All Things Go Fall Classic

Mitski

‘All My People' LP out March 1st 2019 https://mariasomerville.bandcamp.com/ | Monthly NTS residency https://www.nts.live/shows/maria-somerville bookings: daisy@qujunktions.com |

Hayley Williams

www.hayleywilliams.net

Brandi Carlile

Born in Johannesburg, South Africa, and now calling Colorado home, horticulturist/musician Gregory Alan Isakov has cast an impressive presence on the indie-rock and folk worlds with his six full-length studio albums: That Sea, The Gambler; This Empty Northern Hemisphere; The Weatherman; Gregory Alan Isakov with the Colorado Symphony; Evening Machines (nominated for a Grammy award for Best Folk Album), and Appaloosa Bones. Isakov tours internationally with his band, and has performed with several national symphony orchestras across the United States.

Isakov’s new record, Appaloosa Bones, was released via Dualtone/Suitcase Town Music. Of the album, MOJO states, "“Prime Isakov: his velvet baritone glides over elegant and shimmering Wild West mirages.” The Associated Press proclaims, "He has that magical ability to convey both urgency and grandeur at the same time…Simple. Straightforward. Utterly evocative.” And No Depression declares, “this is Isakov’s genius. He turns a short poem into a magnificent piece of music that can captivate for hours."

When he is not on the road, he runs Starling Farm (a small farm in Boulder County), which provides produce to CSA members, restaurants, and Community Food Share (a local food bank).

Ethel Cain

Official Facebook page for Ethel Cain.

Muna

Lola Young

https://LolaYoung.lnk.to/messy

Rainbow Kitten Surprise

As if channeling another dimension where genres simply don’t exist, Rainbow Kitten Surprise finds harmony in unpredictability—weaving together lyrical poetry, hummable melodies, and a rush of instrumental eccentricities. Preceded by tracks "LOL" and "Superstar," the North Carolina-bred quartet's forthcoming album LOVE HATE MUSIC BOX—the creative vision of singer/songwriter Ela Melo, guitarists Bozzy Keller and Ethan Goodpaster, and drummer Jess Haney as well as former bassist Charlie Holt—represents a brand-new awakening. After years of struggling with her own mental health that resulted in writer’s block, on-stage episodes, and tour cancellations, Melo was properly diagnosed and treated in 2023, vastly improving her quality of life. Suddenly struck by creative intervention, songs once again poured out of her, writing at least one a day for an entire year and forming the backbone of their 22-track opus. Produced by Daniel Tashian (Kacey Musgraves) along with Konrad Snyder (Noah Kahan) and Melo, the album ponders life’s ups and downs, and traces the turbulent trajectory of relationships, painted out loud in hues of pop, electronic, rock, and hip-hop.

Now boasting over 2 billion global streams, Rainbow Kitten Surprise first began building their devoted fanbase with independent albums SEVEN + MARY (2013) and RKS (2015), and in 2018, released their full-length debut for Elektra, HOW TO: FRIEND, LOVE, FREEFALL featuring the RIAA-certified Platinum single “It’s Called: Freefall.”

Zara Larsson

Zara Larsson is a Swedish singer and songwriter.

Website: http://zaralarssonofficial.com/

Twitter: @ZaraLarsson

Instagram: http://instagram.com/ZaraLarsson

Facebook: https://www.facebook.com/ZaraLarssonOfficial

Snapchat: zaralarsson

SIENNA SPIRO

SIENNA possesses the type of voice that stays with you long after her music has left the room. With her effortlessly soulful tone, cinematic storytelling, and subtly modern yet timeless sound, it’s almost impossible to believe that the London-born singer and songwriter is just 20 years old.

Magdalena Bay

Suki Waterhouse

Father John Misty

Compilation record "Greatish Hits: I Followed My Dreams and My Dreams Said to Crawl" out now.

Slayyyter

From her breakthrough 2019 self-titled mixtape to her 2021 debut Troubled Paradise and 2023’s STARFUCKER, SLAYYYTER proved herself to be one of the great shape-shifters of our time, taking the past, present, and future of pop and twisting it to her will. Early successes — “Daddy AF” went from viral hit making SLAYYYTER’s name online to soundtracking a key scene in the Oscar Best Picture winner Anora — fueled accolades from publications including Billboard, Paper, Variety, Rolling Stone, Pitchfork, and more, while earning SLAYYYTER opening slots with forebears like Tove Lo and Kesha. But even with all that, SLAYYYTER decided something wasn’t quite right. She decided to become who she was all along, underneath it all: the WOR$T GIRL IN AMERICA.

SLAYYYTER’s third album is the most authentically her, while also boasting her most fully realized creative direction yet. She revisited her upbringing in St. Louis, and decided to make “iPod music” — a free-for-all of feral punk, corroded pop, and raunchy rap — conjuring the “Midwest-core tweaker bar rat” characters of her youth. Early singles “BEAT UP CHANEL$,” “CANNIBALISM!,” and “CRANK” steadily built hype for the project over the course of 2025, with fans fervently embracing the raw, swaggering Slayyyter that emerged from the ashes of her past selves. WOR$T GIRL IN AMERICA is both revelation and evolution, killing the SLAYYYTER we thought we knew so SLAYYYTER could be born for real.

Del Water Gap

Tinashe

Known for his wildly popular original songs, remixes, and riotous content - which have amassed tens of
millions of streams and billions of views, Thadeus Labuszewski aka Disco Lines, is perpetually touring,
bringing his contagious laugh, larger than life presence, and high energy DJ sets to the college, club, and
festival circuits, as well as his recently announced Good Good Tour in Fall/Winter 2023.

Most experts agree that the success of Disco Lines’ music career is matched only by his standing as an
industry-leading amateur Dolphin enthusiast. When he is long gone, Disco Lines hopes to be
remembered for his upbeat dance music, and as a fierce protector of our cetacean friends.
He hopes this bio made you buy a ticket to his show.

Robby Hoffman

She & Him

flipturn

Burnout Days (Reimagined) out now🌟

Balu Brigada

‘The Question’ out now ⬇️✨

balubrigada.lnk.to/thequestion

The Beaches

The Beaches are doing everything their way. After more than a decade together as a band, sisters Jordan Miller (lead vocals, bass) and Kylie Miller (guitar) plus closest friends Leandra Earl (guitar and keys) and Eliza Enman-McDaniel (drums) are entering a new era. On new album Blame My Ex, the 2x Juno Award-winning Toronto band channels heartbreak into self-discovery through 10 exuberant songs that revel in pain and redemption. Lead single “Blame Brett,” an acerbic pop-rock knockout Jordan calls “a song for all the hot messes out there,” has racked up more than 15 million streams on Spotify and more than 10 million views on TikTok. The track peaked at #2 on Spotify’s US Viral chart, which was just the latest accomplishment for the group. They’ve had 8 #1 Singles on Canadian Alternative Radio, including “Blame Brett.”

They sold out their upcoming Blame My Ex tour, including Toronto’s Massey Hall x2 and Vancouver’s Orpheum. Their single “T Shirt” is certified Gold in Canada, and they’ve garnered a number of hat-tips and cosigns from their peers. They’ve opened for Avril Lavigne, The Rolling Stones, Foo Fighters, Alanis Morissette, The Aces, Passion Pit, and Eagles of Death Metal. Elton John is an avowed fan. And now, finally The Beaches are now free to make music that feels true to themselves. Their unyielding bond and shared journey make The Beaches a musical force to be reckoned with and a testament to the power of sisterhood and friendship. How could you not be obsessed?

Wolf Alice

Our new album The Clearing out now

https://wolfalice.os.fan/finsbury-park

Ninajirachi

Ninajirachi is an Australian artist, producer, songwriter and DJ.

The Beths

The Beths know the futility of straight lines. This existential vertigo serves as the primary theme on the New Zealand indie heroes’ fourth album Straight Line Was A Lie (their first for new label ANTI-). The Beths posit that the only way round is through; That even after going through difficult, transformative experiences, you can still feel as though you've ended up in the same place. It's a bewildering thing, realising that life and personal growth are cyclical and continual. That a chapter doesn’t always end with peace and acceptance. That the approach is simply continuing to try, to show up. “Linear progression is an illusion,” lead singer and songwriter Elizabeth Stokes says of the album. “What life really is is maintenance. And finding meaning in the maintenance.”

The path from The Beths’ critically celebrated and year-end-list-topping 2022 LP Expert In A Dying Field to Straight Line Was A Lie, written in Los Angeles and recorded in the band’s hometown of Auckland, was also anything but straightforward. For the first time, Stokes was struggling to write new songs beyond fragments she’d recorded on her phone. She’d recently started taking an SSRI, which on one hand made her feel like she could “fix” everything broken in her life, from her mental and physical health to fraught family dynamics. At the same time, writing wasn’t coming as easily as it had before. “I was kind of dealing with a new brain, and I feel like I write very instinctually,” she says. “It was kind of like my instincts were just a little different, they weren't as panicky.”

Stokes and her longtime Beths bandmate, guitarist, and creative partner Jonathan Pearce responded by breaking down the typical Beths writing process. For inspiration, they read Stephen King’s On Writing, How Big Things Get Done by Bent Flyvbjerg and Dan Gardner, and Working by Robert A. Caro. Liz broke out a Remington typewriter (a birthday gift from Beths bassist Benjamin Sinclair) every morning for a month, writing 10 pages’ worth of material — mostly streams of consciousness. The resulting stack of paper was the primary fodder for an extended writing retreat to Los Angeles between tours, where Stokes and Pearce also leaned heavily into LA’s singular creative atmosphere, went to shows, watched Criterion classics from Kurosawa, and listened to Drive-By Truckers, The Go-Go’s, and Olivia Rodrigo. Opening themselves up to a wave of creative input, plus Stokes’ free-flowing writing routine, proved therapeutic. “Writing so much down forced me to look at stuff that I didn't want to look at,” Stokes says. “In the past, in my memories. Things I normally don't like to think about or I'm scared to revisit, I’m putting them down on paper and thinking about them, addressing them.”

Since Stokes, Pearce, and Sinclair started playing together (Tristan Deck joined in 2019), the four-piece have steadily risen through the indie-rock ranks, opening for household name acts like Pixies, The Breeders, The Postal Service, and Death Cab For Cutie; and they’ve garnered significant praise from pop and indie-adjacent heroes like Phoebe Bridgers, not to mention tastemaking outlets like Pitchfork and Rolling Stone. Over the last six years, The Beths have appeared at major international festivals, from Coachella to Primavera Sound to Newport Folk Festival and Bonnaroo, and Expert In A Dying Field has earned millions of global streams since its release in 2022.

Already a celebrated lyricist, Stokes has long impressed fans and critics with wryly knowing song titles like “Future Me Hates Me” and “Expert In A Dying Field” — catchy, instant-classic turns of phrase that capture the personal and ladder up to the universal. But Stokes’ intentional deconstruction and rebuild of her relationship to writing has resulted in a total renewal. Her songwriting has achieved startling new depths of insight and vulnerability, making Straight Line Was A Lie the most sharply observant, truthful, and poetic Beths project to date.

It’s immediately clear how far inward Stokes looked on the stripped-down, intensely personal “Mother Pray For Me.” Over plaintive finger-picked guitar, Stokes’ voice is childlike in its wistful plea for connection. “I cried the whole time writing it,” Stokes says. “It's not really about her, it's about me — what I hope our relationship is, what I think it is, what it maybe actually is, and what I can or can't expect out of it.” Reckoning with the lives your parents have led, and their mortality as they shift from guardians to full human beings, is bracing. The song is so moving because few people can look this in the eyes until there is no choice. How do you see your parent as someone who did their best, when it might not have felt like enough?

Cementing the album’s aharmonic theme is a loopy analog clock design by Lily Paris West, who also provided the artwork for 2022’s Expert In A Dying Field. West’s “wonky clock” plays right into The Beths’ notion of nonlinear progression and the machine-like ways in which bodies work (or don’t, as in Stokes’ case, amidst physical and mental health struggles). “The clock is always back in the same place, it's kind of a broken machine as well,” Stokes says. “The body and brain are these complex, complicated machines, ever-changing. Even when functioning in a less-than-optimal state, they're still amazing. But I’m still prone to completely dismiss that and see only the worst.”

Meanwhile, fans who have followed The Beths’ since their 2018 debut Future Me Hates Me will fall in love at first listen with the band’s latest title track. A clear-eyed, hook-stacked mission statement for The Beths’ new chapter, “Straight Line Was A Lie” is a Flying Nun-shaped instant anthem with a punchy, Salad Boys-inspired sing-along chorus about non-linear progression: I thought I was getting better/ But I’m back to where I started/ And the straight line was a circle/ Yeah, the straight line was a lie. In many ways it is the album’s thesis, with each consecutive song building a case for the idea that life’s casual disappointments are something we might not overcome, but hopefully won’t succumb to either. Scars may not heal, and lives (or ecological sites like Oakley Creek from “Mosquitoes”) may not be fully rebuilt. In a world of absolutes, Stokes is interested in the particulars of life. “We were right in the middle of writing the album, and I was metabolizing everything," Stokes says of the album’s title track. "I had held onto this idea that I was making progress in my life and that I was going to be able to fix everything. Like, this is great. Things have been really dark, but I’m getting help and I can keep working and then I'll be in this good place. And it just felt like this rude awakening. It's not like everything went really terrible, but it just wasn't the reality.”

While Stokes felt a huge relief from taking an SSRI, she articulates the emotional trade offs on “No Joy,” which thunders in with Deck’s vigorous percussion and drops another classic Beths soundbite: This year’s gonna kill me/ Gonna kill me. Ironically, though, the stress Stokes sings about can’t touch her, thanks to her pharmaceutical regimen. "It's about anhedonia, which, paradoxically, was present both in the worst bouts of depression, and then also when I was feeling pretty numb after a year on my SSRI,” Stokes says. “It wasn't that I was sad, I was feeling pretty good. It was just that I didn't like the things that I liked. I wasn't getting joy from them. It's a pretty literal song.”

Stokes takes a more abstract approach to health and healing on the cheery “Metal,” where she grapples with dueling diagnoses of Grave’s and Thyroid Eye Disease and finds inspiration from Ed Yong’s book on animal senses, An Immense World. “Metal” finds The Beths at their peak, with its effortless meld of upbeat, sugar-rushing jangle-rock underpinning layers of pensive anxiety and optimism. “I was having all of these coexisting thoughts — feeling like my body's like a machine that's breaking down but feeling really incredulous that it exists at all,” she says. “I was like, the human body is amazing. Life is amazing, and yet...”

CMAT

International pop star. Writer of songs. Fearer of bugs. Girlboss of the Very Sexy CMAT Band. Once, twice, three times a loser at 2024’s BRITs, Mercury Music Prize and Ivors. Soon to release a new album, EURO-COUNTRY, which will rectify these errors.

Rico Nasty

Rebecca Black

The only official Facebook page for Rebecca Black.

Jensen McRae

Jensen McRae is a singer-songwriter based in Los Angeles. Her debut album Are You Happy Now? was released in March 2022 to critical acclaim. She has toured nationally and internationally in support of artists such as Noah Kahan, Amos Lee, MUNA, and Corinne Bailey Rae. Her work is anchored by profound, evocative explorations of gender, race, mental illness, heartbreak, and trauma. McRae describes herself as “one house down from the girl next door.”

Syml

SYML is a musician, songwriter and producer based in Seattle, WA

Naïka

Ryan Beatty

Wes Parker

Wes Parker is a dedicated pop-rock artist from Richmond who digs deep—both in the earth, hunting for antique treasures, and in his own past, crafting magnetic songs that reflect shared human experiences. Channeling his limited resources into his art, he entertains audiences through his comedic TikTok character, "Skunk," while his music explores themes of opiate addiction, heartbreak, and everyday life. Blending sweet Southern charm with grunge-inspired textures, Parker invites listeners to unearth their own stories alongside his, transforming life’s wreckage into lyrical gold.

Hemlocke Springs

STELLA LEFTY

Haute & Freddy

Dear Royal Court, a little about us before you attend one of our spectacles...

Once upon a time in a kingdom far far away we were part of a traveling circus.

We loved our carnies but we wanted to sing and the ring master wouldn't approve of our songs. So we ran away.

Soon after, we found ourselves performing at a prestigious opera house.

Despite the audience favoring us, The Queen and King did not take kindly to our flamboyant behavior.

Thus, we were banned. But the show must go on...

So not-so-royal Royal Court... come sing, come dance, make a scene, grab your popcorn, and enjoy the show before The King's men finds out!

Rochelle Jordan

Grace Ives

Grace Ives makes music. She is good at it. She writes short songs. Her doctor said she is 5 foot 1 and three quarters. Grace was born in nyc and hasn't left. Grace has a lot more music to share with you. Grace is young and life is long. Thank you for listening.

Tiny Habits

Zolita

Trousdale

Love Spells

Violet Grohl

Susannah Joffe

Susannah Joffe is a NYC-based and Texas-raised musician whose music is a youthful embodiment of her roots in Austin’s soft indie rock scene and the ecstatic colors of queer pop. Susannah has grown immensely this past year, reaching 2.2M listeners on Spotify and sold out headline shows in NYC, LA and Austin, TX.
In December, Susannah wrapped a tour with King Princess throughout Europe and the UK, playing sold out rooms such as Electric Brixton and Le Trianon. Previously in 2025, Susannah has supported Alix Page, spill tab, Esha Tewari, and Sun Room. Past support shows include Indigo De Souza, NIKI, Arcy Drive, and more. Susannah has sold out multiple venues in NYC (Baby’s All Right, Mercury Lounge) and is set to do her biggest headline show at Elsewhere Rooftop in May.
Susannah’s 2024 single “Die Your Daughter" has over 90 million streams on Spotify alone. A huge end of 2025 for Susannah included releasing collaborations with Ha Vay, Annie DiRusso, Baby Nova this fall and is featured on the All Things Go compilation benefit playlist supporting LGBTQA+ alongside Maren Morris, Jack Antonoff, Orville Peck, Ke$ha, and more.

natalie jinju

Glom

googly eyes

Kevin Atwater

jake minch

All Things Go Music Festival

All Things Go Music Festival

Flytjendur