ALLEGAEON GOROD

PETIT BAIN

ALLEGAEON GOROD

ALLEGAEON GOROD

PETIT BAIN, 7 PORT DE LA GARE, 75013 Paris Kort

sun. 06.09.2026 19:00

Miðar / Skráning

BASE PRESENTE : ALLEGAEON GORODALLEGAEONLe groupe de death metal technique Allegaeon refuse de stagner, évoluant constamment à travers le chaos et le changement. Leur septième album, The Ossuary Lens, marque le retour du chanteur original Ezra Haynes, absent depuis 2015 — un retour majeur pour le groupe.Après une période plus axée sur des chants clairs, Allegaeon revient ici à un son plus brutal et technique, porté par le chant rauque de Haynes. Les paroles, inspirées de thèmes scientifiques et introspectifs, accompagnent une musique complexe que le chanteur décrit comme du « melotech » (death metal mélodique et technique).Sans être un album conceptuel classique, The Ossuary Lens explore un thème central : différentes perspectives sur la mort. Chaque morceau aborde un sujet distinct, mais toujours lié à cette idée.Pour Allegaeon, The Ossuary Lens représente leur œuvre la plus aboutie à ce jour, combinant technicité, mélodie et intensité. Le groupe prévoit désormais de sortir des singles, des clips et de partir en tournée.GORODAvec “The Ember Gone”, Gorod signe son retour avec un huitième album plus progressif et ambitieux, dans la droite lignée du mythique “Transcendence”. Entièrement enregistré au Bud Studio par Mathieu Pascal, le quintet livre un opus technique, bien sûr, mais également riche en arrangements ciselés et en atmosphères envoûtantes. Son concept et ses paroles, profondément ancrés dans la réalité contemporaine, questionnent notre société actuelle. Une nouvelle pierre à l’édifice de l’un des groupes majeurs de la scène tech death internationale, qui n’attend plus qu’à être défendu sur scène.

Flytjendur

  • Allegaeon
    Allegaeon
    The members of ABYSMAL DAWN are currently ensconced at an undisclosed Los Angeles location, where they’re invoking the elder gods to power new material for their as-yet-untitled fifth full-length and follow-up to 2014’s Obsolescence. The Village Voice called Obsolescence “tirelessly inventive”, eventually crowning ABYSMAL DAWN the #1 spot on their 10 Best Metal Albums year-end list. Early samples of ABYSMAL DAWN’s Season of Mist debut demonstrate the trio’s newfound power, ingenuity, and songcraft. Certainly, ABYSMAL DAWN’s new opus picks up where Obsolescence left off, but it promises so much more.

    Formed in 2004, ABYSMAL DAWN quickly impressed on fan and band alike. The group’s three-song demo landed ABYSMAL DAWN a contract with Arizona-based Crash Music. Within a year, the group were holed up with engineer John Haddad (Intronaut, Hirax) at Shiva Industries recording their debut, From Ashes. Released in 2006, From Ashes was praised for its tactful balance of brutality, melody, and atmosphere, earning heavy praise from media outlets. Blabbermouth gushed, calling it, “irreproachably constructed.” Follow-up album, Programmed to Consume, again engineered by Haddad, was released in 2008 following a higher profile deal with Relapse Records. Immediately, the press heralded Programmed to Consume—“thinking man’s metal” said AllMusic.

    After subsequent tours, the group wrote the successor to Programmed to Consume up through the recording sessions at Artisan Road Studios (with producer Mike Bear) and Trench Studios (again with Haddad). Titled Leveling the Plane of Existence, ABYSMAL DAWN’s third album broke new ground with fan and press alike. Metalsucks called Leveling the Plane of Existence, “crushing modern death metal”, while Pandora found it, “savage”. Clearly, ABYSMAL DAWN’s bridging of death metal eras, songwriting prowess, and growing social buzz was eliciting the type of response for a band on their way up. Subsequent tours were successful in establishing ABYSMAL DAWN as one of America’s leading death metal acts.

    Leveling the Plane of Existence was followed by Obsolescence three years later. ABYSMAL DAWN were dead set on perfecting their brand of death metal. So, they set out to write an all killer, no filler record. Producer Bear and engineer Haddad were brought onboard again to track Obsolescence. What had worked mercilessly (the production) on Leveling the Plane of Existence was in no need of change. The result of ABYSMAL DAWN running on all cylinders and their production team dialing in on the group’s distinct sound resulted in a death metal powerhouse. Popmatters called it “nuclear-powered” and Teeth of the Divine opined it’s a record that “wants to cave your damn head in.” Four albums in, ABYSMAL DAWN weren’t just proficient in the finer arts of death, they were proven masters of it.

    As a new age sets upon ABYSMAL DAWN—the Angelenos are entering their 13th year—there’s no turning back. The group aren’t interested in throttling down on their quality commitment to death metal and they’re certainly not ready to let their legion of fans down by shifting gears into death metal-lite. A new label deal with Season of Mist and the beginnings of a pivotal death metal album in their hands, ABYSMAL DAWN are the future.