Arima Ederra @ Paris

Flytjendur

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  Arima Ederra
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  Becky and the Birds
• Céline Dessberg
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  Dan English
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  Dermot Henry
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  Jordan Patterson
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  Little Grandad
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  Lots of Hands
• Maddie Ashman

  Maddie Ashman is an avant-pop artist and composer, with a love for exploring microtonal music in
  uncanny, illusory yet accessible ways. Her recent EP Otherworld was a bestseller on bandcamp
  and #1 in folk. In April, she had over 10 million views and over 100k new followers, with praise
  from Anthony Fantano, Jacob Collier and more.
  Recent performance highlights include a sold out show in Istanbul with Tolgahan Çoğulu and a
  premiere of new work ‘Painting with Glass’ with cross-cultural GOKUMI ensemble. Her audiovisual
  installation ‘Through the Motions’ has been presented internationally, at COP-27 (Egypt),
  FerraroFilmCorto (Italy) and Aldeburgh Festival.

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  MOMO BOYD

  Momo Boyd is a 26 year old singer, songwriter, producer, and multi instrumentalist born in Detroit and raised between Detroit and New York. She first gained recognition as a member of the sibling band Infinity Song, whose viral performances and releases including *Haters Anthem*, *Slow Burn*, and *Sinking Boat* built a global following. *Haters Anthem* was written and produced by Momo. In 2022, Momo collaborated with Jon Batiste at Carnegie Hall for the world premiere of his composition *American Symphony*. In 2025 she launched her solo career with *American Love Song*, a genre blending single performed with a New York based string quartet. In 2026 she was featured on *Good Flirts* from Baby Keem’s album *Ca$ino*, which also includes Kendrick Lamar. Hand selected by music director Dave Free, Momo’s velvety, melodic vocals bring contrast and balance to the rap driven project. Often compared to several famous singers, Momo blends soul, R&B, rock, gospel, and jazz into a sound uniquely her own. A lifelong musician started performing at 5, she also plays guitar and bass. Momo creates music that helps people feel seen, understood, and connected.

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  My First Time
• Robber Robber
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  Sell Everything
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  Sex Mask

  
  

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  Sundots
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  Swapmeet

  Swapmeet is a band based on unceded Kaurna land. With an ever changing energy and aesthetic, Swapmeet’s sound is at once light-hearted and raw. With indie rock foundations, characterised by sonic experimentation, and a punk spirit, Swapmeet are known in the Adelaide circuit for their playful, chaotic onstage presence.

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  Tanzana
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  Victoryland

  Victoryland is the Brooklyn-based project of musician Julian McCamman. His label-debut, My Heart Is A Room With No Cameras In It, out January 23, 2026 via Good English, is a triumphant, despondent, and ultimately fun experimental pop-rock album. Victoryland started in Philly 2023 with the release of tape, Sprain, which echoed more of what the Philly scene was dishing out: lo-fi, tape-recorded rock with a capital R. It was the collaborative efforts of producer Dan Howard that brought the new vision and sound into full focus.Dan and Julian previously worked on Julian’s now-defunct Texas-to-Philly based band, Blood’s Loving You Backwards LP, a collaborative effort between six bandmates. That experience pushed Julian toward a more personal process of recording, starting with home demos and then bringing them to Dan to shape into songs. This relationship ultimately led Julian to move to NYC.

  The sound of the album, recorded between Julian’s Bed Stuy basement and Dan’s Williamsburg studio, is the sound of a bright and beaming collaboration. Landing somewhere between lo-fi and hi-fi production, the songs have the glossiness of a radio-friendly hit mixed with the distortion and rough edges of a home demo. Every song keeps at least one element of the initial recording, while building around the loops and half-songs Julian scrapped together. The lyrics on the record span from humorous self-aware popisms (“‘you and I’ will soon be, used to be ‘us’”) to crushing realities of bitterness(“i’ll never forgive you, that’s how I keep you close”) to abstract imagery (“mothers wave from doorways, in ostinato”), all delivered with such an immediacy and fervor that in the middle of singing along, you wonder if this guy slept much last night.

  My Heart wrangles with heavy subject matter (love, disconnection, sexual frustration, emptiness etc.), but the terminal statement of the record is about the cleansing nature of pop music. That, if a song can force you to “bliss out” over a hook or a loop, or even make you dance, it can be the spoonful of sugar to swallow the hard pill with; this is what Victoryland strives to do: package the most exhausting realities of life, love, and the search for connection in a world starved of it, into a fun 2-5 minutes, and for the runtime of Victoryland’s first major statement, you might even feel like you’re not alone.