Wavves, Bass Drum of Death, World's Worst
Bottom Lounge, 1375 W. Lake St, 60607 Chicago Kort
lau. 18.07.2026 19:00
Riot Fest GA Presale: Tuesday, March 24 at 10AMSpotify GA Presale: Wednesday, March 25 at 10AMGeneral On Sale: Friday, March 27 at 10AM In an effort to mitigate scalping, Bottom Lounge does not certify any secondary ticket sales via third parties and is not responsible for fraudulent ticket sales on third party websites. Please be mindful of scammers.Tickets for this event will be sent on a delay (extra time is required to process and confirm all orders), but youll always receive your tickets in time for your event.If you have not received your tickets three days before your event, be sure to let us know.
Flytjendur
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Wavves
Bass Drum of Death is getting back to basics. From the bare-bones title of their sixth record—SIX—to the writing approach—their first two LPs were recorded entirely on GarageBand—the creative process for the group is strikingly similar to the early stages of their career. While the new album marks a return to their original recording method, there are a few notable changes. Instead of working solo on the demos, frontman John Barrett and the band (Jim Barrett, guitar; Ian Kirkpatrick, drums) convened for several sessions in Barrett’s home studio in Nashville to bring the songs to life. Manning the faders was producer Jeremy Ferguson (Cage the Elephant, White Reaper), who then hosted the band for ten snowy days of fine tuning at his Battle Tapes studio. The result is a scuzzy blast of their signature sound, with influences ranging from The Stooges to ZZ Top and very much aided by Ferguson’s deft engineering touch. If SIX sounds like a return to form, the band proves they still have a few tricks in their pocket and things up their sleeve.
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Bass Drum of Death
Bass Drum of Death is getting back to basics. From the bare-bones title of their sixth record—SIX—to the writing approach—their first two LPs were recorded entirely on GarageBand—the creative process for the group is strikingly similar to the early stages of their career. While the new album marks a return to their original recording method, there are a few notable changes. Instead of working solo on the demos, frontman John Barrett and the band (Jim Barrett, guitar; Ian Kirkpatrick, drums) convened for several sessions in Barrett’s home studio in Nashville to bring the songs to life. Manning the faders was producer Jeremy Ferguson (Cage the Elephant, White Reaper), who then hosted the band for ten snowy days of fine tuning at his Battle Tapes studio. The result is a scuzzy blast of their signature sound, with influences ranging from The Stooges to ZZ Top and very much aided by Ferguson’s deft engineering touch. If SIX sounds like a return to form, the band proves they still have a few tricks in their pocket and things up their sleeve.
