Paradise Lost

More than three decades into their career, and with over two million albums sold, Paradise Lost remain the undisputed kings of metal’s dark side. Formed in Halifax in 1988, the band quickly became noted as the pioneers of gothic metal through their early groundbreaking albums like 1991’s aptly-titled ‘Gothic’, a mixture of heaviness intertwined with shadowy melody and atmosphere.

Never a group to remain creatively static, across their career they’ve explored a myriad of avenues of dark music, from sludgy doom-death roots, to conquering the metal mainstream with the enormous, lush sounds of 1995’s ‘Draconian Times’, to more experimental, electronic leanings, leaving an influence on a trail of artists.

Now, in 2025, the Yorkshire quintet return with their staggering 17th album, ‘Ascension’, a record that sees their crown continue to gleam as it underlines just how they attained their position. The albums 10 tracks traverse the multitude of sounds in the band’s arsenal, from full-bore heavy metal to sky-high melody, all the while keeping a minor-key melancholy that remains irresistible.

The NEW album ”Ascension”, is out September 19th, via Nuclear Blast Records, Pre-Order and Pre-Save: paradiselost.bfan.link/ascension

Lamb of God

www.thyartismurder.net

Thy Art Is Murder ascended the ranks of extreme metal's top tier bands with a meteoric underground rise as explosive as humankind's seemingly inevitable descent into doom and death. With their new album, Godlike, Australia's most harrowingly brutal export since George Miller's Mad Max franchise invites audiences worldwide to join them in a fresh Armageddon. The sixth explosive album in the band's arsenal, Godlike cements Thy Art Is Murder as death metal's modern torchbearers. A soundtrack to a divisive post-modern dystopia, Godlike sees Thy Art Is Murder explore new depths and dynamics without sacrificing an ounce of intensity or urgency the band have staked their career on.

In Flames

Sænska þungarokkshljómsveitin In Flames, þekkt fyrir frábæra sviðsframkomu og melódíska dauðarokk.

Testament

The time has arrived for TESTAMENT to unleash new thunder to the masses and reveal their thirteenth studio album: Titans OF Creation. Just as the elements of this planet thrive within all living creatures, each musician in TESTAMENT represents a necessary component of this latest musical endeavor. Still filled with a massive and unstoppable energy since their last release, TESTAMENT has taken their style to the next level and present an album that is loyal to the roots of traditional thrash metal while still bringing alluring, brilliant, and progressive ingredients to the table. Bass is showcased, new vocals are introduced, and as expected, the guitarwork of Peterson and Skolnick is greatly complex and mesmerizing.

Eliran Kantor stepped up once again to create a new piece of artwork for the cover of this release. His classic, almost Renaissance style of painting melds beautifully with the ancient, psychological, and enlightened subject matter of the songs. Three monstrous titans stand in the place where the planets are formed. One pours molding liquid which the others hammer into human DNA, twisting and turning into the ring of a newborn planet. Each titan has the flame of a dying star burning in their chest; the origin of the atoms making up the bodies that are bubbling and boiling on the curves of the spiraling helix.

Titans OF Creation has many moods and material contained within; all of which somehow tie into a common philosophy of creation and its necessary counterpart: destruction. “Children Of The Next Level” smashes through the gates as the opening track with a flood of sound that prepares the listener for an abundance of violent thrash. Meanwhile, the lyrics rage about the outrageous philosophies of the Heaven’s Gate cult (founded in 1974).

Songs like “Dream Deceiver” carry more old school sound that will tickle the senses of any common TESTAMENT fan. The lyrics describe being trapped in a dream by an otherworldly female force who is slowly working to degrade the mind. Dreams are part of existence, but when we are asleep we are entirely vulnerable; one of the many mysteries of being human. “Someone’s haunting you and won’t leave you alone; the only time they pick at you is at night when they can control the way you sleep,” describes vocalist Chuck Billy.

“Night of the Witch” features frightening and captivating vocals from Eric Peterson. Carrying a vibe far more akin to Black Metal, Peterson swoops in with a power that melds perfectly with Billy’s ground shaking, guttural growls. Taking some influence from Robert Egger’s 2015 horror masterpiece “The VVitch: A New England Folktale,” the song carries with it a magical quality that directly reflects the mood of the film. At the very end of the track, a theremin howls through the air much like witches rising towards the moon; setting the final tone. “The album has a lot about it that’s fresh to the ear,” explains Peterson.

Written by guitarist Alex Skolnick, “Symptoms” is filled with detailed with intricate guitar work that well represents the complicated and spellbinding journey that comes along with handling depression, mood swings, and a countless list of mental health frustrations. The lyrics in this song discuss a sad truth: that mental illness is more common than we all think, and than many of us are willing to acknowledge. On a lighter note, a vibrant track entitled “The Healers” swings back and forth between waves of death and thrash, heavy and melodic, light and dark. The words are spiritual, and extremely personal. They describe Billy’s own experience dealing with all natural medicine men; the elders of the earth, and how they managed to help him pinpoint and heal his past illness. “City Of Angels” comes bearing an entirely new sound for TESTAMENT. The creeping sludgieness and slow, stalking tempo, walk hand in hand with the almost unbelievably gruesome tale of the Nightstalker Richard Ramierz, all combining to form another stand-out track on the record.

In 2020 the days of writing an album all together in one room are far gone, but to be able to take advantage of technology allows for TESTAMENT to go about a very similar writing process to what they always have. Basic songs are molded, structures are added by everyone in the group, instrumentals are highlighted, and finally the lyrics and vocals are created to finalize the sonic story. Facetime and human on human contact still remain crucial elements to TESTAMENT’s song writing process and at some point throughout, every member physically interacts and writes with one another. In between writing this album, the band toured relentlessly which allowed for less stress, more time in between, and greater inspiration for this album cycle. There was also plenty of anxiety-free and level-headed time for pre-production and the initial recording process with Juan Urteaga of Trident Studios. Andy Sneap was then able to tweak, mix, and master this album to his usual perfection.

TESTAMENT’s process of creation has evolved and progressed yet they’ve remained steadfast over the course of literal decades. While always managing to present the genuine aspects of thrash metal that solidify their existence, they spread into unique horizons through developing crisp and fascinating sounds.

Arch Enemy

Arch Enemy is a Swedish melodic death metal band, often referred to as a super group which currently consists of Michael Amott, Daniel Erlandsson, Sharlee D'Angelo, Alissa White-Gluz and Jeff Loomis.

The Ghost Inside

The Ghost Inside (formed in 2004) is an American hardcore punk band from Los Angeles, California, U.S., formerly of the name A Dying Dream.

Thy Art Is Murder

Thy Art Is Murder ascended the ranks of extreme metal's top tier bands with a meteoric underground rise as explosive as humankind's seemingly inevitable descent into doom and death. With their new album, Godlike, Australia's most harrowingly brutal export since George Miller's Mad Max franchise invites audiences worldwide to join them in a fresh Armageddon. The sixth explosive album in the band's arsenal, Godlike cements Thy Art Is Murder as death metal's modern torchbearers. A soundtrack to a divisive post-modern dystopia, Godlike sees Thy Art Is Murder explore new depths and dynamics without sacrificing an ounce of intensity or urgency the band have staked their career on.

Helloween

Helloween is a German power metal band founded in 1984 in Hamburg, West Germany.

On 14 November 2016, the band announced that both Kai Hansen and Michael Kiske were rejoining Helloween for a world tour, titled Pumpkins United World Tour, which concluded in 2018; the line-up perdured after the tour, with a new studio album planned for a 2020 release. Now Helloween is returning for another World Tour incl. the new Album.

Since its inception, Helloween has released fifteen studio albums, three live albums, three EPs, and twenty-seven singles, and has sold more than eight million records worldwide..

Airbourne

www.airbournerock.com

Airbourne.probitymerch.com

instagram.com/airbourne

youtube.com/airbournerock

Alestorm

‘Alestorm’ are in a league of their own, weaving together a genre that is widely recognized as “pirate metal”. They hail from Perth, Scotland, and are signed to Napalm Records, with whom they have released a handful of studio albums.

Amorphis

Amorphis is a Finnish metal band founded in 1990. Initially, the band was a death metal act, but on later albums they evolved into playing other genres, including progressive metal with folk music influences. They frequently use the Kalevala, the epic poem of Finland, as a source for their lyrics. Band members are: Esa Holopainen, Tomi Joutsen, Santeri Kallio, Tomi Koivusaari, Olli-Pekka Laine and Jan Rechberger.

Fourteenth Amorphis album, "Halo", is out on February 11th, 2022 via Atomic Fire Records.

Saxon

Saxon is a british heavy metal band, formed in 1976 in Barnsley, Yorkshire. As leading lights in the new wave of British Heavy Metal they had a brief period of UK Top 40 success in the early 1980s, and also tasted success in Europe and Japan. They still tour heavily and regularly. Their latest (in support of The Inner Sanctum album) tour is their largest in the UK since the early 1980s.

They started somewhere around South Yorkshire, UK as SOB during 1976 with founder members Graham Oliver and Steve Dawson. This band joined forces with another local band, Coast, featuring Biff Byford on vocals and Paul Quinn on guitar. The two bands then finalised with a line-up comprising of the then 26 year old Graham 'Oly' Oliver, Steve 'Dobby' Dawson (27), Paul 'Blute' Quinn (26), Pete 'Frank' Gill (27) and Peter 'Biff' Byford (27). The name of the band was Son Of A Bitch. That name was dropped a few years later and the band re-christened themselves SAXON. They were at this time playing the usual rock clubs and concert gigs supporting The Ian Gillan Band and Heavy Metal Kids, amongst others, playing all their own material. Demo tapes were recorded at Tapestry Studios, with producer John Verity (Ex. Argent singer/guitarist). They hawked these round the usual record companies only to be ignored as the new-wave was at its height at this time. After a few months the band finally gained a favourable reaction from EMI man Peter Hinton. He had come up to Barnsley to see the band play at the town's Civic Hall. He was very impressed and recommended SAXON to Claude Carrere as candidates for his new label on the British scene, Carrere Records. Claude decided to offer them a contract, after hearing the band's demo tapes.

Saxon (1979)

The album SAXON (CAL 110) was recorded, again with producer John Verity, and was ready for world distribution in May 1979. The first single taken from the album was Big Teaser c/w Stallions of the Highway (CAR 118). Although Stallions was the band's first single in the nation's heavy metal charts, it eventually reached number one in the Powerhouse chart on July 24th 1979. Their second single Backs To The Wall c/w Militia Guard (CAR129) also reached the top in the Powerhouse charts in January 1980. The single was released to coincide with a nationwide tour as special guests of MOTORHEAD. The tour, which began on November 10th at the Bracknell Sports Centre, took the band to all the major venues around the nation, including three nights at London's Hammersmith Odeon. The tour ended on December 16th at the specially arranged Christmas concert there. The band went into the studios again and recorded their second album Wheels Of Steel.

Wheels Of Steel (1980)

Wheels Of Steel was released in May 1980. The album was produced by Pete Hinton and SAXON. It reached the top five of the UK album charts. The band appeared on 'Top Of The Pops' with their two hit singles Wheels Of Steel and 747 (Strangers In The Night).

Strong Arm Of The Law (1980)

SAXON quickly recorded another album, titled Strong Arm Of The Law and released it in November of the same year. The album was again produced by Pete Hinton and SAXON. Two singles were released, Strong Arm Of The Law and Dallas 1PM.

Denim And Leather (1981)

In 1981 the band had been on the road for most of the year with little time for recording a follow-up. In the past few months they had toured almost every country in the World. They were particularly successful in Japan, where the single Motorcycle Man maintained a presence in the charts for a five month period. October 1981 saw the release of their fourth album, dedicated to their fans and their usual style of dress, Denim And Leather. The album was backed up by a 46-date UK and European tour.Denim And Leather went silver in the UK and charted all over Europe. Two singles, And The Bands Played On and Never Surrender, were released from the album. Two days before the tour, drummer Pete Gill damaged a hand and Nigel Glockler, an old friend of SAXON, replaced him. He had to learn the whole set in a day and a half, and fulfilled all expectations.

The Eagle Has Landed - Live (1982)

The prime objective of 1982 was the conquering of the USA. On their second tour of 38 dates, travelling from New York down to Florida, through Texas to the West Coast, SAXON finished with four sell-out shows at the 'Whiskey' in Los Angeles, and three in San Francisco. The success of this tour prompted the rush release of Strong Arm Of The Law in the USA on May 21st, and the booking of a further tour in June/July. SAXON recorded a live album at the end of 1981, and released it on May 14th, 1982. The fans were asked to name the album, and the overwhelming choice of the title was The Eagle Has Landed. The Eagle flew around the world to return for a 28-day British tour beginning on September 16th 1982. They appeared at Castle Donington's Monsters Of Rock Festival amidst touring the US. They play Dallas with Rainbow on Thursday, fly to England for Castle Donington on Saturday and then fly back to the US on Monday for a show in New York, quickly followed by an appearance in Germany for their equivalent of the Monsters Of Rock Festival! The appearance at Castle Donington gave SAXON the title of first band to have played the Monsters of Rock Festival twice, having first played there in 1980.

Power And The Glory (1983)

October/November 1982 saw SAXON back in the studio to work on their latest album with the title of Power And The Glory, produced by US producer Jeff Glixman. In Los Angeles alone it sells 15,000 copies in its first week. Three videos are released: Power And The Glory, Nightmare and the re-recorded Suzy Hold On. Touring was inevitable and was a great success. Also released was the video SAXON Live, a concert filmed in Nottingham, UK. Unfortunately, 1983 was the year that saw SAXON's departure from Carrere, the original label that signed the band. This was due to some inside discrepancies on the part of Carrere regarding the actual sales of SAXON's albums. They were subsequently picked up and signed by EMI.

Crusader (1984)

Crusader was the first album for SAXON to be released through EMI in 1984, although this was also the last album that Carrere handled, produced by Kevin Beamish and recorded in Los Angeles. This was the year that the band visited the States to tour yet again, this time in conjunction with Motley Crue, SAXON headlining some nights and Motley Crue the others. Iron Maiden toured the US in the same year and SAXON were invited to be special guests of theirs. The end of 1984 and during 1985 sees SAXON tour in support of Crusader which is proving successful in the USA. SAXON also tour with supporting band Accept in Germany.

Innocence Is No Excuse (1985)

Innocence Is No Excuse, the band's eighth album is released during September, 1985. The album was recorded at the Wisseloord Studio in Holland. Two singles were released: Back On The Streets and Rock And Roll Gypsy. EMI then released SAXON Live Innocence, a live video from the recent tour and 2 promo clips for Back on the Streets and Rocking Again.

Rock The Nations (1986)

1986 was quite a year for SAXON with the departure of Steve Dawson, long-time bass player. He left, because of problems with his wife. 'She really fucked him up', as Biff said. In came unknown bassist, Paul Johnson. They recorded a new album titled Rock The Nations where Biff actually handled all the bass parts, although the credit went to Paul Johnson. Three singles (and videos) were taken from the album: Northern Lady, Waiting For The Night and Rock The Nations. Elton John played piano on Party 'till you Puke and Northern Lady. A tour of Europe was scheduled during 1986 and towards the end of the year Biff and the boys joined with Swedish guitarist Yngwie Malmsteen's Rising Force in the States.

Destiny (1988)

1987 saw the departure of Nigel Glockler to the band GTR, a project band made up from ex-Yes band members and vocalist Max Bacon. In came drummer Nigel Durham. SAXON recorded Destiny, their last album for EMI who just did'nt want us to record a new album, Biff said. Following the tour and with the recent demise of GTR came the anticipated return of drummer Nigel Glockler to the Saxon fold. Paul Johnson left and was replaced by Tim 'Nibbs' Carter, first gigging in Budapest. He is quickly accepted by Saxon's fans and becomes a permanent member touring during the latter part of 1988, proving to be a dominant, competent songwriter and general Saxon stage maniac. By the way, at this time he's only 22!

Rock 'N' Roll Gypsies - Live (1989)

1989, SAXON recorded a new live album Rock And Roll Gypsies. Biff and the boys consequently toured with Manowar as a double headliner in Germany. Power And The Glory, the video anthology, is released on PMI. Following the German tour SAXON retire to the studio to write for the next album. However, between writing, SAXON break to play a series of charity shows in the UK.

Greatest Hits - Live (1990)

Solid Ball Of Rock (1990)

1990, SAXON have been together for 10 years and they schedule a UK/European tour under the banner of '10 Years Of Denim And Leather'. They recorded another live album and a video with the same title. For the rest of the year they worked on their new studio album, titled Solid Ball Of Rock. The album is released on February 4th 1991, followed by the single Requiem- We Will Remember (18th March), a track dedicated to all those Rock stars in the heaven's above. SAXON were picked up and signed by Virgin, and played all over Europe and even in America, Japan, Australia, Uruguay, Paraguay, Argentina, Mexico, Brazil and New Zealand!

Forever Free (1992)

In 1992 SAXON recorded another successful album, Forever Free, at Hey You Studios, Vienna, Austria and Gems Studios, Boston, Lincolnshire, UK. The album was produced by Biff Byford and Herwig Ursin. A single, Iron Wheels, a track dedicated to Biff's father is released.

Dogs Of War (1995)

In 1994 SAXON had been working on material for their next studio album. The album, Dogs Of War, is released in early 1995, but immediately after the recording, long-time guitarist Graham Oliver left the band. In came Nigel Glockler's friend and guitarist Doug Scarrat to fill Oliver's shoes. SAXON recorded a new video-clip Dogs Of War, which appeared on MTV's Headbangers' Ball. Finally, after another thumbs year of touring SAXON recorded a few Christmas shows in Germany.

The Eagle Has Landed - Live Pt II (1996)

1996 saw the release of Saxon's latest live album, The Eagle Has Landed Pt II. Biff and the boys toured consequently, the whole year through. They also record the song You've Got Another Thing Comin', for the Judas Priest Tribute CD.

In 1997, EMI re-releases Wheels Of Steel and Strong Arm Of The Law as a double CD. It contains 11 bonus tracks mainly live recordings from 1981.

Unleash The Beast (1997)

Saxon release a new studio album in May. The title is Unleash The Beast, which is produced by Kalle Trapp and Saxon. The album is just as cool as Dogs Of War and Wheels Of Steel, and includes a semi-acoustic ballad Absent Friends, dedicated to John 'J.J' Jones the crew boss who had died the previous year. Saxon began their Unleash The Beast tour in May, where they played in Germany, Holland, Belgium, Sweden and lots of other countries. Unleash The Beast reached the top 100 in Sweden, Germany and also Switzerland. In November they played two gigs in Brazil (Sao Paulo and Santos), ended the year with a Christmas show in Belgium.

1998, Saxon begins the year with two shows in England in February. In March and April, they are going to play in the USA again. This tour went very well, they played 26 gigs! then returning to Spain for a further three shows. After the Spanish gigs, they played on the Brazilian 'Monsters of Rock', then all over Europe and some further gigs in the USA late November. They then opened for Deep Purple in Rotterdam, Holland. The Unleash the Beast tour ended November 21st in Hardenberg, Holland.

An injury prevents Nigel continuing to play drums for Saxon, but he still writes new songs with the band for the next album. Saxon is now using a German drummer Fritz Randow, who already played with the band on the last tour in Europe. Saxon play the Arena Open Air festival in Holland, with Motorhead and Dio.

Metalhead (1999)

Saxon released their awesome CD Metalhead in September 1999, and continued to tour the world in support of this opus for the next 2 years, culminating in some prestigious headline shows at the first ever Bloodstock UK Metal Festival in the UK, and Wacken in August 2001 where the infamous eagle made its welcome return!

Killing Ground (2001)

Somewhere in amongst this busy schedule for Metalhead, Saxon found the time to record KILLING GROUND, as well as some new versions of classic tracks. These albums are being released later in 2001, following which Saxon will embark on World Tour no 999!!

Versengold

Paradise Lost

Flytjendur