AFI @ Rialto Theatre
Rialto Theatre-Tucson, 318 Congress St, 85701 Tucson Kort
mið. 28.10.2026 20:00
Doors 7PM | Show 8PM | GA Standing Floor / Reserved Seated Balcony | CHILDREN UNDER 6 NOT PERMITTED | Public On Sale - 5/8 10AM ______ Prices include all fees. ALL SALES ARE FINAL. The Rialto Theatre does not grant refunds or exchanges for currently scheduled shows. The Rialto Theatre Foundation has a clear bag policy in place at Rialto Theatre and 191 Toole. The policy limits the size and type of bags that may be brought into our venues. The following is a list of bags that will be accepted for entry: Bags that are clear plastic or vinyl and do not exceed 12in x 6in x 12in One-gallon clear plastic freezer bags (Ziploc bag or similar) Small clutch bags, approximately 5in x 7in All bags subject to search. Clear bags are available for sale at the box office.
Flytjendur
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A.F.I.AFI are leaders, not followers. A collective in a perpetual state of creative evolution as fluid as the evocative figures contorting on the cover of Bodies, their newest collection of songs. The record is a snapshot of unrelenting artists in motion, unconcerned with compromise or outside demands.
The band initially summoned a steady subcultural groundswell in the mid-90s, devoid of careerist ambitions. The band first made music as teenaged misfits in an obscure Northern California town, steadily assembling a dense catalog over the years marked by its diversity and authenticity.
The platinum success of Sing the Sorrow blazed a path for a generation of hardcore-punk weaned bands to similarly crossover. 2006's Decemberunderground upended expectations again and earned AFI a second platinum plaque. Crash Love was another adventurous turn, with expansive and almost optimistic-sounding melodies, glistening with emotion. The haunting Burials arrived four years later, debuting in the Top 10 of the Billboard 200. The self-titled follow-up, commonly referred to as "the Blood Album," became AFI's second-highest charting album since their inception, debuting at No. 5 in 2017.