Death Angel

Flytjendur

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  Death Angel

  Death Angel is a thrash metal band from Concord, California formed in 1982 and currently consists of Rob Cavestany, Mark Osegueda, Ted Aguilar, Will Carroll and Damien Sisson.

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  Testament

  The time has arrived for TESTAMENT to unleash new thunder to the masses and reveal their thirteenth studio album: Titans OF Creation. Just as the elements of this planet thrive within all living creatures, each musician in TESTAMENT represents a necessary component of this latest musical endeavor. Still filled with a massive and unstoppable energy since their last release, TESTAMENT has taken their style to the next level and present an album that is loyal to the roots of traditional thrash metal while still bringing alluring, brilliant, and progressive ingredients to the table. Bass is showcased, new vocals are introduced, and as expected, the guitarwork of Peterson and Skolnick is greatly complex and mesmerizing.

  Eliran Kantor stepped up once again to create a new piece of artwork for the cover of this release. His classic, almost Renaissance style of painting melds beautifully with the ancient, psychological, and enlightened subject matter of the songs. Three monstrous titans stand in the place where the planets are formed. One pours molding liquid which the others hammer into human DNA, twisting and turning into the ring of a newborn planet. Each titan has the flame of a dying star burning in their chest; the origin of the atoms making up the bodies that are bubbling and boiling on the curves of the spiraling helix.

  Titans OF Creation has many moods and material contained within; all of which somehow tie into a common philosophy of creation and its necessary counterpart: destruction. “Children Of The Next Level” smashes through the gates as the opening track with a flood of sound that prepares the listener for an abundance of violent thrash. Meanwhile, the lyrics rage about the outrageous philosophies of the Heaven’s Gate cult (founded in 1974).

  Songs like “Dream Deceiver” carry more old school sound that will tickle the senses of any common TESTAMENT fan. The lyrics describe being trapped in a dream by an otherworldly female force who is slowly working to degrade the mind. Dreams are part of existence, but when we are asleep we are entirely vulnerable; one of the many mysteries of being human. “Someone’s haunting you and won’t leave you alone; the only time they pick at you is at night when they can control the way you sleep,” describes vocalist Chuck Billy.

  “Night of the Witch” features frightening and captivating vocals from Eric Peterson. Carrying a vibe far more akin to Black Metal, Peterson swoops in with a power that melds perfectly with Billy’s ground shaking, guttural growls. Taking some influence from Robert Egger’s 2015 horror masterpiece “The VVitch: A New England Folktale,” the song carries with it a magical quality that directly reflects the mood of the film. At the very end of the track, a theremin howls through the air much like witches rising towards the moon; setting the final tone. “The album has a lot about it that’s fresh to the ear,” explains Peterson.

  Written by guitarist Alex Skolnick, “Symptoms” is filled with detailed with intricate guitar work that well represents the complicated and spellbinding journey that comes along with handling depression, mood swings, and a countless list of mental health frustrations. The lyrics in this song discuss a sad truth: that mental illness is more common than we all think, and than many of us are willing to acknowledge. On a lighter note, a vibrant track entitled “The Healers” swings back and forth between waves of death and thrash, heavy and melodic, light and dark. The words are spiritual, and extremely personal. They describe Billy’s own experience dealing with all natural medicine men; the elders of the earth, and how they managed to help him pinpoint and heal his past illness. “City Of Angels” comes bearing an entirely new sound for TESTAMENT. The creeping sludgieness and slow, stalking tempo, walk hand in hand with the almost unbelievably gruesome tale of the Nightstalker Richard Ramierz, all combining to form another stand-out track on the record.

  In 2020 the days of writing an album all together in one room are far gone, but to be able to take advantage of technology allows for TESTAMENT to go about a very similar writing process to what they always have. Basic songs are molded, structures are added by everyone in the group, instrumentals are highlighted, and finally the lyrics and vocals are created to finalize the sonic story. Facetime and human on human contact still remain crucial elements to TESTAMENT’s song writing process and at some point throughout, every member physically interacts and writes with one another. In between writing this album, the band toured relentlessly which allowed for less stress, more time in between, and greater inspiration for this album cycle. There was also plenty of anxiety-free and level-headed time for pre-production and the initial recording process with Juan Urteaga of Trident Studios. Andy Sneap was then able to tweak, mix, and master this album to his usual perfection.

  TESTAMENT’s process of creation has evolved and progressed yet they’ve remained steadfast over the course of literal decades. While always managing to present the genuine aspects of thrash metal that solidify their existence, they spread into unique horizons through developing crisp and fascinating sounds.

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  Metal Church

  Born out of the West Coast Metal scene of the 80's, Metal Church quickly became one of the standout talents of the genre. After signing a deal with Elektra records, they released two critically acclaimed albums. Their self-titled release "Metal Church" postured the band as one of the pioneers of the thrash/metal scene. The All Music Guide had this to say about the debut: "The band's incredibly tight musicianship is a highlight all on it's own. This album remains an overlooked classic of straight-ahead American-bred heavy metal." With the heavy metal scene starting to rise in the U.S., Metal Church set out on a very successful tour with label mates Metallica.

  Next came "The Dark," the fury of its opening track, "Ton of Bricks" was championed as one of the premier metal releases of the 80's. The Dark also led to one of a few lineup changes with the departure of vocalist David Wayne. However, more success was yet to come. With the addition of former Heretic vocalist Mike Howe, and Metallica guitar tech extraordinaire John Marshall, the riffing became heavier and the subject matter deeper. They tackled political and social issues of the day with the releases of "Blessing In Disguise" and "The Human Factor." At a time when heavy metal bands moved from the underground and became part of the hair band/pop fad, Metal Church stayed true to their roots.

  During the mid 90's, the members of Metal Church headed in their own directions. Kurdt Vanderhoof worked on his namesake project, Vanderhoof, while Kirk Arrington was playing on various sessions including a recording with Sir Mix-A-Lot. 1999 led to a well-received reunion of the original Metal Church lineup with the release of "Masterpeace". The band went back to their classic sound and played several festivals overseas.

  2004 saw them back with a new vocalist, whose style has been described as "Rob Halford meets Dio", as well as Jay Reynolds (Malice) on guitar and Steve Unger on bass. With a new record "The Weight of the World" and some new blood, heavy metal legends Metal Church picked up where their aptly titled last release "Masterpeace" left off.

  In 2006, twenty years after their cult album "The Dark", Metal Church presented their brand new release, "A Light In The Dark", forging a creative arch that skillfully links the band's past with the present. Ten new tracks, (plus a new version of the classic "Watch The Children Pray", a tribute to original frontman David Wayne), document the development of a band that, despite all innovation, has never denied it's typical trademarks. That lineup consisted of Kurdt Vanderhoof, Ronnie Mnroe, Jay Reynolds, Steve Unger and new addition Jeff Plate on drums. "Jeff is an incredibly dynamic and professional drummer," Vanderhoof points out. "He has propelled us to a musical level that surprised even ourselves." Plate has replaced Kirk Arrington, who left the group for health reasons, and proves a real stroke of luck on "A Light In The Dark".

  In 2008, guitarist Jay Reynolds was replaced by Rottweiler guitar player Rick Van Zandt. This Present Wasteland, Metal Church's ninth release, is a return to their roots and contains some of their strongest material to date.

  In 2013 the band released the highly successful "Generation Nothing”

  In 2014 founding guitarist Kurdt Vanderhoof convinced Mike to rejoin Metal Church. “Sometimes I still can’t believe it myself, no one would have ever thought Mike would return after his departure almost 2 decades ago” says guitarist and founding member Kurdt Vanderhoof. “At first I struggled with the decision to come back, but after hearing the riffs that Kurdt was writing, I just couldn’t resist, the music called to me and I wanted to be part of it!” says Mike.

  In March of 2016 Metal Church released their eleventh studio album “XI” that featured the return of legendary front-man Mike Howe. “XI” reached #57 on the Billboard top 200 and also landed on several other charts around the globe.

  The coinciding “XI” tour took them to audiences around the world, where they performed at several European festivals including: Wacken, Dynamo, Rock Hard, Alcatraz, Beast Coast Festival, Porispere and many more hot spots around Europe. The U.S. leg of the tour paired them with Armored Saint for a co-headlining run, and also saw them supporting Megadeth’s “Dystopia” tour, alongside Amon Amarth, Suicidal Tendencies and the Butcher Babies. The band performed over 50 headline shows and also appeared on both the Monsters of Rock Cruise and the Ozzfest meets Knotfest kickoff show.

  Metal Church released their 12th full length studio album "Damned If You Do" via Rat Pak Records on December 7, 2018. The latest release is the follow up to their highly successful 2016 album “XI”, which saw the return of legendary front-man Mike Howe. Damned If You Do is a cross between the band’s iconic Blessing In Disguise and The Human Factor. This new offering features ten fully-charged, classic-metal influenced songs that showcase the sound that has garnered the band a solid fan-base for over 3 decades.