ZZ Top

Flytjendur

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  ZZ Top

  Clouseau needs no introduction. The band of brothers Koen and Kris Wauters has been undiminished in popularity for decades and in the meantime has become a national musical heritage. Their oeuvre includes several benchmarks of Dutch-language pop music that have even influenced our language - from 'Hoeders van de wet' via 'Het zit vanbinnen' to the unique pronunciation of 'Nobelprijs'.

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  George Thorogood & The Destroyers

  In 1973, a barely-out-of-his-teens Wilmington guitarist piled his gear into the

  drummer’s Chevy van to play their very first gig at a University of Delaware dorm.

  More than 4 decades, over 8,000 live shows, and some 15 million albums sold

  worldwide later, that same maverick guitar-slinger is still making electrifying music,

  still thrilling audiences, and still the most bad-to-the-bone performer in rock.

  It’s 2015, and George Thorogood & The Destroyers are Badder Than Ever. For George and his longtime band – Jeff Simon (drums, percussion), Bill Blough

  (bass guitar), Jim Suhler (rhythm guitar) and Buddy Leach (saxophone) – their new

  Badder Than Ever Tour is indestructible proof that staying true to yourself and the

  music can still mean something. And with a catalog of classics that includes “Who Do

  You Love”, “I Drink Alone”, “One Bourbon, One Scotch, One Beer”, “Move It On

  Over”, “Bad To The Bone” and more, being able to share it with audiences is what

  will always matter.

  “When I was 16, I was going to school and playing Little League but nothing felt

  comfortable to me,” George says. “The first moment I picked up the guitar, it felt so

  right that it almost scared me. The fact that I couldn’t sing, play or write a song didn’t

  matter. I’d learn to do all that soon enough. But by having a knack for this thing and

  feeling relaxed doing it, I knew I was halfway home. I love to perform live, and I’m

  lucky to be able to do it on a level that our music and reputation have taken us to. To

  this day, I consider my job description to be ‘live rock performer’.”

  Surprisingly, Thorogood began his career as a solo acoustic act. “I was more of a

  Robert Johnson/Elmore James type country-blues player,” he explains. “I wasn’t very

  good at it, but I’d gotten enough feedback from artists like Brownie McGhee and

  Willie Dixon who thought I had something going. But I knew I needed more.” George

  called high-school friend and drummer Jeff Simon, and with the addition of a bass

  player – as well as Jeff’s van – the electric trio soon graduated from basement

  rehearsals to local gigs. “We knew there was still time for one supercharged boogieblues

  combo to make it. We relocated to Boston, and toured New England and the

  Delaware Valley non-stop. Crowds loved us. The acts we were opening for, like

  Muddy Waters and Howlin’ Wolf, loved us. We were playing great, but still couldn’t

  get a record deal. Back then, a band without a record deal was like an actor without a

  SAG card. We couldn’t earn more than $200 a night.”

  As Big Bill Broonzy said, the blues is a natural fact. If you don’t live it, you don’t have

  it. “1974 to 1977 was rough,” George remembers. “Everything seemed stacked

  against us. We were always getting ripped off, our gear got stolen, our rent was

  doubled and we were evicted from our band house.” By this time, Bill Blough had

  joined The Destroyers on bass and the band signed a deal with the Cambridgebased

  independent bluegrass label Rounder Records. “But the album sat on the shelf

  for 18 months. And the day it was finally released,” George says with a laugh, “was

  the day Elvis died.”

  Nevertheless, that self-titled and now-classic debut would soon be certified Gold. And

  for audiences and radio alike, the band instantly embodied – and continues to define

  – powerhouse rock with bar band roots, unchained attitude and a fierce love of its

  country, blues and R&B history. Over the course of sixteen studio albums (including

  six Gold and two Platinum discs), they would storm the charts by putting their own

  stamp on nuggets by Hank Williams, Bo Diddley, Chuck Berry, John Lee Hooker,

  Elmore James and more, while simultaneously delivering hit GT originals that crackle

  with humor and swagger. “I’ve always balanced one against the other,” George

  explains, “and I follow my heart as far as what I can do. You don’t ask Woody Allen to

  make a western and you can’t expect Clint Eastwood to do Shakespeare. You find

  what you’re good at and stick to it.

  Let’s face it; ‘Get A Haircut’ isn’t a song for Carly

  Simon. It’s for Thorogood.” As for his signature certified classic “Bad To The Bone”,

  George knows the simple truth of his definitive badass anthem. “It’s the ultimate

  fantasy of the cool tough guy,” he says. “I wrote ‘Bad To The Bone’ to perform it live

  for the rest of my life.”

  In fact, ask anyone who’s seen a GT&D performance – from that first show at Lane

  Hall, through legendary appearances on SNL and Live Aid, the opening slot on the

  Rolling Stones historic ’81 tour, their own record-breaking 50/50 tour, or any of their

  current 100+ shows per year – and it’s ferociously clear that the band’s reputation as

  worldwide road warriors remains untouchable. “When we play, whether it’s a great

  old theater, a shiny new casino, an outdoor festival, wherever, we have fun on stage.

  We give the fans a great show.

  Most of all, we’re making a living doing what we love

  and people love what we're doing.”

  Ultimately, the 2015 Badder Than Ever tour is 50% celebration, 50% declaration and

  100% Thorogood throwdown. But after 4-plus decades as one of the most consistent

  – and consistently unique – careers in rock, can a guitar-slinger still at the top of his

  game choose a moment that brings it all home? “Stan Musial was once asked, ‘What

  was the greatest day of your career?’ And Stan said ‘Every day when I walk onto the

  field is the greatest day.’ I feel the same way,” George says. “Every night when I walk

  out on that stage is the highlight of my career. I hit that first chord, the band kicks in,

  and we hear the audience respond. That’s the rush. Over 40 years into this, and

  every night that's still the only moment that matters.”

  For George Thorogood & The Destroyers – and for rock & roll – it doesn’t get badder-to-

  the-bone than that.

  www.georgethorogood.com