GIMS
THEATRE DE PLEIN AIR - PARC EXPO, Av de la Foire aux Vins, 68000 Colmar Kort
þri. 04.08.2026 20:00
Véritable icône de la scène urbaine, GIMS s’impose comme l’une des plus grandes voix de la musique francophone. Après l’aventure SEXION D’ASSAUT, il a conquis le public en solo avec des tubes devenus incontournables : Bella, Sapé comme jamais ou J’me tire. Artiste aux multiples facettes, mêlant rap, pop et influences du monde entier, il enchaîne disques de diamant et collaborations prestigieuses avec les plus grands noms, dont STING ou VIANNEY. Porté par un charisme hors norme et une énergie scénique hautement communicative, il transforme chaque concert en une expérience inoubliable, où le public chante à l’unisson.
Flytjendur
-
Maitre GimsI Hate Models - DJ, Producer and owner of the Label Disco Inferno
In a scene choked by formulae, we need voices that cut through the noise to present something unapologetically true and devoutly non-conformist. In his singular path as an artist, I Hate Models swerves standardised structures and instead focuses on emotional response. The energy of club music serves as a vessel for his own feelings and a tool to manipulate others with. The spectrum of moods expressed – in his productions, DJ sets and on his label Disco Inferno – veers from nostalgia and passion to loneliness, melancholia and brutality, often juxtaposing darkness and light in the same pulse as an authentic conduit of his own artistic self-assessment. On his journey thus far, IHM has released music on labels ranging from Arts to Perc Trax, who carried his 2019 album L’Âge Des Métamorphoses. He’s also remixed Depeche Mode. At every turn, his disregard for expectations and conventions has resulted in dynamic, ambitious music that feasts on the flesh of techno, industrial and trance without ever becoming beholden to one source. Within the microcosm of one track, the energy can shift from bruising rhythm to swooning ambience and back again – cascades of pearlescent melody giving way to shards of sheet metal, thunderous percussion offset by softly sculpted sine waves. That the further adventures of I Hate Models feel entirely open-ended is completely by design – generic constriction is the enemy of genuine catharsis.