Paul Kalkbrenner

Berlin’s Paul Kalkbrenner has charted a career path like no other. A techno talent, who over the course of two decades has emerged from the underground, to top charts, act in and soundtrack a movie, headline festivals and amass millions of fans, all while refusing to compromise his grand techno sound.

Kalkbrenner is synonymous with dance music, he came of age in a golden era for techno, turning twelve when the Berlin Wall fell, and spending his teenage years raving, before starting to DJing and collect records as electronic dance music’s first tidal wave spilled throughout the city. He realized early that DJing wasn’t for him, and has focused on producing and playing his own music live ever since.

Though he rose to popularity in the peak of techno’s ‘Berlin era’, and his early career was associated with Bpitch Control, his fan base was never confined to this scene. By the time he played the lead in the seminal movie ‘Berlin Calling’ and its soundtrack smashed records across Europe he had already released multiple albums (Superimpose, Zeit, Self) and built a significant following globally.

With a catalog that now includes eight albums, over 137 individual tracks and numerous remixes, Paul is one of the unique electronic artists who can deliver the ebb and flow of a dancefloor journey using only his own music. His transcendent live performances have seen Paul break down traditional electronic music barriers, headlining festival and

arena stages typically reserved for rockstars. He was the first techno artist to play Tomorrowland’s typically commercial main stage, and was invited by the German Federal Government to perform to 400,000 to commemorate the 25th anniversary of the fall of the Berlin Wall.

After creating his own label in 2009 and releasing two albums and a live documentary, Kalkbrenner signed to Columbia Records in 2015. He was the first artist to be given unfettered access to the Sony Legacy vault, enabling him to rework previously-unsampled icons like Luther Vandross and Jefferson Airplane on his album ‘7’. In 2022, after leaving Sony, Paul will again release music independently.

Traditionally known as an album artist for much of his career, releasing eight LPs, registering 3 No.1 overall records and entering the Top 10 overall charts in 10 countries and selling 1.5 million units, Kalkbrenner has experimented with other formats including a viral mixtape compilation (Back To The Future - downloaded upwards of 3 million times), and more recently a spate of singles, No Goodbye, Speak Up and Parachute.

His seminal single Sky & Sand continues to hold the German singles record for most weeks at #1 (121 weeks). Despite the major releases and mainstage performances, Paul’s career remains intertwined with techno. He is a figurehead and pioneer in the electronic music scene, an uncompromising artist who has endured despite dance music’s fickle trends and obsession with the new.

Mumford & Sons

new album "PRIZEFIGHTER" out now

twenty one pilots

Formed during the punk era of the 1970s while still in secondary school in Crawley, West Sussex, England, The Cure has been one of the most enduring bands of the last thirty years, even if that has come at the price of multiple line-up changes, with only original frontman Robert Smith remaining in the band. Shunning the anarchistic tendencies of many punk bands after their formation in 1976, The Cure's first release was Killing an Arab, based on material from French writer Albert Camus' "L'Etranger" (translated into English as The Stranger or The Outsider). This track courted controversy because of its theme (misinterpreted as racist, it was in fact, about the futility of killing any ethnicity), but it started to secure a small following, which grew following the release of debut album Three Imaginary Boys and non-LP single Boys Don't Cry in 1979, the latter of which would become one of The Cure's most famous songs.

Following this, The Cure moved from their punk leanings into the portentous post-punk territory, releasing three albums of doom-laden rock in three years, Seventeen Seconds, Faith and Pornography, the latter of which charted inside the UK top 10, though the band were repeatedly dogged by the "Second-class Joy Division" tag. The group's fifth album, following their third set of line-up changes, Japanese Whispers was, through their desire to escape the Joy Division description, a poppier effort, featuring danceable singles like Let's Go to Bed alongside pop songs like Love Cats. Following the commercial disappointment of follow-up album The Top in 1984, The Cure returned to form with 1985's The Head on the Door. Featuring the singles In Between Days and Close to Me, The Head on the Door was distant from the band's punk roots, having more in common with successful alternative bands like The Smiths and Echo & the Bunnymen than their gloomier roots.

Two years later, the eighth studio album Kiss Me, Kiss Me, Kiss Me was a more stadium-sized effort, though featuring audacious pop songs like Why Can't I Be You, it was seemingly caught between two styles. However, it was the band's ninth effort (following the departure of last surviving founder member other than Robert Smith, Lol Tolhurst), Disintegration, that would be their greatest success, both critically and commercially. Disintegration spawned hit singles like Lullaby (no.5 in the UK), Love Song (an impressive no. 2 in the USA), Pictures of You, and Fascination Street. The album itself was a culmination of The Cure's directions through the eighties, featuring the poppier side combined with the more tender aspects, as well as the gloomier facets.

Following this, a remix compilation named Mixed Up was released in 1990, featuring one new track, Never Enough, and two years later tenth studio album Wish surfaced, which was a hit mainly from the momentum gained by Disintegration, though it also featured their most famous pop song, Friday I'm In Love (no.6 in the UK and no.18 in the US). During the years following this, the band became distracted and discouraged by the lawsuit launched by former member Lol Tolhurst, who felt he had been deprived of royalties. As a result, the 1996 album Wild Mood Swings felt unfocused, and was a critical and commercial failure, though the single Mint Car was a moderate hit.

In 1997, the Cure released the compilation Galore, featuring new song Wrong Number. Three years later, at the release of original album Bloodflowers, Robert Smith announced it would be the last album for the band, the album itself being a return to the gloomier rock of Pornography and Faith. Resultantly, another hits compilation was released in 2001. However, in 2004, the band surprised all by returning with a self-titled album, their twelfth studio album, which was a surprise hit, reaching the US Top 10, its lead single - The End of the World - becoming a modest hit on Modern Rock radio, and receiving a relatively warm reception from the press.

In May 2005, Smith fired Roger O'Donnell and Perry Bamonte from the band, along with Bamonte's brother Daryl, who had been The Cure's tour manager for many years. The remaining members of the band (Robert Smith, Simon Gallup and Jason Cooper) made a few appearances as a trio before it was announced that Porl Thompson would be returning to The Cure.

Their thirteenth studio album was penciled in for the first quarter of 2007, but its release was postponed. They played one live concert in Miami (23 March 2007) at the unlikely dance-focussed Ultra Music Festival. Further concerts in 2007 followed in Australasia: Fuji Rock Festival, Japan (27 July); Hong Kong (30 July); Singapore (1 August) and a tour of Australia and New Zealand.

The Australasian concerts were the first in the region since the Dream Tour of 2000 in support of Bloodflowers. These 4Tour dates featured a heavier, guitar-based sound (with Roger O'Donnell's departure The Cure's signature delicate guitar/keyboard layering also vanished) and no new songs were included in the sets. However, fans were treated to close to three hours of pure, classic The Cure, the band playing a long string of hits and fan-favourites before ending their shows with thrashing encores which delved into their back catalogue to some of their earliest recordings such as, Fire in Cairo, Grinding Halt and Three Imaginary Boys.

An Autumn US tour was to follow but was eventually cancelled to enable the band to finish the recording and mixing of the new record. Despite the cancellation of the tour, four shows were played in October 2007, the last three in Mexico City. Here The Cure introduced a handful of new songs which displayed both the melodic/pop as well as the sombre/tender aspect of their songwriting.

In 2008, The Cure embarked on the next leg of the 4Tour, starting in Stockholm (9 Feb) and continuing through to London (20 Mar) before heading across the Atlantic to complete the previously cancelled tour of 2007. The European 4Tour saw the band deliver powerful shows lasting over three hours, none more exhilarating and charged than their superb performance at Vienna's small-sized, 3000-capacity Gasometer (23 Feb). In Paris, Bercy (12 March), The Cure returned to the stage for an amazing fourth encore, ending the 3 hour 30 mins show with their emotional classic, Faith. In London (20 Mar), The Cure were again in top form, performing for over 3 hours and offering a great set including brilliant versions of A Night Like This, From the Edge of the Deep Green Sea, Friday I'm In Love and Disintegration. Also notable was the magnificant, swirling guitar playing of Porl Thompson on the often over-looked Wrong Number and Never Enough, featuring a guitar-less and dancing Robert. The set included a large number of pop hits drawing a huge reaction from the crowd; amongst them: Hot Hot Hot !!!, The Lovecats, Close to Me and Why Can't I Be You?. New songs played were: The Only One (formerly known as Please Project), Freakshow and the emotional A Boy I Never Knew.

Finally, the 4Tour reached stateside in May/June 2008. The Cure again thrilled fans by playing epic yet energetic shows. Although the setlists on this leg of the tour followed a similar structure to those heard in Europe, the band also mixed in a few songs and encores that added a darker energy. To open and close the main set, the band occasionally played, Out of This World and Bloodflowers whilst The Holy Hour, Other Voices, Faith and the rarely-played Forever entered their set as part of The Cure's hour-long three-section encores. A further glimpse of their forthcoming album was heard via the inclusion of more new songs: Underneath The Stars, The Perfect Boy, Sleep When I'm Dead and Baby Rag Dog Book. In addition to the recording of the Paris, France show, both the Charlotte, N.C. and New York City, N.Y. (Madison Square Garden) concerts were filmed for a possible TV/DVD release.

In preparation for the release of their new album (believed to be titled) 'Dream 13', The Cure released 4 singles and a remix EP in 2008. Starting with the long-awaited release of The Only One/NY Trip on May 13, each single was released on the 13th of each month leading up to the October 13 release of the album. The artwork for the singles, The Only One, Freakshow/All Kinds of Stuff, Sleep When I'm Dead/Down Under, The Perfect Boy/Without you and Hypnagogic States EP (remixes of all 4 singles), was produced by Porl Thompson's 'Parched Art' and was reminiscent of the covers for, Primary, The Caterpillar, Lovesong, High, Friday I'm In Love, A Letter to Elise and the album Wish.

The Cure...

The Cure official website: www.thecure.com
Chain of Flowers fan website: http://ourworld.compuserve.com/homepages/ChainofFlowers

The Lumineers

Automatic Deluxe Edition OUT NOW. Pre-Order ‘Automatic (B-Sides)’ 10” vinyl.

TheLumineers.lnk.to/automatic

Halsey

Halsey (born September 29, 1994) is the stage name of American indie-pop singer-songwriter and musician Ashley Frangipane, hailing from Washington, New Jersey, U.S.

Gorillaz

Gorillaz is a British pop band created in 1998 in London, England, as the creative brainchild of musician Damon Albarn and graphic artist Jamie Hewlett. The band consists entirely of fictional members, with Albarn and various guests creating the band’s music.

The Cure

The Cure are a band formed in 1976 hailing from Crawley, West Sussex, in the United Kingdom. Fronted by lead singer and songwriter Robert Smith, they came from the post-punk scene of the early 80’s to become one of the biggest and most influential bands in modern rock.

The xx

It all started in a bedroom in south west london, after school, drinking too much pepsi. We just keep on growing.

A Perfect Circle

Get our new album, Eat The Elephant now: https://AperfectCircle.lnk.to/EatTheElephantFA

Lewis Capaldi

19 • South London • Artist • Songwriter

Moby

Berlin’s Paul Kalkbrenner has charted a career path like no other. A techno talent, who over the course of two decades has emerged from the underground, to top charts, act in and soundtrack a movie, headline festivals and amass millions of fans, all while refusing to compromise his grand techno sound.

Kalkbrenner is synonymous with dance music, he came of age in a golden era for techno, turning twelve when the Berlin Wall fell, and spending his teenage years raving, before starting to DJing and collect records as electronic dance music’s first tidal wave spilled throughout the city. He realized early that DJing wasn’t for him, and has focused on producing and playing his own music live ever since.

Though he rose to popularity in the peak of techno’s ‘Berlin era’, and his early career was associated with Bpitch Control, his fan base was never confined to this scene. By the time he played the lead in the seminal movie ‘Berlin Calling’ and its soundtrack smashed records across Europe he had already released multiple albums (Superimpose, Zeit, Self) and built a significant following globally.

With a catalog that now includes eight albums, over 137 individual tracks and numerous remixes, Paul is one of the unique electronic artists who can deliver the ebb and flow of a dancefloor journey using only his own music. His transcendent live performances have seen Paul break down traditional electronic music barriers, headlining festival and
arena stages typically reserved for rockstars. He was the first techno artist to play Tomorrowland’s typically commercial main stage, and was invited by the German Federal Government to perform to 400,000 to commemorate the 25th anniversary of the fall of the Berlin Wall.

After creating his own label in 2009 and releasing two albums and a live documentary, Kalkbrenner signed to Columbia Records in 2015. He was the first artist to be given unfettered access to the Sony Legacy vault, enabling him to rework previously-unsampled icons like Luther Vandross and Jefferson Airplane on his album ‘7’. In 2022, after leaving Sony, Paul will again release music independently.

Traditionally known as an album artist for much of his career, releasing eight LPs, registering 3 No.1 overall records and entering the Top 10 overall charts in 10 countries and selling 1.5 million units, Kalkbrenner has experimented with other formats including a viral mixtape compilation (Back To The Future - downloaded upwards of 3 million times), and more recently a spate of singles, No Goodbye, Speak Up and Parachute.

His seminal single Sky & Sand continues to hold the German singles record for most weeks at #1 (121 weeks). Despite the major releases and mainstage performances, Paul’s career remains intertwined with techno. He is a figurehead and pioneer in the electronic music scene, an uncompromising artist who has endured despite dance music’s fickle trends and obsession with the new.

Prodigy

Dorian is a Spanish electro-pop band.

They were born in 2002 in Barcelona with the common necessity to develop a sound that conjugated the tradition of the Spanish pop with contemporary electronic music.

The members are: Mark (voice, guitar, programmings) Belly (piano, keyboard, programmings) Bart (bass) Jordi (drums).

Up to 2007 they have published 2 works: "10.000 Metrópolis"(2004) and "El futuro no es de nadie"(2006).

Their lyrics are full of simple and combative poetry that perfectly marries with electronic melodies with an indie touch.

www.dorianoficial.com

Kasabian

Hailing from Leicestershire, UK, Kasabian are one of the most recent bands to ascend to stadium playing levels of success this millennium. They’ve released five albums since forming in 1997, and are a quartet based around the creative duo of frontman Tom Meighan and Lead Guitarist Sergio Pizzorno.

The War On Drugs

The history of rock ’n’ roll is a story of splintering. Stop here for 10 seconds, and think: How many niches can you name without even trying, without having to pause for just a split second? They seem infinite and, already the better part of a century since rock’s bastard birth, still ceaseless, each new form defined by the mainframe’s perpetuity of flux.

But over the last 15 years, The War on Drugs have steadily emerged as one of the mightiest counterweights to this endless division, reconnecting rock’s manifold hyphenates with an ardor and ease that suggest they were never split far apart in the first place. Folk, indie, kosmiche, noise, roots, arena, psychedelic, soft, whatever—The War on Drugs are this century’s great rock ’n’ roll synthesists, obviating the gaps between the underground and the mainstream, between the abstruse and the anthemic, making records that wrestle a fractured past into a unified and engrossing present. The War on Drugs have never done that so well as they do with I Don’t Live Here Anymore, their fifth studio album and their most compulsive and bold set of songs to date.

Teddy Swims

“I’ve Tried Everything But Therapy (Pt. 1.5)” Out Now

https://teddyswims.lnk.to/ITEBTpt1.5

The Vaccines

The Vaccines are an English indie rock band from West London. They formed in 2010, and have achieved platinum sales status.

Ethel Cain

Official Facebook page for Ethel Cain.

Lauren Spencer-Smith

Lauren Spencer Smith feels everything to the utmost extreme. She isn’t afraid to cry. She won’t go quiet if she needs to yell. She doesn’t hide stress, doubt, anxiety, or anger. Rather, she runs towards these feelings, embraces them, and turns them into soulful sky-high pop anthems that you can sing along to at the top of your lungs. This emotional fearlessness has transformed the UK-born / Canadian raised singer and songwriter into a multiplatinum sensation whose voice strikes a chord with fans worldwide. Hailing from a tiny town on a remote Canadian island, Lauren learned how to sing by practicing over and over again alone in her room. “No concerts ever came to where we lived, and I didn’t grow up doing things like musical theater,” she says. After years of grinding, she independently broke through with the Platinum-certified “Fingers Crossed,”going mega-viral and landing a deal with Island / Republic Records in 2022. It paved the way for full-length debut, Mirror, which yielded the Platinum-certified “Flowers” and fan favorite “That Part”. Along the way, she lit up The Tonight Show Starring Jimmy Fallon and packed houses on multiple continents during her headline The Mirror Tour. Billboard named her among its “21 under 21,” and she incited the applause of People, The Guardian, DORK, and Stereogum who christened her “Gen Z’s new favorite breakup balladeer.” Following widespread acclaim and billions of streams, she resonates more than ever on her 2025 second full-length offering, The Art of Being a Mess [Island / Republic Records], introduced by the singles “Pray” and “If Karma Doesn’t Get You (I Will).”

Palaye Royale

Equal parts brit-pop, glam rock and art-punk, Palaye Royale has amassed over half a billion streams throughout their career and earned a legion of cult-like fans with their adrenaline-fueled, Rock n’ Roll circus. First landing in Los Angeles as teenagers, Las Vegas-bred brothers Remington Leith (vocals), Sebastian Danzig (guitar), and Emerson Barrett (drums) , worked their way up through the ruthless L.A.rock scene going from playing basement shows while living out of their car to headlining arenas around the world and touring with the likes of Yungblud. The band is readying their fourth full-lengthFeverDream, which emerged from a much-needed break in the chaos, returning to their roots and composing most of the album on piano. Equal parts ecstatic head rush and in-depth meditation on the state of the human psyche, the result is Palaye Royale’s boldest and most visionary body of work to date. With their fast-paced dirty rock n’ roll and unparalleled swagger, Palaye Royale have endlessly delivered an electrifying live show, one that frequently finds Remington hanging from the rafters. And whether they’re taking the stage at major festivals like Reading and Leeds, Download and Pinkpop or playing to sold-out crowds in such far-flung locales as Amsterdam, Prague and Mexico City, the band’s most crucial ambition is to deepen their rarefied connection with their beloved fanbase, lovingly dubbed the Soldiers of the Royal Council

Loyle Carner

The Last Dinner Party

Royel Otis

MGMT

Andrew Klippel - andrew.klippel@ourness.com

All Them Witches

ALL THEM WITCHES

Dylan Gossett

Singer-Songwriter from Austin, TX

Kneecap

Condemned by politicians, beloved by fans, kicked out of their own gigs, and packing festival tents to overflow, Kneecap are a cultural phenomenon.

Crashing into the consciousness with the release of, C.E.A.R.T.A., a track and video inspired by a police chase while protesting for Irish language rights, they’ve proceeded to run rampage across small rooms and massive festivals in Ireland, the UK, and the US, leaving a bemused media and captivated followers in their wake.

Heralded by the New York Times, the LA Times, Dazed, Vice, i-D, the Guardian, and others, Kneecap’s irreverent, complex, and potent lyrics speak to a time of political upheaval, youthful rebellion and discontent, and a renewed urge to party.

Kneecap is a movement, one about upending preconceptions about language and place, and reimagining what rap can be as a creative and cultural force.

Matt Berninger

A singer recognized for his deep baritone, brooding delivery, and contemplative, literate lyrics, Matt Berninger rose to fame during the 2000s as front man of Brooklyn indie rockers The National. Emerging early in the decade amidst a garage rock revival that included bands like The Strokes and The Walkmen, The National drew from a wider set of influences, including alternative country-rock, Americana, and chamber pop as well as post-punk. Their earliest albums won a dedicated fan base and critical praise before they made an impact on the charts with their fourth LP, 2007's Boxer. The National catapulted into the Top Three of the album charts with 2010's High Violet, and have remained a Top Three act throughout the decade as band members pursued other projects, including Berninger's new wave-influenced duo, EL VY. In 2016, Berninger co-founded “7-inches for Planned Parenthood”, a curated series of records featuring music, comedy, spoken word, and visual art released in support of Planned Parenthood Federation of America. 2017's Sleep Well Beast made Berninger and his National bandmates Grammy winners and 2019 saw the release of their most recent album, I Am Easy to Find. The singer's many collaborations have included songs with Andrew Bird, Booker T. Jones, Jon Brion, and Julien Baker. Berninger’s first solo record, Serpentine Prison, will be released in 2020.

The Haunted Youth

The Haunted Youth, the band of 29-year-old Joachim Liebens, has become a Belgian indie sensation in no time. The songs, often about the struggle of life but coated in gloriously dreamy guitars and synths, are therapy to Liebens, and strike a chord with indie lovers all over Europe and even the US. Every single is […]

Zwangere Guy

Pixies

Open Wed, Thur, Frid, 3pm till late Sat , Sun 12 pm till Late

Paul Kalkbrenner

Flytjendur