Shorty, Al Basile, and Jimmy Carpenter.

As for Collier, she says she’s happy performing on stages across the world, hoping that she can make a difference with fans and followers along the way. “I am driven to do this because I find it a total form of expression and connection,” she explains. “I love connecting with an audience and feeling their energy and I hope to inspire people to follow their dreams and passions, to find what brings them joy, and then to pursue it doggedly.” Vanessa also takes that message to young people as she runs clinics across the country and is active with Blues in the Schools programs. At a recent Blues in the School program, Vanessa invited a stage full of elementary and middle school aged kids up to dance around her while she performed a blues shuffle. Watching the joy on the faces of Vanessa, the kids, and everyone in the auditorium, it is no wonder why Vanessa has become awe-inspiring to all who meet her. On top of talent and hard work, Vanessa shares an incredible heart and a strong purpose. To borrow from the words of an article in Blues Blast Magazine, “Vanessa is an important part of the future of the blues, and it would be cool to support her journey."

Jalen N'Gonda

Born in Maryland, USA, Jalen NGonda chose the city of Liverpool as the place in which he would flourish as a musician. It was at the age of 11 he began getting into music, inspired by his father's collection of jazz, hip-hop, and soul records.

Since moving to Liverpool Jalen has been playing gigs across the UK and beyond. Two years later Jalen is selling out headline shows in Germany, UK, and Switzerland, is breaking into Spotify's Viral Charts and is supporting touring acts such as Laura Mvula, Martha Reeves and Lauryn Hill at the Montreal Jazz Festival.

His debut EP is due in early summer 2018.

Dumdum Boys

DumDum Boys started up in the late 1970s as a punk band under the name Wannskrækk. Wannskrækk released one of the most sought-after Norwegian punk seven inches called "Faen kuler treffer aldri riktig" in 1981, the year after the Wannskrækk 12" was released. Wannskrækk moved on and reinvented themselves with a new name and a somewhat new sound in 1985.

This shift invoked the beginning of one of the greatest success stories in Norwegian rock ever. The new name, DumDum Boys, was taken from a song on the album "The Idiot" by Iggy Pop. Their debut album, Blodig Alvor (na na na na na), is still regarded as one of the classic albums in Norwegian rock. The same is said for their following 1989 album, Splitter Pine. They are still the only band that have won "Spellemannsprisens Rock Category" (the Norwegian version of "Grammy Awards") three times in a row.

Third album Pstereo fulfilled the trilogy of award-winning LP's, including the two others mentioned above. The song "Splitter Pine" is one of the most well known rock-singles in the history of Norwegian rock. Since then, bass player Persi Iveland has been replaced by Aslak Dørum, who now is the song-writer alongside rock legend and guitarist Kjartan Kristiansen. Kristiansen is one of the most respected song-writers in Norway, especially because of his well written and important lyrics, sung by frontman Prepple Houmb. Sola Johnsen is still the drummer and has been that since the late 70's. He's released a solo-ep called "Verdens Beste Trommis" ("Worlds Greatest Drummer"), as a tribute to Led Zeppelin hero John Bonham.

After a seven year hiatus, they had a very successful tour in Norway during the summer of 2004. They went back into the studio in 2005 and released their critically acclaimed new album "Gravitasjon" in March 2006. "Gravitasjon" showed that DumDum Boys is still a band influenced by the punk rock scene. The band is now planning a giant summer tour in Norway and it is expected that all concerts will be sold-out.

Raga Rockers

Raga Rockers er et av de store arbeidsjernene i norsk rock og har gitt ut hele 17 album, hvorav 12 studioalbum har blitt sluppet siden starten i 1983. I tillegg har Michael Krohn gitt ut 10 album under forskjellige navn og gjestet på over 50 forskjellige innspillinger.

«De fire store» i norsk rock står like støtt som i litteraturen.

I 2013 feiret Raga Rockers 30-års jubileum og i 2015 har primus motor Christer Falck fått med seg mer eller mindre hele musikk-Norge for å hylle bandet. 18. november 2015 slippes cd- og vinylboksen «Sannhet på boks» der artister som deLillos, Dumdum Boys, Oslo Ess, Elvira Nicolaisen, The Dogs og nærmere 100 andre norske artister hyller Raga Rockers med sine versjoner av deres låter. Selveste Pushwagner lager coveret og bookleten vil også inneholde spesialskrevne striper fra kjente tegneserieskapere og kloke ord fra fine folk.

Onsdag 18. november arrangeres slippfest på Rockefeller hvor flere profilerte band skal hylle Raga Rockers fra scenen.

Plater og billetter kan forhåndsbestilles på www.newjelly.com/raga fra 30.04. kl. 05.00.

Backstreet Girls

IN LUST WE TRUST is the long awaited new album from Backstreet Girls, and the band’s 16th studio album. For IN LUST WE TRUST, the band reunited with producer Stamos Koliousis who also produced, Spellemann-nominated "Normal is Dangerous" in 2019. Backstreet Girls cut ten new tracks for the album, proudly maintaining their signature sound and all of its powerful hallmarks. Play it on volumen brutale! IN LUST WE TRUST features the lineup of Bjørn Müller (vocals), Petter Baarli (guitars), Gaute Vaag (bass) and Anders Langset (drums) firing on all cylinders once again.

The Devon Allman Project

Bernard Allison

BERNARD ALLISON

The great Chicago bluesman Luther Allison lived by a simple philosophy that he was happy to share (“Leave your ego, play the music, love the people). Now twenty-three years after his passing the great man would surely be thrilled to hear Bernard Allison’s Songs From The Road, and proud to find his ferociously talented son is sworn to the same mission bringing, soul-soaked, all-guns-blazing blues to audiences who need it more than ever.

Released in January 2020 as a CD/DVD set on Ruf Records, Songs From The Road is a live snapshot so raw and real that hearing it feels like hanging off the security barrier of Dortmund’s Musiktheater Piano club when Bernard and his crack-squad band hit town last October 23rd. With an A-list crew on-hand – and a dynamic mix from industry legend Jim Gaines – this immersive recording catches every last flash of virtuosity, bead of sweat and drop of atmosphere. “I actually prefer live performances,” says Bernard, “because you can communicate and interact with the audience. I basically feed off of that energy, combined with my group’s talent and personalities.”

Since he embarked on his acclaimed solo career with 1990’s The Next Generation, Bernard’s studio catalogue has been heavy with highlights, and that night in Germany, every fan in the house got something off their wish-list. This prolific songwriter reminded us that his recent output is his strongest to date, with cuts from last year’s acclaimed Let It Go album including Night Train, Cruisin For A Bluesin, Same Ole Feeling, Backdoor Man and the wound-licking slow-blues of You’re Gonna Need Me. “We showed more mature songwriting with that album,” he nods.

But Bernard is happy to embrace his past glories, too, on a setlist that digs up his studio catalogue for diamonds. From 1998’s Times Are Changing album, there’s The Way Love Was Meant To Be and the funky strut of I Can’t Get You Out Of My Head. From 2000’s Across The Water, there’s Meet Me Half Way and the powerhouse, fingertwist blues-rock of feels Kinda Funny.

After stopping off for the grooving title track from 2002’s Storms Of Life, Bernard pulls out Stay With Me Tonight from 2005’s Higher Power, and mines 2015’s In The Mix for fan-favourites Call Me Momma and Something’s Wrong. Oldest of all – and a treat for long-standing fans – is Let’s Try It Again. Borrowed from his father’s classic 1984 album, Life Is A Bitch, it’s a moment that brings Allison Jr’s story full circle, reminding us of his own formative years, when he jammed with Luther as a kid, broke out in the band of Koko Taylor and frequently cut heads onstage with close friend Stevie Ray Vaughan.

You might know the songs – but you don’t know these interpretations. With Bernard leading the lineup on vocals and searing lead guitar, backed by Dylan Salfer (guitar), George Moye (bass), Mario Dawson (drums) and José James (sax/percussion), this is a live band whose chemistry lets them stretch out and shake up these classic songs. “Fans that know our choice of songs will notice the change in arrangements that highlight my current band members,” says Bernard. “As opposed to hearing the studio versions, which normally feature my vocals and guitar. We’re the Bernard Allison Group and we show our unity night after night across the world. It’s ‘the Allison way’…”

On Songs From The Road, the result is a glorious exchange of energy between band and crowd – and evidence that Luther’s old philosophy is burning brighter than ever. “Our shows aren’t like going to the movies and staring at the big screen,” Bernard considers. “We’re there for the people to enjoy each other’s stories for the evening.”

Rick Estrin & the Nightcats

Blues vocalist, harmonica master and songwriting legend Rick Estrin, leader of the musically fearless, wildly entertaining, award-winning band Rick Estrin & The Nightcats, doesn’t like to talk much about his own musical superpowers. But ask him about the Nightcats—multi-instrumentalist/musical mastermind/producer Christoffer “Kid” Andersen, keyboardist/organ wizard/bass player Lorenzo Farrell and endlessly creative drummer Derrick “D’Mar” Martin—and he’ll be happy to sing their praises. “This band is killer. I’m enjoying this all more than ever,” says the man who’s been performing and recording professionally since the early 1970s. “It’s a blessing—there’s so much energy, so much collaboration. The band is just so good right now. And the live show is better than ever.” Living Blues calls Rick Estrin & The Nightcats “a terrific blues band with a real character for a front man,” continuing, “Clever, well-crafted songs framed by first-flight musicianship…hugely entertaining, intelligently conceived and executed roots rock with a wickedly cool and otherworldly twist on tradition. Estrin’s harp work is masterful.”

Rick Estrin & The Nightcats’ new album and the band’s sixth release, The Hits Keep Coming, packs a powerful punch, with phenomenal musicianship and lyrics—both serious and humorous. Produced by Andersen at his legendary Greaseland USA studio in San Jose, California, the record captures the band’s chemistry and magic in what is certainly among their strongest, most urgent and most cohesive releases so far. The Hits Keep Coming is modern blues at its most potent, intense and fun in all the right places, as Rick Estrin & The Nightcats deliver twelve groove-heavy, hard-hitting songs, including ten written or co-written by Estrin and two surprising covers (one obscurity from Muddy Waters, one from Leonard Cohen that Estrin would have liked to have written). From the foot-stomping opener Somewhere Else, to the harsh reality of the title track (with backing vocals by The Sons Of The Soul Revivers), to the musically infectious, lyrically harrowing song about addiction, The Circus Is Still In Town, The Hits Keep Coming is a lyrical and musical tour-de-force.

In addition to Estrin’s celebrated songwriting and peerless blues harmonica playing, he and the band are among the most entertaining and colorful showmen around. Estrin’s signature streetwise vocals and hipster-cool look, Andersen’s eye-popping, off-the-cuff guitar pyrotechnics, Farrell’s mighty organ, piano and bass work and D’Mar’s dynamic, acrobatic drumming make every one of their live performances a must-see event. “People don’t go out to see people who look like themselves,” says Estrin. “They want to see something special. I was schooled in this business to be a showman, and that’s what you get when you come to see us perform. We know how to put on a show. I feel sorry for anyone who has to follow us.”

Estrin was schooled by some of the very best blues musicians on the West Coast. While still a teen, he was tutored by San Francisco’s famed musician (and pimp) Fillmore Slim. He was mentored by San Francisco’s legendary Rodger Collins and gigged with blues stars Lowell Fulson and Z.Z. Hill. Estrin moved to Chicago when he was 19 to work with Windy City bluesmen Johnny Young, Eddie Taylor, Sam Lay and John Littlejohn, and even jammed with Muddy Waters. He returned to California and continued to hone his craft. By the time he joined forces with jaw-dropping guitarist Little Charlie Baty and formed Little Charlie & The Nightcats in 1976—a band he would front for the next 30 years—Estrin was a seasoned performer with plenty of talent and a gift for writing killer original songs.

Upon Baty’s retirement from touring in 2008, Estrin, together with Farrell (a Nightcat since 2003), recruited high-flying guitar wunderkind Christoffer “Kid” Andersen and formed Rick Estrin & The Nightcats. With Kid onboard, the band quickly became a worldwide favorite with blues fans as well as with critics and radio programmers. “Kid’s fearless on the guitar,” says Estrin. “He’s really the only guy who could fit in with us.” With an uninhibited style that perfectly meshed with Estrin’s wildly imaginative songs, the new band charged out of the gate with Twisted in 2009, following up with One Wrong Turn in 2012, You Asked For It—Live! in 2014, Groovin’ In Greaseland in 2016 and Contemporary in 2019. Each album is its own treasure chest full of memorable songs and white-hot playing. According to the UK’s Blues & Rhythm, “Rick Estrin & The Nightcats have crafted an instantly identifiable sound. They serve up insightful, original blues combined with tough rock ’n’ roll. This band is superb.”

Rick Estrin & The Nightcats have performed at festivals and concert stages from San Francisco to Chicago to New York, and everywhere in between, and have toured the United Kingdom, Norway, Belgium, France, Switzerland, Poland, Australia, Israel and even Estonia and Russia. The band has twice won the coveted Blues Music Award for Band Of The Year. Additionally, Estrin has won Blues Music Awards for Song Of The Year, Traditional Male Blues Artist and for Instrumentalist—Harmonica.

The Chicago Sun-Times declares, “These are serious musicians having a hotter than hot good time. It’s tough to stay in your seat when Estrin and his musical cohorts get cooking.” As No Depression says, “This is a band that always delivers the goods.”

Rick Estrin (harmonica, vocals)

Rick Estrin was born in San Francisco, California in 1949. As a 10-year-old boy, he made his way to the tough Market Street area and befriended many of the neighborhood’s most notorious characters. When he was 12, his older sister gave him a copy of Ray Charles’ The Genius Sings The Blues, and he became infatuated with blues and R&B. Albums from Jimmy Reed, Champion Jack Dupree, Mose Allison, Nina Simone and others soon followed. By the time he was a teenager, Estrin had immersed himself in the urban, African American culture surrounding him.

He got his first harmonica at age 15, and by age 18 was proficient enough to begin sitting in at Black clubs around the city. The great Lowell Fulson invited him to sit in at the Club Long Island, and that led Estrin to meeting and then opening shows for R&B giant Z.Z. Hill. Estrin worked five nights a week for almost a year with guitar legend Travis Phillips in a band fronted by famed pimp/bluesman Fillmore Slim (who was the centerpiece of the acclaimed Hughes Brothers documentary American Pimp). Slim introduced Estrin to San Francisco-based singer Rodger Collins (She’s Looking Good), the man who would become Rick’s first real musical mentor. Collins schooled Rick on the finer points of songwriting and show business. At 19, Estrin relocated to Chicago and worked with some of the city’s best bluesmen. He met and jammed with the legendary Muddy Waters, who told Rick, “You outta sight, boy! You got that sound! You play like a man!” Muddy wanted Estrin to go on the road with him, but Estrin missed Muddy’s phone call and it never happened. He eventually moved back to the Bay Area, met guitarist Charlie Baty and formed Little Charlie & The Nightcats. With Charlie’s retirement from touring in 2008, Rick brought in guitar virtuoso Kid Andersen and formed Rick Estrin & The Nightcats.

Estrin cites Sonny Boy Williamson II, Mose Allison, Leiber & Stoller, Percy Mayfield and Detroit bluesman Baby Boy Warren as his major songwriting influences. His work on the reeds is deep in the tradition of harmonica masters Sonny Boy Williamson II, James Cotton and Little Walter Jacobs, while at the same time pushing that tradition forward with his innovative songs. And his sly and soulful vocals are the perfect vehicle for driving those songs home. According to DownBeat, “Rick Estrin sings and writes songs like the brightest wiseguy in all of bluesland and blows harmonica as if he learned at the knee of Little Walter.”

Kid Andersen (guitar)

Christoffer “Kid” Andersen was born in Telemark, Norway. He became obsessed with the blues at age 12 and immersed himself in the music of greats like Muddy Waters, Otis Rush, T-Bone Walker and B.B., Albert and Freddie King. By the time he was 18, he had a steady gig in Oslo as a guitarist, backing American blues stars who came through Norway, including Homesick James, Nappy Brown and Willie “Big Eyes” Smith. He moved to California as soon as he turned 21 and started touring with saxophonist Terry Hanck. Once in the U.S.A., Andersen earned a green card as an “Alien of Extraordinary Ability.” He quickly became a musical force to be reckoned with, and he was invited by blues harp legend Charlie Musselwhite to join his band in 2004, touring with Musselwhite for four years. However, it was with the formation of Rick Estrin & The Nightcats in 2008 that Kid found his true musical home base. Kid has been nominated for the Blues Music Award for Best Instrumentalist—Guitar every year since 2013. In addition to being an expert multi-instrumentalist (guitar, bass, keyboards, percussion), Kid’s talents as an engineer and producer keep his now-famous Greaseland Studio fully booked. Winner of the 2017 Keeping The Blues Alive Award, Greaseland has been featured on NPR, and has received multiple Grammy nods. At Greaseland, Kid has produced, engineered (and many times played on) albums by Elvin Bishop, Tommy Castro, John Primer, Nick Moss, Chris Cain, DK Harrell, John Nemeth, Wee Willie Walker and Finis Tasby, as well as all six Rick Estrin & The Nightcats releases.

Lorenzo Farrell (piano, organ, bass)

Lorenzo Farrell was born in Lexington, Kentucky, and grew up in Bloomington, Indiana, where he started playing piano at age five. He picked up the acoustic upright bass during his high school years, and later became an in-demand blues and jazz bassist on the Northern California scene. Since joining the Nightcats in 2003, Lorenzo has returned to piano, as well as organ and synthesizer, showcasing the unusual technique, pioneered by greats like organist Jimmy Smith, of playing bass lines with one hand and traditional keyboard parts with the other. Lorenzo has also performed and recorded with many other artists, including Duke Robillard, Wee Willie Walker, Fillmore Slim, Alabama Mike, Finis Tasby, Jackie Payne, Terry Hanck and Little Charlie Baty’s Organ Grinder Swing. Now based in the state of Washington, Lorenzo is a founding partner and artistic director of LTD Presents, a community arts organization whose mission is to bring world-class blues and jazz to the Pacific Northwest. According to Estrin, “Lorenzo has been an absolutely pivotal player in the Nightcats’ development for over 20 years. His phenomenal keyboard work, not to mention his behind-the-scenes organizational skills, have really helped propel the band to new heights.”

Derrick “D’Mar” Martin (drums)

Derrick “D’Mar” Martin is an unstoppable force of nature. D’Mar is a musician, producer, songwriter, singer, educator, entertainer and motivational speaker. He traveled the world for 17 years as the drummer for the legendary Little Richard. D’Mar also worked with a number of other artists including Dorothy Moore, Bobby Rush, Vasti Jackson, Ali Ollie Woodson (The Temptations), Big Jack Johnson, Carla Thomas, Billy Preston, Roy Gaines, Mitch Woods, Jackie Payne, Syl Johnson, Bob Margolin and Tutu Jones before joining the Nightcats. He shares his passion for music education in his own music lecture series entitled Drums & More when he’s not bringing all of his many talents to The Nightcats. “Getting Derrick in the band was the final piece,” says Estrin. He’s relentlessly positive and his drumming brings us to another level.”

Bigbang

BigBand (formed in 1992) is an iconic Norwegian rock and blues band, best known for the intensity and grandeur of their live shows, hailing from Oslo, Norway.

Blood Brothers

The Temperance Movement

Elles Bailey

Live Act of the Year” UK Americana Awards 23/24 “Artist of the Year” UK Blues Awards 20-23. “Beneath The Neon Glow”🌟 out 09/08/24 & touring in 24 ⬇️

https://ellesb.lnk.to/main

Kid Andersen

Royal Jam

Funhouse

Funhouse official facebook page

Halvdan Sivertsen

Halvdan Sivertsen (born 5 January 1950) is a Norwegian singer-songwriter and guitarist. He was born in Tromsø, but raised and lives in Bodø. He has won Spellemannprisen awards five times, twice with his group Gitarkameratene, and received the Culture Prize of Nordland county in 2000. His album Kjærlighetslandet reached number eight on the Norway albums chart.

The Norwegian Society of Composers and Lyricists awarded him the "lyrics of the year"-prize in 2010 and an accompanying grant totalling 25 000 Norwegian kroner, for his song Dødsbra dop — a criticism of Norwegian soldiers' behaviour in Afghanistan, and Norwegian politicians.

Førjulssalg (Festivalpass, gjelder alle dager)

Førjulssalg (Festivalpass, gjelder alle dager)

Flytjendur