Flytjendur
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Acid ArabAcid Arab is a duet from Paris whose goal is to mix all kind of Eastern music (North Africa, Lebanon, Egypt, Turkey or… Mumbai) with electronic sounds, from pioneering acid house to today’s powerful techno.
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Daniel Avery
Ultra Truth - the fifth album by Daniel Avery - is ablaze.
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Erol Alkan
London based artist, producer, remixer, DJ and founder of Phantasy. Previous resident at seminal Monday night weekly London club 'Trash', and later for dance music institution 'Bugged Out’.
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HAAiArtist/DJ/Producer/Cutie HUMANiSE, my album out now 🧬 https://mute.ffm.to/haai-humanise -
IsonDJ, music producer, Radio Producer, event - coordinator are some of the activities held by Ison. To him music is a mean of expressing his freedom as he leaves his records to speak for him. Founding member of the NON collective, Ison is regarded today..
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Kelly Lee Owens
Without knowing it, you've probably heard Kelly Lee Owens' work over the past few years.
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Kinka house / techno / broken beat / experimental producer and dj, based in Sofia, Bulgaria.
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Liubo UrsinyDiving deep in music is a never-ending story.
You never know where it will take you.
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Pretty Girl
Larry Patrick Nix, born in Tupelo, raised in Alabama, is the son of the Earth and Moon, torn between a life of fighting ultra-crime, and the life of a Music Man. He chose the ladder. No that's right, the ladder, and he climbed and climbed and climbed. ...until the ladder collapsed, and dammit if he didn't design his own ladder. Made of wood. Strong maple, that doesn't bow in the humidity. Shit, sorry. The songs, right. They're good too.. Classic shit. Larry Nix is a singer/songwriter/guitarist from Alabama. Cosmic Country colliding with Early Urban Blues. Founded in 1983.
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Raredub
RA: Resident Advisor
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Sofia Kourtesis
Sofia Kourtesis is a Peruvian producer, vocalist and DJ living in Berlin.
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Swimming Paul
RA: Resident Advisor
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MobyA true icon of modern music is coming to Ostrava. Moby, one of the most influential artists of the past three decades, will bring a performance that promises euphoria, emotion, and joy. The New York–born producer, composer, and multi-instrumentalist reshaped the face of electronic music with his breakthrough album Play , where he fused driving beats with gospel, soul, and ambient textures in a way that resonated with millions of listeners worldwide. At Colours of Ostrava, Moby will present a powerful live set filled with timeless tracks such as Porcelain, Natural Blues, and Why Does My Heart Feel So Bad?, reminding us why his music reaches far beyond the dance floor. Known for his deep humanity, activism, and artistic sincerity, Moby returns to the stage backed by a strong ensemble. Czech fans have already experienced everything from rave energy to unrestrained rock shows with Moby. This time, the artist promises an entirely new experience—and we can’t wait.
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KneecapCondemned by politicians, beloved by fans, kicked out of their own gigs, and packing festival tents to overflow, Kneecap are a cultural phenomenon.
Crashing into the consciousness with the release of, C.E.A.R.T.A., a track and video inspired by a police chase while protesting for Irish language rights, they’ve proceeded to run rampage across small rooms and massive festivals in Ireland, the UK, and the US, leaving a bemused media and captivated followers in their wake.
Heralded by the New York Times, the LA Times, Dazed, Vice, i-D, the Guardian, and others, Kneecap’s irreverent, complex, and potent lyrics speak to a time of political upheaval, youthful rebellion and discontent, and a renewed urge to party.
Kneecap is a movement, one about upending preconceptions about language and place, and reimagining what rap can be as a creative and cultural force.
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Einsturzende NeubautenExperimental German group, formed in West Berlin in 1980. The band are notable for predominately using custom built instruments constructed out of scrap metal and power tools.
Their name in English literally means "Collapsing New Buildings," where "..
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Thievery Corporation
When they met in the mid-1990s, Thievery Corporation’s Eric Hilton and Rob Garza instantly bonded over their shared passion for bossa nova. Dedicating their 1996 debut 'Sounds from the Thievery Hi-Fi' to bossa nova pioneer Antonio Carlos Jobim, the Washington, D.C.-based duo have spent nearly two decades creating boundary-warping, complexly crafted electronic music partly inspired by bossa nova’s intricate rhythms and lush textures. Now, with their seventh studio album 'Saudade,' Thievery Corporation present their first release devoted entirely to the Brazilian-born genre that first connected them. “We always try to progress into something different and stretch our musical chops, and taking a whole album to dive into this one sound seemed like a really great way to do that,” says Hilton. Adds Garza: “It’s a bit of a departure for us, but at the same time these are our roots, this is what brought us together. It’s us coming full circle from electronic music back to something organic before we move on to our next chapter.”
Released on their own label ESL Music, 'Saudade' borrows its title from a Portuguese word meaning “a longing for something or someone that is lost, a contented melancholy, or, simply, the presence of absence.” “Saudade is the essence or feeling of true bossa nova,” explains Hilton, who names “those warm, soulful, melancholic vocals” as one of the elements of bossa nova that’s most alluring to him. Drawing influence from classic Brazilian performers like Antonio Carlos Jobim, Gal Costa, and Luis Bonfá—along with Serge Gainsbourg, Ennio Morricone, and more modern artists like electro-samba pioneer Isabelle Antena—Saudade achieves its delicate yet deeply sensuous sound with the help of more than a dozen guest musicians. With each track sung by one of five female vocalists (including longtime Thievery cohort LouLou Ghelichkhani, newcomer Elin Melgarejo, Nouvelle Vague singer Karina Zeviani, Argentine chanteuse Natalia Clavier, and former Bitter:Sweet singer/songwriter Shana Halligan), the endlessly mesmerizing album also features such guests as U.N.K.L.E. drummer Michael Lowery, Argentine singer/songwriter Federico Aubele, and master Brazilian percussionist Roberto Santos.
Although Thievery Corporation stay true to traditional bossa nova’s elegant fusion of samba and jazz all throughout 'Saudade,' the album is rich with strange and wonderful flourishes that revel in the duo’s hyper-inventive tendencies. Opening with the dusky “Décollage,” 'Saudade' glides from the smoldering and string-drenched “Quem Me Leva” to the hushed and mysterious “Sola In Citta” (an Italian-sung nod to the legendary sound tracks of Ennio Morricone, featuring Wurlitzer electric piano by Enea Diotaiuti) to the sweetly ethereal “No More Disguise” (a dream-like piece laced with orchestral strings and bolero rhythms). With the instrumental title track serving as its gently stunning centerpiece, 'Saudade' also offers the sultry and spacey“Claridad” (a swaying Latin number propelled by analog organ beats) and the French lullaby of “Le Coeur” (featuring the sublime saxophone work of Frank Mitchell, Jr.). And on the final track “Depth of My Soul,” Halligan delivers a haunting vocal performance that merges with the song’s swirling symphonic soundscape to hypnotic effect.
Over the years, Thievery Corporation have given nods to their bossa-nova influence on individual album tracks, slipping those quietly enchanting songs into recordings that reveal the duo’s careful studying of everything from Jamaican dub reggae to punk to vintage film soundtracks to psychedelic space rock. After coming up with sketches for several bossa-nova-style numbers while recording their last studio album (2011’s Culture of Fear), Garza and Hilton considered releasing an EP showcasing a handful of Brazilian-inspired songs. “The more we worked on those songs, the more we got into the vibe of that vintage, organic sound,” recalls Hilton. “Making an album fully dedicated to that sound felt like a good idea, especially at a time when the electronic dance music world is so saturated and there’s not much of a focus on musicianship.” Rather than feeling hemmed in by the unfamiliar approach of creating music solely in one style, Thievery Corporation found a great deal of freedom in writing and recording the songs that make up 'Saudade.' “In a way it was really liberating to do something out of our wheelhouse, to put ourselves in a totally different mindset and immerse ourselves in this one particular genre,” notes Garza.
Intense musical exploration has always been essential to Thievery Corporation, a project hatched in 1995 when Hilton and Garza were introduced by a mutual friend at Washington, D.C.’s Eighteenth Street Lounge—a popular gathering spot for musicians that’s co-owned by Hilton. Soon after making their 1996 debut with two underground hit vinyl singles(“Shaolin Satellite” and “2001 Spliff Odyssey”) and 'Sounds from the Thievery Hi-Fi,' the duo became loosely associated with the trip-hop scene that had newly emerged in the UK. In 2000, they released 'Mirror Conspiracy,' which introduced live vocalists (including Bebel Gilberto and the late Pam Bricker) into the project’s mix. Following 2002’s 'The Richest Man in Babylon' and 2005’s 'The Cosmic Game' (featured politically minded collaborations with Perry Farrell, Flaming Lips frontman Wayne Coyne, and David Byrne), Thievery Corporation put out 2006’s 'Versions' (a compilation of their remixes of songs by such artists as Sarah McLachlan, Astrud Gilberto, Anoushka Shankar, and The Doors). By then, Garza and Hilton were itching to evolve past their reputation as ambassadors of the downtempo scene, and began to conjure up more subversive recordings that reflected their passion for social activism, as heard on both 2008’s 'Radio Retaliation' and 'Culture of Fear.'
Now on 'Saudade,' Thievery Corporation are once again changing direction, trading the fiery energy of their last two albums for a wistful mood and summery spirit—a shift that both members found highly refreshing. “Even though we’re very socially conscious, it’s nice to take a break from the political theme and just concentrate creating some beautiful songs in the same vein as all these old records that we love,” says Garza. And as one ofthe most influential and respected names on the electronic/dance music scene, Thievery Corporation also discovered their own breed of rebellion and innovation in committing themselves to a time-worn genre on 'Saudade.'“We’re still chopping up beats, but this time we’re making them sound warm and vintage—which is not at all what’s happening in electronic music right,” says Hilton. “What we’re doing here is pretty traditional and timeless-sounding, and in that it’s completely contrarian.”
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Ali (4)RA: Resident Advisor
