The Offspring

Our brand new album SUPERCHARGED is available everywhere! Listen now at: https://found.ee/OffspringSUPERCHARGED

My Chemical Romance

Call them pop-punk, post-hardcore, or alternative rock, but lead singer and founder Gerard Way would rather you never call them “emo.”

Queens of the Stone Age

Heavy rock band, Queens Of The Stone Age are from Palm Desert, California, and currently consist of Josh Homme as lead vocalist, guitarist, Troy Van Leeuwen on guitar and backing vocals, Dean Fertita on keyboards and backing vocals, Michael Shuman on bass and backing vocals and Jon Theordore on drums.

Limp Bizkit

*THIS IS THE OFFICIAL LIMP BIZKIT FACEBOOK PAGE*

The original line-up of Fred Durst, Wes Borland, Sam Rivers, John Otto, and DJ Lethal are back from an eight year hiatus to bring their world back to ours. Fred Durst and Wes Borland said in a joint statement:

"We decided we were more disgusted and bored with the state of heavy popular music than we were with each other. Regardless of where our separate paths have taken us, we recognize there is a powerful and unique energy with this particular group of people we have not found anywhere else. This is why Limp Bizkit is back."

The guys will kick off a world tour in the Spring on the overseas festival circuit with headline shows sprinkled in throughout Eastern Europe and Europe, selected dates include, in late May, Russia, Ukraine, and the Baltic countries where Limp Bizkit has never played before despite huge demand, along with major festivals like Rock Am Ring and Rock Im Park in Germany, more dates to be announced shortly. A new album, which would be the original group’s first full-length effort since 2000, is also planned. Limp Bizkit’s first three albums have sold over 20 million copies in the U.S. alone, and another 13 million in the rest of the world.

Sublime

bury-tomorrow.com
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Wu Tang Clan

One of the most revolutionary hip-hop acts, Wu-Tang Clan helped prove rap to be an art form, establishing a hip-hop enterprise in the process whilst delivering their uncompromising, dark sound and hard-hitting, intelligent wordplay.

Stone Temple Pilots

Stone Temple Pilots embark upon a new sonic adventure with Perdida, the band’s first-ever acoustic album. It includes 10 deeply personal songs that weave introspective lyrics together with unexpected instruments to take listeners on an emotional and musical journey through letting go and starting over.

“You have to live it to write it,” says guitarist Dean Deleo. “And this record is a reflection of where we’ve been recently.”

Bassist Robert DeLeo says Perdida (Spanish for ‘loss’) shows how music has helped them process grief, search for meaning and, ultimately, create something beautiful from the pain. “When I’ve gone through things in my life, I’ve found that sitting down and having an honest conversation with my guitar is the best therapy.”

“Recording an acoustic album like Perdida is something the band has wanted to do for many years,” says drummer Eric Kretz. “We performed on ‘MTV Unplugged’ in 1993, and we usually play acoustic mini-sets on tour, so when Robert and Dean started playing their new songs for us during our tour last year, we knew right away they would be perfect for an acoustic album.”

Writing lyrics for an introspective album like Perdida meant exposing himself like never before, says singer Jeff Gutt, who joined the band in 2017. “It’s an emotionally honest album and I needed to approach it that way for these songs to resonate. I had to let myself be as vulnerable writing the lyrics as Dean and Robert were writing the music.”

To record Perdida, the quartet assembled at Kretz’s Bomb Shelter Studios in February. The key to making the album, Dean explains, was finding a way to say more with less. “Everything you hear serves a purpose, from the space in the arrangements to the different instruments. We only added things that served the songs.”

As a result, there are instruments on Perdida that you don’t normally hear on an STP record, like flute (“I Didn’t Know The Time,”) alto saxophone (“Years,”) guitarrón (“Miles Away,”) and enough vintage keyboards to make Rick Wakeman jealous. “We’ve done similar things before – like the trumpet solo on ‘Adhesive’ from Tiny Music – but never on such a large scale,” Robert says. “Working with other musicians on this album was such a joy because it gave us a rare opportunity to hear our songs through someone else’s ears.”

That approach shines on the title track, where a nylon-string guitar takes the lead as keyboard, violin, viola and cello ebb and flow behind Gutt’s soaring vocal on the chorus: “Oh perdida come and go/Stay with me tonight/But in the morning please be gone.”

“She’s My Queen” is another highpoint on the band’s sonic adventure. Built around an Indian drone and carried along by a gently pulsing beat, the song casts a hypnotic spell that’s punctuated by background singers, flute and Marxophone – a special kind of hammered dulcimer from the 1920s.

The songs that open and close Perdida – “Fare Thee Well” and “Sunburst” respectively – are fitting bookends, Gutt says. “They really capture the emotional journey that takes place on this album. It starts with saying goodbye on ‘Fare Thee Well’ and ends with a new beginning on ‘Sunburst.’ It’s a melancholy record, but it ends on a hopeful note.”

As it happens, those two tracks also spotlight facets of the DeLeo brothers’ distinctive songwriting voices. “Fare Thee Well” by Robert pulls you in from the first strum of the guitar and has you singing along after one listen. In Dean’s “Sunburst,” the melody unfolds gradually, rising and falling multiple times before building to a cathartic guitar-fueled crescendo.

In addition to the album, Stone Temple Pilots will also launch an acoustic tour in early 2020.

“Some songs are obvious candidates for an acoustic performance,” Dean says. “What will be really interesting are the unexpected choices, where we reimagine a familiar song and present in a totally different light.”

Kretz says the band is looking forward to not only performing the new songs, but also pulling songs from previous albums into the setlist. “We’ll finally get a chance to play songs from our catalog that we’ve never played live, or in some cases, haven’t played live in more than 20 years.”

“We’ve talked about doing this kind of tour for years, and now it’s finally happening,” Robert explains. “We’re excited because it’s not only a chance for us to celebrate our new album in a special way, but also everything that’s brought us to this moment.”

Tool

Tool (formed in 1990) is a Grammy Award-winning American alternative metal and art rock band that also lends influences from progressive and psychedelic rock, hailing from Los Angeles, California, U.S.

A Day To Remember

A Day To Remember’s Big Ole Album Vol. 1 is out now.

Pierce The Veil

Right now, Pierce the Veil are at their most raw, crackling with urgency and immediacy. Never predictable, always engaging, Pierce the Veil continue to soar on the strength of highly potent energy, rich musicality, and a scrappy sense of authentic exuberant ambition that's frankly unrivaled. Frontman Vic Fuentes, guitarist Tony Perry, and bassist Jaime Preciado put volatile, angsty, confessional emotions into the music, which is why their songs resonate with so many. "No matter where the band performs, fans will show up," wrote Loudwire. "When you see Pierce The Veil live, you'll understand why."

PTV's evolution from album to album is nothing less than stunning. The early buzz generated by A Flair for the Dramatic (2007) made its follow-up one of the most anticipated albums of 2010. Selfish Machines shot to No.1 on Billboard's Heatseekers chart. The Chicago Tribune saluted Collide with the Sky for its "post-hardcore punk with more than a few nods to Queen." They became a true arena act on Misadventures, selling out huge venues without losing the intimate connection with their fans.

Pierce the Veil have long cemented their status as one of the most exciting and relevant acts in their genre — by constantly evolving.

Cypress Hill

Cypress Hill is an American hip-hop group hailing from South Gate in California, USA. Cypress Hill was the first Latino-American hip hop group to have both platinum and multi-platinum albums.

Sleeping With Sirens

The post-hardcore band Sleeping with Sirens formed in Orlando, Florida, US, but would later relocate to Grand Rapids, Michigan, US. The band features members of other post-hardcore bands like Broadway, For All We Know, and Paddock Park, which meant that the members were already experienced musicians before formation.

Mayday Parade

There’s a lot for Mayday Parade to celebrate these days. The Tallahassee, Florida-formed quintet recently wrapped a career-defining tour marking two decades together, one that saw more than 70,000 fans pack sold-out venues to celebrate their storied catalog. They performed a triumphant main-stage set at the 30th anniversary of the Vans Warped Tour, a full-circle moment for a band that made their name selling self-released CDs in those sweltering parking lots nearly 20 years ago. Their landmark debut LP, A Lesson In Romantics, turned 18, still beloved for its iconic singles like the platinum-certified “Jamie All Over” and gold-certified “Miserable At Best.” And the group released Sweet, the first in a self-released three-album series that reaffirmed just how creatively energized they still remain.

Now, with Sad, the second installment in that trilogy, Mayday Parade dive deeper into the emotional nuance that’s long defined their work. The emotional journey found on songs like “Under My Sweater,” “It’s Not All Bad” and “Promises” is the beating heart of the band, the reason fans proudly wear MAYDAY PARADE IS AN EMOTION shirts and hoodies like a badge of honor. It’s the compass that’s guided the band through their entire career – especially during this three-album arc – pushing them to chase the next great idea, whether it arrives in a sudden spark or takes decades to fully round into form. It’s all in the songs, and when it’s right, you’ll know it when you hear it.

The Used

One of the few remaining bands from the ‘Emo scene’, The Used from Orem, Utah formed in 2001 consisting of: Bert McCracken (vocals, keys), Jeph Howard (bass), Quinn Allman (guitar) and Branden Steineckert (drums).

Wolfmother

Wolfmother are a hard rock band from Sydney, New South Wales, Australia who formed in 2004. They are fronted and led by lead singer and guitarist Andrew Stockdale, and have released three studio albums since their debut in 2005.

We the Kings

We the Kings are a pop punk outfit out of Florida, US, who first shook the US charts with their single, "Check Yes Juliet" in 2007. They have since been on the up and up, releasing a number of Top 40 Singles and headlining the Vans Warped Tour.

Theory of a Deadman

Unplugged Tour On Sale Now https://linktr.ee/theoryofficial

Escape the Fate

Escape The Fate (formed 2004/5) is a post-hardcore band originating from Nevada, U.S., and are currently signed to Eleven Seven Music.

Danny Elfman

Daniel Robert 'Danny' Elfman is an American composer, record producer, and actor originally from California who was the lead singer of the rock band Oingo Boingo.

Killswitch Engage

U.D.O. is a German heavy metal band founded by lead singer Udo Dirkschneider in 1987. Closely tied to the name U.D.O. is Accept, founded by Udo Dirkschneider and Michael Wagener (later to become a top producer) in Solingen, which was the predecessor of U.D.O.

U.D.O. is an incorrect tag for Udo Mechels.

After the breaking up of Accept in 1987, a large fan community followed Udo Dirkschneider and Stefan Kaufmann to U.D.O.

Starting with the first albums Animal House in 1988 and Mean Machine in 1989 U.D.O. proved to be pure heavy metal without any Trend-Sound influences. Both albums continued where Accept had left of in 1986 with Russian Roulette. Animal House was played in by Peter Szigeti (guitars), Frank Rittel from Warlock (bass), Mathias Dieth from Sinner (guitars),Thomas Franke (drums) and of course Udo Dirkschneider (vocals)

When Mean Machine was released in 1989 U.D.O. had a totally different look. From the line-up which had played on Animal House, remained besides Udo only Mathias Dieth (guitar). New were Andy Susemihl (guitar), Thomas Smuszynski (bass) and Stefan Schwarzmann (drums).

Even though the unwritten U.D.O. law No-Keyboards was broken, U.D.O. achieved an amazing success, with the album Faceless World, produced by ex-Accept drummer Stefan Kaufmann.

At first disputed, it turned out to be, with Udo Dirkschneider (vocals), Mathias Dieth (guitar), Wolla Boehm (guitar), Thomas Smuszynski (bass) and Stefan Schwarzmann (drums), U.D.O.'s most sold album so far.

A.F.I.

AFI are leaders, not followers. A collective in a perpetual state of creative evolution as fluid as the evocative figures contorting on the cover of Bodies, their newest collection of songs. The record is a snapshot of unrelenting artists in motion, unconcerned with compromise or outside demands.

The band initially summoned a steady subcultural groundswell in the mid-90s, devoid of careerist ambitions. The band first made music as teenaged misfits in an obscure Northern California town, steadily assembling a dense catalog over the years marked by its diversity and authenticity.

The platinum success of Sing the Sorrow blazed a path for a generation of hardcore-punk weaned bands to similarly crossover. 2006's Decemberunderground upended expectations again and earned AFI a second platinum plaque. Crash Love was another adventurous turn, with expansive and almost optimistic-sounding melodies, glistening with emotion. The haunting Burials arrived four years later, debuting in the Top 10 of the Billboard 200. The self-titled follow-up, commonly referred to as "the Blood Album," became AFI's second-highest charting album since their inception, debuting at No. 5 in 2017.

The Pretty Reckless

Between 2013 and 2015, The Pretty Reckless traveled the globe touring in support of their second album, the raucous, roaring, Catholic guilt-inspired Going To Hell. A bruising blend of ferocious rock and roll and inky blues, the album debuted in the Top 5 on the Billboard Top 200 and spun off three No. 1 Mainstream Rock singles, “Fucked Up World,” “Follow Me Down” and 2014’s most successful song at the format, “Heaven Knows,” which spent a total of 18 weeks in the top spot. Going to Hell’s success meant strong live demand for the New York City band, which is anchored by its songwriters, singer-guitarist Taylor Momsen and guitarist Ben Phillips, who have been making music together in partnership for ten years, and rounded out by bassist Mark Damon and drummer Jamie Perkins. The Going To Hell Tour sent The Pretty Reckless off on four separate jaunts across North America and three trips to Europe. Their explosive shows earned them legions of new fans at home and overseas. Despite feeling physically and emotionally spent after returning from their two-year odyssey, Momsen and Phillips jumped right into writing the songs for their third album, the scorching yet soulful Who You Selling For, which will be released by Razor & Tie in October. “We had so much we wanted to say, it was like shaking a can of soda on tour, and then when we started writing we cracked the seal,” says Momsen. “The touring life is very isolating. You look at the world through a bus or airplane window. But music is the healing factor. It’s the one thing that is grounding and a true companion through the forest. It saved us — again.” The necessity of music as a balm for the soul is a theme that threads its way through Who You Selling For, which finds Momsen and Phillips dealing with emotions ranging from confusion and frustration to depression and despair. “I think we felt a dire need to express those thoughts,” says Phillips. “And they’re things I think most humans feel on a daily basis but don’t always have an outlet to express. In the end we’re saying, ‘Don’t give up, your soul is all you have, so you’ve got to hang onto that.’” The album’s opening track, “Hangman” (which was inspired by a poem by Chidiock Tichborne written on the eve of his execution), tells a story of having control over your own mind and soul no matter what is happening to you. From there, Who You Selling For delves deep into the psyche of Momsen and Phillips — two artists who believe very much in the fiery redemptive power of rock and roll. The album’s first single, “Take Me Down,” is a story of desperation, with Momsen delivering such lyrics as “I spend all night and day / How much harder can I play? / You know I gave my life to rock and roll?” “It’s about wanting something so much you’d sell your soul for it,” Momsen says, adding that she and Phillips were inspired by blues artist Robert Johnson’s song “Crossroads,” which some have interpreted as Johnson singing about selling his soul to the Devil in exchange for his musical ability. “Back To The River” is about the desire to get away from everything, to go where no one can reach you, while the strutting “Wild City” is influenced by being young and on your own in New York (“We wrote it while walking down Rivington Street on the Lower East Side,” Momsen says). The most aggressive song on the album is “Oh My God,” which Momsen describes as “self-confession right out of a journal. I think it speaks for itself.” And finally “Who You Selling For” testifies to music being a form of salvation and describes how the rest of the album reaches into all forms of rock and roll looking for “The Answer.” The song inspired the album’s title, asking listeners to take a look at their own lives with its provocative query. “For me, it’s a question that challenges what I’m doing with my life,” Momsen says. “It questions the meaning of my actions whatever they are. It also defines the record in a grander way by asking the listener to look into the meaning of each song past the obvious.” Sonically, Who You Selling For alternates between blistering hard rock (“Oh My God,” “Prisoner,” “Wild City,” “Living In The Storm”) and gentler, more downtempo moments (“The Walls Are Closing In,” “Take Me Down,” “Back To The River,” “Who You Selling For,” acoustic ballad “Bedroom Window,” and closing track “The Devil’s Back”), giving Momsen a platform to showcase the power and versatility of her voice. She is one of rock’s most compelling contemporary frontpersons, capable of being both brash and confrontational and sultry and seductive, daring listeners to ignore her at their own peril with a fiery swagger that has only grown more fascinating as Momsen gets older. (She was 15 when The Pretty Reckless wrote and recorded their rock-grunge-blues debut album Light Me Up, which was released in 2010.) Momsen’s voice sounds all the more intimate thanks to the unvarnished way that she and Phillips, along with their long-time producer Kato Khandwala, recorded the songs. “It’s the most natural recording possible,” says Phillips. “It’s all performance-based, nothing was fixed. If Taylor walked in and sang the song and it didn’t work, she’d walk right out.” When more than just guitar, bass, and drums were needed, additional musicians were invited in, including guitarist Warren Haynes (Allman Brothers), guitarist Tommy Byrnes (Billy Joel), and keyboardist Andy Burton (Ian Hunter), as well as backing vocalists Janice Pendarvis (David Bowie), Jenny Douglas-Foote (P!nk), and Sophia Ramos (Rod Stewart). “It was so great having that many musicians in a room playing together and just hitting the record button,” Momsen says. “It’s very gratifying to feel the players and singers represented as they are. It gave life to these songs that were written tucked away in a bedroom and it enabled us to really deliver the most honest performances possible. What you hear is what it sounded like, no frills. That’s it.” It’s the band’s willingness to bare their souls that has earned them such a passionate fan base — people who identify with the raw candor of the lyrics and fearless way they are expressed. “I’ve had such a strange life,” Momsen says. “I’ve always felt on my own, running around the world on some mission that I barely understood. Our fans have been the ones who were really there for us. They have supported us through the good times and the bad. I owe them gratitude. They are the inspiration when things look too bleak to keep going. I know it’s been said a million times, but it’s true, I wouldn’t be here today without them. They make this all possible.” New Album, Who You Selling For available now! Buy it on iTunes - http://geni.us/theprettyreckless

Public Enemy

RA: Resident Advisor

Drowning Pool

Drowning Pool is a hard rock/nu metal band from Dallas, Texas that rose to prominence while playing along with Ozzy Osbourne during Ozzfest. Their 2001 debut album, Sinner, was certified platinum within six months and the video for its first single "Bodies" was frequently aired on various music video channels. After the September 11th attacks the song "Bodies" was infrequently heard on many radio stations due to the sensitivity of those families' loved ones who jumped from the towers. In August 2002 the lead singer of the band, Dave Williams, died in his tour bus of heart failure.

After Williams' death, the band decided to carry on and began searching for a new singer. Kelly Schaefer of Neurotica tried out but failed. Ben Schiegel of Sw1tched said he was turned down, but the band denied that report. The band asked Machine Head vocalist Robert Flynn if he wanted to join, but he politely declined, not being a fan of Drowning Pool to begin with. Rob Zombie contributed vocals to their song "The Man Without Fear", from the Daredevil soundtrack, but he was never in line to be their new vocalist.

In 2003, the band found a new singer in Jason 'Gong' Jones who took place of Dave Williams in the wake of his untimely death. They released the album Desensitized in 2004.

Jason's departure from Drowning Pool was publically announced on June 14, 2005, due to irreconcilable differences. Jones would later join the christian rock band A.M. Conspiracy. Almost immediately, rumours started swirling concerning the new singer's identity, most of them pointing to former SOiL singer Ryan McCombs. Drowning Pool announced that the singer would be formally announced August 25 at the Ozzfest date in Dallas, Texas, where Drowning Pool will do a one off performance on the main stage. On July 20th, website SMNNews received word from close sources that McCombs was indeed the new singer, and that fact was confirmed by McCombs and Drowning Pool alike the next week.

In spring of 2006, Drowning Pool announced that they had parted ways with Wind-Up Records. As of June 30th, Wind-Up's website has been updated to confirm this.

In October 2006, a new song called No More was announced to be released on the Saw III soundtrack, their first track (besides the second version of Rise Up) with Ryan McCombs on vocals.

On February 26, 2007, it was announced that the band has signed a new deal with Eleven Seven Music, after receiving offers from Century Media and Sanctuary Records.[1] It was also confirmed that Drowning Pool will have a new management company, Tenth Street Entertainment, following the group's departure with Paul Bassman of Bass Management.

The band's newest album is, "Full Circle" and was released on July 24th, 2007 nationwide. 2 songs on the album were being produced by Funny Farm Records, owned by Motley Crue bassist Nikki Sixx and former Beautiful Creatures guitarist DJ Ashba. The remaining tracks have been recorded with Producer Ben Schigel at the Dallas based January Studios.

In January 2008, the band announced that they would be heading out on a North American tour as special guests of Saliva.

Current members

Ryan McCombs - Vocals (2005-Present)

C.J. Pierce - Lead Guitar

Stevie Benton - Bass Guitar

Mike Luce - Drums

Former Members

Dave "Stage" Williams - Vocals (2000-2002)

Jason "Gong" Jones - Vocals (2003-2005)

Jasen Moreno - Vocals (2012-2023)

2) The other Drowning Pool is a diverse ethereal/psychadelic/world/industrial/post-punk act from 1987-1989, which changed its name in 1990 to "Mumbles" and then ceased to exist.

Three 6 Mafia

P.O.D.

New Found Glory

It’s been decades since New Found Glory's likeness was chiseled onto pop-punk’s Mount Rushmore, but as the quartet, formed in Coral Springs, Florida, in 1997, approach their landmark 30th anniversary, they still have a lot to say.

“We wanted to make something that really focused on how lucky we are,” guitarist Chad Gilbert explains of Listen Up!, NFG’s 11th studio album and first release for Pure Noise Records. “We’ve all gone through serious stuff in our lives, and I think the lyrics on this record are more meaningful and purposeful than ever. It’s a positive outlet that hopefully keeps people going.”

The album’s spirit is indeed a testament to resilience, shaped not only by Gilbert’s ongoing battle with an aggressive metastatic cancer but also the ever-evolving dynamic between him and his bandmates – vocalist Jordan Pundik, bassist Ian Grushka and drummer Cyrus Bolooki – as they continue to push each other creatively. It’s the same full-hearted sentiment that colored their 2023 acoustic EP, Make The Most Of It, here delivered in three-minute bursts of the band’s trademark pop-punk sound: the shiny melodies that launched them onto TRL in the early 2000s, the ghosts of the tight-knit punk and hardcore scenes they came up in as teenagers.

That kinetic energy informed Listen Up! from its earliest stages of the writing process, with Bolooki and Grushka traveling to Gilbert’s Nashville-area home to flesh out the songs the guitarist had been crafting. Sitting face to face with their instruments, the three fell into a rhythm of workshopping and arranging together, leaning into a riff-first mentality that harkened back to iconic songs like “My Friends Over You” and “All Downhill From Here” in what Bolooki calls a musical return to form.

“The album is nonstop riffs you can sing along to and air guitar with,” Gilbert says. “Back in the day, I’d write riffs and then we’d come up with melodies around them, but later the melodies came first and we’d have the music fit the melody. Now, the two are equally as important.”

“Being able to grab a guitar and jam these riffs with Ian and Chad with a second guitar in play, before I even picked up a drumstick, allowed for more creativity to come out in riffs and leads during the songwriting process,” Bolooki adds. “My musical background is a little more theory-based, and I think that helped bridge the gap between different musical ideas Chad had.”

True to their word, first single “100%” puts New Found Glory’s renewed approach on full display, an instant classic the group road-tested all summer on tour with The Offspring and Jimmy Eat World. Bursting with tightly wound guitar chugs and Pundik’s iconic timbre, the track is as much a love song as it is a renewed commitment from the band to its audience – now a multigenerational affair as era-defining tracks from gold and platinum albums like 2000’s New Found Glory, 2002’s Sticks And Stones and 2004’s Catalyst get the same fervent live response as the fan-favorite collection of covers like “Kiss Me” and “Let It Go.”

“The success of the Catalyst anniversary tour and seeing a whole new wave of young New Found Glory fans filled us with even more energy to make this record fresh and exciting,” Gilbert says. “It feels like there’s still room for us to bring in a new wave of fans to this genre.”

Elsewhere on the album, “Laugh It Off” trembles with the darkly hewn moodiness of Catalyst, “Treat Yourself” gallops with skate-punk fury and “Medicine,” which Pundik likens to Matthew Sweet’s brand of power-pop, provides a lighter musical moment. Make The Most Of It cut “Dream Born Again,” here in full-band form, sparkles with echoes of Sunny Day Real Estate, while the album-closing “Frankenstein’s Monster” reflects on Gilbert’s cancer journey over the last few years – a struggle that could have derailed the band but instead fueled the guitarist to carry his positivity and drive straight into the studio alongside producer Steve Evetts (Saves The Day, Lifetime) and NFG touring guitarist (and Four Year Strong frontman) Dan O’Connor, who joined the band in the studio for the first time.

“I was between cancer treatments making the record,” Gilbert explains. “I was pretty much dying again. I was going into the studio in the morning and sitting there with a 190, 200 blood pressure, going to the hospital, getting scans, going back to the studio, finishing a guitar track and then going home. I had some heart failure issues – all this fluid in my body and lungs – and we had to arrange the schedule so we could finish the album.”

“Despite everything Chad was going through, he would come in just ready to roll, and that set the tone for the record,” Pundik says, noting Gilbert pushed him to share more of the lyrics he’d been writing throughout the process. “Seeing him feeling positive and excited about the songs got us excited about it, and being in the studio every day together made the process really special. Recording is always a stressful thing because you’re trying to make the best album you can, but I think we all went in trying not to take it so seriously and just have fun with it.”

At this stage in their decorated career, New Found Glory’s goals are straightforward: keep inspiring the next generation of artists and continue writing songs that help their audience – and themselves – find strength, courage, and joy. The band has come a long way from their humble South Florida beginnings, as detailed on the Listen Up! standout “Beer And Blood Stains,” a nostalgic riff-factory detailing the band’s early battle scars at local clubs, where danger meant more than catching a stray elbow in the swirl of a circle pit. “Looking back, was it fun or crime?” Pundik muses on the track before elevating the album’s simple-yet-profound mission statement: “It’s good to be alive.”

“Obviously there’s the relationship to music, but we called the album Listen Up! because we’re trying to offer an album to fans that’s a little bit deeper, that asks them to listen to the words and the world around them,” Gilbert says. “I think this is the most honest and universally relatable record we’ve made in years – maybe ever.”

Coheed and Cambria

Taking inspiration from two main characters Claudio Sanchez’s fictional works, prog-rock band Coheed and Cambria from New York, US who since formation in 1995 have steadily climbed to the top of the ranks while achieving global success with their Children of the Fence firmly by their side.

Apocalyptica

Formed in 1993, Apocalyptica come from Helsinki, Finland. Consisting of classically trained cello players, they go on to create unique pieces of metal music.

Finger Eleven

New single ‘Adrenaline’ out now! Listen: fingereleven.ffm.to/adrenaline

Insane Clown Posse

Hallowicked 2024 Tickets On Sale Now!

🔗 https://is.gd/hw24tickets 🎟

https://linktr.ee/insaneclownposse

Atreyu

Named after the lead character in the fantasy novel “NeverEnding Story”, Atreyu is a metalcore band based in Orange County, California, US, noted for crossing intense screamo stylistics with strong pop sensibilities.

Set It Off

THE SELF-TITLED ALBUM, OUT NOW

GRAB YOUR COPY AT https://store.setitoffband.com

The Devil Wears Prada

As Ohio’s premier Christian Metalcore band, The Devil Wears Prada have been a staple act in the metal scene worldwide for years.

Underoath

Underoath has been a formative voice in progressive, heavy rock for almost two decades. Today, they share their blistering new single “Damn Excuses” out on Fearless Records. This release marks the first new music from Underoath since 2018’s Grammy-nominated full-length, Erase Me, and launches a brand new chapter in the band’s career. “Damn Excuses” was completely self-recorded and produced at guitarist Tim McTague’s studio, Feral Sound, in Tampa, Florida. It evokes the beautiful chaos that so many fans have found special about Underoath for years while still managing to break through new sonic and emotional boundaries.

This far into their storied career, Underoath has unsurprisingly faced their fair share of adversity. Through the trials and tribulations, a commitment to their craft and a sense of accountability rooted in mutual respect for each other has ensured that each new chapter for the band continues to mold their legacy in a positive fashion. With their shared history of remarkable accolades and trying hardships continuing to shape who the individual members are as people, Underoath is still just scratching the surface of what they can accomplish as a band. There are few acts in the annals of rock history that can say their best work is still ahead of them almost two decades into their career. Fortunately, Underoath falls into that category. As the world opens back up in 2021, the band is deeply committed to living up to the high expectations that fans (and themselves) have come to expect for anything associated with the project. It will undoubtedly be something special to witness as this next chapter in the Underoath story manifests.

Babymetal

Dance Gavin Dance

Metal from Paris, Fr.

www.novelists.store

Black Label Society

The Official Black Label Society Page www.blacklabelsociety.com

Filter

Filter is an American industrial rock and alternative metal group, formed by Richard Patrick and Brian Liesegang in 1993, hailing from Cleveland, Ohio, U.S.

Lit

Four-piece American alternative rock/ pop punk band, Lit, is originally from Orange County California and have been together since 1988.

Suicidal Tendencies

www.suicidaltendencies.com

The Story So Far

Sevendust

Sevendust is an American alternative metal band from Atlanta, Georgia. Formed in 1994, the group went through multiple name changes before settling on the name Sevendust and releasing their debut album.

Senses Fail

Senses Fail is an American rock band whose sound encroaches on genre variants ranging from post-hardcore, emo, screamo, and punk. They cite influences that encompass introspective and emotionally bare indie acts like The Promise Ring as well as brazen non-authoritative punk rockers like The Nation of Ulysses.

Highly Suspect

Constantly Evolve.

Our new album, As Above, So Below, is out now: https://highlysuspect.lnk.to/asabovesobelow

See us on tour: https://www.highlysuspect.net/

Get merch here: https://store.highlysuspect.net/

https://linktr.ee/highlysuspect

Blessthefall

The band grew out of high school practice sessions between guitarist Mike and drummer Matt, filling out the roster with singer Craig and bassist Jared to form Blessthefall in 2004. They released a three-track EP in mid-2005 and added guitarist Eric to form their current lineup. Phoenix-area gigs with Greeley Estates and an openly religious orientation got the band local press and a deal with Warner subsidiary, Record Collection. The band then toured with Alesana and Norma Jean across the United States and Canada. Their debut album, His Last Walk, was released on April 10, 2007, to mixed reviews. The band completed the entire 2007 Warped Tour circuit nationwide.

Blessthefall toured with Escape The Fate, LoveHateHero, and Dance Gavin Dance on the Black On Black tour during September and October of 2007.

Blessthefall was a part of From First to Last's fall headlining tour, entitled "RATHER BE SLAYIN' N00BZ" which started November 1st with A Skylit Drive, and Vanna. Then after, they went on tour with Silverstein, the tour being their first ever UK and European Tour, with their first UK show at the Colchester Arts Centre on November 16th 2007.

Members

* Elliott Gruenberg - Guitar

* Eric Lambert - Guitar

* Beau Bokan - Vocals

* Jared Warth - Bass/vocals

Former Members

* Craig Mabbitt - vocals (now Escape The Fate/The Word Alive)

Due to complications with his daughter because of touring and a unanimous decision amongst the other members of the band, Craig is no longer in Blessthefall.

From a city named after a mythical creature - known for its invincibility against competition and for its rise among ruin, Phoenix proves itself time and again to be a city on the rise- producing notable band after band. There can be no better representation than blessthefall. In addition to their staggering live performances, blessthefall have quickly become known for their uninhibited personalities and eccentricities, including a love for llamas, hot tamales, and the Top Gun soundtrack. They also carry certain advantages - as they are younger, yet equally as capable as their more established counterparts. A five-piece that dug its heels into the dry desert sands and refused to relent, blessthefall planted themselves amid the chaos of competition in January of 2004. Drummer Matt and guitarist Mike formed a band with sweeping dreams and untainted visions. Early on, with friends playing as interim members, the band gained regional recognition by winning local battle-of-the-bands contests, spurring them to continue forming the enterprise, despite the member changes that young bands typically face. Temporarily secure in their line-up (with Craig's vocals and Jared on bass) they spent the next year focused on evolving as musicians and refining their sound. Though they drew from bands like Underoath, Alexisonfire, and As I Lay Dying, aspects of pop, hip-hop, rap, and even R&B surfaced in their songs - if not through Craig's vocal reach, then through the beats and rhythms that surfaced in their music. Being one of the youngest bands in the area, blessthefall were added to bills with other notable local artists such as Greeley Estates and Scary Kids Scaring Kids. In August of 2005 they recorded their self-titled 3 song EP which enhancing their growing reputation. By October the line up was complete when Eric was added on guitar, complementing the band's progressing sound. As the older bands were away from Phoenix touring and recording, blessthefall took advantage of the musical drought the Valley was in. They confirmed their capabilities by selling out show after show at the local venues. Ultimately, they were responsible for shutting down Neckbeard's (a well-known local venue) in January 2006. Doors were permanently closed after the employees failed to maintain capacity due to the hundreds of kids outside trying to force their way into an already sold-out show where blessthefall was headlining. They continued to share the stage with other established artists, often drawing a bigger crowd then those more reputed. They were part of the 2007 Vans Warped Tour on the Smartpunk Stage. Their debut full length His Last Walk was released on Science Records on April 10th, 2007.

Hawthorne Heights

Saosin

Emerging from the fracturing of Open Hand, Saosin (alongside acts such as Underoath and Silverstein) outlined a new wave of emo saturated in harsh atonal dissonances and highlighted by pop hooks buried under searing noise. The group has released two albums throughout the 2000s each with a remarkably different character.

RED

La Dispute

La Dispute (formed in 2004) is an American progressive post-hardcore rock band hailing from Grand Rapids, Michigan, in the U.S.

Alexisonfire

Haarper

Nothing More

Rock

STARSET

starsetonline.com / merch.starsetonline.com / vip.starsetonline.com

The Wonder Years

The Wonder Years is a band.

The Melvins

American alternative metal/hardcore punk band, Melvins, originally formed in Montesano, Washington, and currently consists of Buzz Osborne, Dale Crover, Jared Warren and Coady Willis.

Circa Survive

The Word Alive

The Word Alive are an American metalcore band hailing from Phoenix, Arizon. They have been together since 2008 and are signed to Fearless Records.

I See Stars

I See Stars perfect a push-and-pull between sweeping hard rock, metallic energy, and electronic dance music on their fifth full-length album, Treehouse [Sumerian Records]. In order to achieve that often illusory balance, the Warren, MI quartet—Devin Oliver [clean & unclean vocals], Brent Allen [lead, rhythm guitar], Jeff Valentine [bass], and Andrew Oliver [vocals, keys, synths, programming, drums]—rebuilt their very foundation, creatively and personally.

“This is the most time we’ve had to create an album since 3D,” Devin admits. “We actually had time to reflect on our past, but most importantly what we want to become. Beyond the music, it felt like an evolution for us emotionally. We finally feel like the band we were meant to be. If you strip it down, it’s not just drums, guitar, bass, vocals, and minor production. The electronic aspects could be their own songs, and we aim to blend everything as seamlessly as possible.”

“We’ve had so many changes, and it’s an important time,” he goes on. “When we got back on stage, I had no idea what to expect, but our fans came out and showed love when we needed it the most. We wanted to give them what they deserve, which is the best record possible.”

In order to achieve that vision, the musicians took a different route. To record Treehouse, they enlisted a cadre of producers including Erik Ron [Panic! at the Disco, Saosin], Nick Scott [Asking Alexandria, Chunk! No, Captain Chunk!], and Taylor Larson [Periphery, Veil of Maya] as well a mixing by David Bendeth [Paramore, Breaking Benjamin]. They would also track the bulk of material in Los Angeles—another first—and the rest in Detroit.

“Lyrically, this one discusses family issues,” continues Devin. “The past year has been really hard. I realized I’m on my own, and it’s do or die with this band. It’s my life.” It’s that honesty which will continue to resonate the loudest among listeners and why I See Stars shine. “This is the most honest we could be,” Devin leaves off. “That’s what I want people to see.”

Chiodos

Wage War

If you think that you've already heard it all when it comes to heavy music, you just haven't heard Wage War. The group -- which is composed of vocalist Briton Bond, guitarist/vocalist Cody Quistad, guitarist Seth Blake, bassist Chris Gaylord and drummer Stephen Kluesener -- formed in Ocala, Florida, in 2013 and instantly started playing all over the area, quickly getting signed to Fearless Records the old fashioned way: By sending a song to the label. From there the group linked up with the production team of Andrew Wade (Neck Deep, Motionless In White) and A Day To Remember vocalist Jeremy McKinnon who produced their 2015 debut Blueprints together and returned to produce the sophomore full-length Deadweight, which the band started writing immediately after they finished their debut. "I'm very proud of Blueprints but a lot of those songs were written seven years ago so who we are as people and musicians these days is drastically different," Quistad explains -- and a listen to Deadweight confirms that statement. "I think a big strength of this new record is the continuity of sitting in a room together and playing instead of trying to send files back and forth," he continues. "We were truly grinding out songs and I think this album still sounds like Wage War but at the same it has some of our most melodic moments as well as some of the heaviest." The latter is evidenced on songs like "Stitch" which is certain to incite frenzied mosh pits for years to come and displays an aggression that the band have only hinted at in the past. "We really tried to not overthink things on this record and just do whatever worked for the song, even if it was something that people might not necessarily expect," Quistad says. For this reason the band decided it made sense to enlist the aforementioned producers who truly understood Wage War on a deep level. "There were so many early mornings and late nights making this record and it was such a pleasure to work with Andrew and Jeremy again because you could tell that they really cared about it and would go to any ends to make it the best that it could be." From the explosive production to the alternately screamed and sung vocals of "Don't Let Me Fade Away," all seven of the people involved in the making of TBA worked as one unit in working toward the same collective goal. Lyrically, Deadweight sees the band exploring both personal to political issues in a way that's as raw and honest as the music that supports them. "This record is very much a snapshot of the past year; we are all very positive people but in 2016 we went through so much from seeing the world for the first time to scraping the bottom at some point emotionally or with relationships," Quistad admits. From 3 a.m. run-ins with refugees in Europe to flying home only to be confronted with the aftermath of the Pulse nightclub shooting in Orlando, there was no shortage of content to draw from this time around. "We didn't hold anything back when it came to this record, so hopefully it's as therapeutic for listeners as it was for us." In a heavy music scene that's increasingly formulaic, Wage War pride themselves on the fact that they listen to a diverse range of music. "I'm a big fan of country music which surprises a lot of people and other guitarist Seth is really into pop music," Quistad explains. "We have an appreciation for all kinds of stuff and I think that all of it bleeds into the album in some way even if it's not always blatant." Take the song "Johnny Cash" which recalls the country tradition of paying homage to a pioneer of a genre while still retaining the heaviness of the act. "We get called metalcore a lot but we've never pledged allegiance to any genre because we always want to do something beyond that in the sense that we just listen to what we love and try to incorporate that into Wage War." More than anything though, the band can't wait to get back on the road and start playing the songs from Deadweight live. "We played three hometown shows at the end of last year where we would include a new song and it was so cool to see the crowd react to the new material," Quistad says – and it's obvious that palpable excitement goes both ways. "This album is the truest representation of Wage War in the sense that we wanted to put every part of us under the microscope and come up with something that we're not only proud of but also encompasses what we want to be as a band and the kind of musical statement we want to lay down," he summarizes. "I would say this is a defining album for our band." Second album Deadweight featuring 'Witness' available now on Fearless Records. Watch the new 'Witness' music video and listen to the album at wagewarband.com!

Helmet

Helmet are an American heavy metal band hailing from New York City, New York, USA who formed in 1989. Lead singer, songwriter and lead guitarist Page Hamilton founded the band and has been its sole founding member since 2006.

Alesana

Alesana are a band hailing from Raleigh, North Carolina, U.S who formed in 2004. They are famous for their blend of modern day post-hardcore with influences from classic rock bands from The Beatles to Iron Maiden, and they have released four studio albums since their debut E.P in 2005.

Contraband

Finch is an American post hardcore/ alternative rock band from Temecula, California. Despite taking several hiatuses, they’ve been together since 1999.

Cradle of Filth

Cradle of Filth are an extreme metal band hailing from Suffolk, England who formed in 1991. The band is the brainchild of Dani Filth, A.K.A Daniel Lloyd Davey, the bands singer and lyricist who has led the band to become one of the biggest extreme metal bands in Europe.

Toadies

Toadies’ long-awaited eighth album, The Charmer, is their most personal and visceral release to date. One of the final recordings by legendary producer Steve Albini (Nirvana, PJ Harvey), the album captures the platinum-selling Fort Worth quartet playing live together in the studio for the first time, bottling their Southern-tinged grunge with raw power and urgency.

Formed in Fort Worth in 1989, Toadies broke through with “Possum Kingdom” and their million-selling 1994 debut Rubberneck, earning a reputation for unpredictable songwriting, heavy dynamics, and a sound that blends alt-rock intensity with the band’s roots in country, classic rock, and Texas grit. Their music has remained a cult favorite and live staple ever since, with growing crowds and celebrated anniversary tours.

The band partnered with Austin’s Spaceflight Records to release The Charmer, embracing the label’s artist-first, nonprofit model. Written largely during the pandemic, the album dives into themes of isolation, self-reflection, and inner conflict—delivered with the same restless energy and dark edge that has defined Toadies for over three decades.

Soulfly

Formed by Max Cavalera looking for a new endeavor in 1997, Soulfly were formed in Phoenix, Arizona. The band has since become a chart-topping band, with a Gold certification to their name.

The Starting Line

The Starting Line (TSL) is a four-piece pop punk band from the Philadelphia, Pennsylvania area. They formed in 1999 as Sunday Drive and are signed to Virgin Records, and were previously signed to Drive-Thru and Geffen Records. In March 2008, the band announced that they are going on break for about three years in order for Vasoli to explore Person L, Matt and Tom to explore The 76, and Mike to spend time with his two daughters.

In 1999, the band that would become The Starting Line was initiated in Churchville, Pennsylvania via an AOL instant message from guitarist Matt Watts to vocalist/bassist Kenny Vasoli. It asked if the then fourteen-year-old Vasoli, who was at that time in a band called Smash Adams, was interested in "Jamming and shit", as the message title read. Only a few weeks later, Vasoli found himself rehearsing with his future bandmates Watts, guitarist Mike Golla and drummer Tom Gryskewicz. Soon, the band started touring under the name Sunday Drive, selling out home-made merchandise and a self-recorded demo cassette titled Four Songs. Their first official release was a three-way split with The Jimmy Tuesday Band and The Commercials contributing three songs each, released on KickStart Audio in 2000.

Sunday Drive was soon approached by We the People Records and asked to produce a recording session (the infamous We the People Records Sessions). Set for a release in December 2000, the twelve songs were initially planned to become the band's debut full-length With Hopes of Starting Over on We the People Records, but they ended up serving only as demos for tracks on future releases, as the band signed with Drive-Thru Records in April 2001. On Drive-Thru, they soon released their debut EP With Hopes of Starting Over. Yet, as the name Sunday Drive was already taken by a Christian rock band, they went on as The Starting Line.

On July 16, 2002, almost exactly one year after the release of their EP, the full-length Say It Like You Mean It followed. The songs ranged from energetic and fast-paced to melancholy and calm, dealing with performing on stage ("Given the Chance"), feeling homesick ("Left Coast Envy") and getting even with Vasoli's ex-girlfriend Karina ("Up & Go", "Hello Houston", among others). The hit single "The Best of Me" and its two music videos, as well as the second single "Leaving", received heavy radio and TV airplay, securing The Starting Line a spot on the Warped Tour.

Due to their desire to put out new material, the band decided to release an all-unplugged EP, recorded in three sessions over the following year. The first three songs (recorded in The Prize Fight's Bob Jones' bedroom in August 2002), the second session (recorded in Vasoli's basement in March 2003) and the last track (recorded on the band's touring bus in April 2003) became The Make Yourself at Home EP, released on November 25, 2003. The CD and the DVD version issued simultaneously, featuring an acoustic set performed live at Skate & Surf 2003 in Asbury Park, New Jersey, would be their last releases put out solely on Drive-Thru Records, as The Starting Line was signed by Geffen Records soon afterwards.

Their major label debut, Based on a True Story, came out in May 2005. Lyrically, the band dissociated themselves from the post-relationship formula that was predominant on their previous records. On this album, a lot of the songs (e.g. "Inspired By the $", "Autography" and "The B-List") were explicitly inspired by the band's disdain for their record label Geffen and its executives. The album was far more successful than the band's 2002 effort and sold 42,000 copies within its first week, as opposed to its predecessor's 11,000. The release was followed by the semi-headlining Nintendo Fusion Tour with Fall Out Boy, kicking off in September 2005. A few dates into the tour, The Starting Line were — at their request — released from their record deal with Geffen, and became free agents. In early January 2006, their signing with Virgin Records was announced.

From Ashes To New

The Ghost Inside

The Ghost Inside (formed in 2004) is an American hardcore punk band from Los Angeles, California, U.S., formerly of the name A Dying Dream.

Emarosa

Best there is, best there was, best there ever will be.

Thursday

Mayday, ground control to no one

Caskets

Buckethead

Buckethead is an American guitarist and composer. He is known for wearing a white plastic mask and a bucket on his head. He is a prolific composer, having released over 50 solo albums and performed on over 60 more. He has also made a guest appearance on 44 different albums from various artists. His music spans across diverse areas such as thrash metal, electronica, jazz and avant-garde music. Although a multi-instrumentalist (playing bass guitar, banjo, keyboards, ukulele, organ, violin, clarinet, saxophone, recorder, drums, gong, and piano), Buckethead is best known for his electric guitar playing, characterized by diverse playing styles spanning thrash guitar, fingerpicking, and slap guitar. Guitar One voted him number 8 on a list of the "Top 10 Greatest Guitar Shredders of All Time". Although Buckethead now works primarily as a solo artist touring the United States with a trio, he has had a wide variety of high profile collaborations with such artists as Les Claypool, Tony Williams, Bootsy Collins, Bernie Worrell, Iggy Pop, Serj Tankian, Guns N' Roses, Saul Williams, Mike Patton, Viggo Mortensen and with Bill Laswell on Praxis. Buckethead achieved a higher public profile as a member of Guns N' Roses from 2000 to 2004; however, the band only toured in 2001 and 2002 during this era. Guns N' Roses response to Buckethead's departure was: "During his tenure with the band, Buckethead has been inconsistent and erratic in both his behavior and his commitment, despite being under contract, creating uncertainty and confusion and making it virtually impossible to move forward with recording, rehearsals, and live plans with confidence. His transient lifestyle has made it near impossible for even his closest friends to have nearly any form of communications with him whatsoever." Despite this, Axl Rose has confirmed that some of Buckethead's guitar parts will remain on the upcoming Guns N' Roses album 'Chinese Democracy'. Buckethead also has a career writing and performing music for major motion pictures. Some of the films he has worked on include: Saw II, Ghosts of Mars, Beverly Hills Ninja, Mortal Kombat, Mortal Kombat: Annihilation, Last Action Hero and the soundtrack of Mighty Morphin Power Rangers: The Movie.

The Black Dahlia Murder

The Black Dahlia Murder is an American metal band from Waterford, Michigan, formed in 2000 and currently consists of Trevor Strand, Brian Eschbach, Ryan Knight, Max Lavelle and Alan Cassidy.

Cky

Mgmt: jason@unchainedhq.com

Booking: dandevita@tkoco.com

Slaughter To Prevail

Slaughter To Prevail is pushing heavy music to new extremes, delivering unapologetically hard modern metal while smashing expectations, and becoming one of the most talked about bands in heavy music in the process. With over one million monthly Spotify listeners, STP are arguably the highest streaming band in extreme music, a fact further reflected in their live shows. Packing out sizeable venues on their headline shows, the band also draw huge crowds at their festival appearances, and led a record-breaking wall-of-death at last summer’s HELLFEST OPEN AIR.

Slaughter To Prevail’s journey began in the most unlikely of ways—two musicians from completely different worlds. Alex Terrible, forging his monstrous vocals from a small bedroom in the cold, rural Russian city of Yekaterinburg, crossed paths online with guitarist Jack Simmons, who sharpened his craft in a quiet town on the outskirts of Essex, UK. What started as a distant collaboration quickly turned into a brotherhood, as their exchanges of ideas took shape, songs were formed and it became apparent to Jack and Alex that they were on to something special.

When they’re not commanding festival crowds, frontman Alex Terrible is proving his fighting spirit beyond his musical career. Fresh off a brutal 37-second knockout in Russia’s RCC Bare Knuckle—a promotion known for its savage, no-nonsense fights, Alex is in training to sharpen his skills for a bout with Top Dog Bare Knuckle in May, while discussions continue regarding his American debut with Bare Knuckle FC. Whether wrestling bears in Siberia, preparing for fights in the deep South, or bleeding on stage across the rest of the world, Alex thrives in the most unforgiving environments.

With the summer packed with main stage festival performances across the U.S., Canada, and Europe, 2025 is already shaping up to be a career-defining year for Slaughter To Prevail. Their logo now sits high on the world’s biggest festival posters, a reflection of their rapid ascent. This summer, the band will unveil a brand-new live show, reimagining their already punishing performances with a harder-hitting, more visceral production—an experience designed to pull fans deeper into the chaos, making every moment feel explosive and unpredictable.

All of this momentum leads to “Grizzly”, their most anticipated release yet. Featuring the already released singles 'Conflict,' 'Viking,' '1984,' 'Behelit,' and 'Kid of Darkness,' the album is a relentless assault, balancing raw aggression with massive, unforgettable catchiness, with the next single, 'Russian Grizzly In America,' set to be a heavy metal anthem, packed with hooks strong enough to hang a bear from.

This is Slaughter To Prevail’s moment. “Grizzly” is the culmination of everything they have built, a defining record that cements their place at the top of modern heavy music.

Down

From First to Last

Kublai Khan TX

Texas Metalcore. ‘Exhibition of Prowess’ out now: https://kktx.lnk.to/ExhibitionOfProwess

Municipal Waste

Tango & Thrash out via Nuclear Blast
https://municipalwaste.bfan.link/tango-thrash.fbi

Corrosion of Conformity

Big badda boom.

Founded in 2010 in Atlanta, Georgia, the trio has established themselves as one of the most successful and motivated bands in the genre today. Elements of Helmet, Melvins, and the Amphetamine Reptile roster can be heard throughout their catalog, but Whores are no regurgitated throwback act. Through intense, cathartic live performances and the perfected aggressive tenacity present on their recordings, the band has gained a fervent following sure to do nothing but grow in the years to come.

October 28, 2016 saw the band's first full-length album and their debut on eOne records, "GOLD."

The album was widely praised, garnering spots in the top ten on album of the year lists through publications such as Rolling Stone, MetalSucks, Heavy Planet, Invisible Oranges, Shiny Grey Monotone, and more. The band is currently recording the follow-up to "GOLD."

Prior to their signing with eOne, Whores' output included two now-classic EPs. "RUINER." released December 20, 2011, put the band on the noise rock map and is now on its fourth pressing. They followed this up with the even-more popular "CLEAN." released October 29, 2013 and now on its sixth pressing.

Between these and "GOLD." the band released a split of covers by The Cure with Rabbits and contributed the song "Bloody Like the Day You Were Born" to Amphetamine Reptile's "Dope-Guns-'N-Fucking in The Streets, Volume 13". Whores also just contributed the track "Flag Day" to Amphetamine Reptile's "Bash '17" alongside acts such as The Melvins, Mudhoney, Lydia Lunch, and Cherubs.

In their short career, Whores have received much critical praise. Some highlights include:

• "Ten Artists You Need To Know" - Rolling Stone
• "11 Metal Choruses That Will Get Stuck In Your Head All Day" - Alternative Press
• "Best of 2016: Metal" - Apple Music
• "Top 20 Best Noise/Post-Punk & Goth Albums of 2016" - Music & Riots Magazine

Whores have shared the stage with acts such as Red Fang, Torche, Big Business, Melvins, Mudhoney, Retox, Deafheaven, Iron Reagan, Metallica, Slayer, Kylesa, Black Tusk, Royal Thunder, Floor, Lamb of God, Tombs, The Sword, Baroness, Dillinger Escape Plan, Chelsea Wolf, Youth Code, Cult of Luna and many more.

Ice-T

Ice-T (born February 16, 1958) is the stage and recording name of American hip-hop and heavy metal rapper Tracy Marrow, hailing from Crenshaw, Los Angeles, California, U.S.

Coal Chamber

Coal Chamber are a band hailing from Los Angeles, California, U.S who formed in 1993. They are one of the most acclaimed Nu-Metal bands around, exploring the darker side of the genre with a pronounced Goth influence as opposed to hip-hop, and have released four albums since 1997.

Fall of Troy

The Fall of Troy is a post-hardcore/ progressive rock band originally from Muklteo, Washington in the United States of America.

Holding Absence

This Is Holding Absence -

After the Burial

Hailing from Twin Cities, Minnesota, USA, After The Burial are a heavy metal band that formed in 2004. The quintet are one of the most influential progressive metal acts in the world, being one of the key bands associated with the rising “Djent” scene.

Stick To Your Guns

Stick to Your Guns is an American hardcore band from Orange County, California who formed in 2003 and consists of Jesse Barnett, George Schmitz, Chris Rawson, Andrew Rose and Josh James.

Ill Nino

I Set My Friends On Fire

Booking & Management: ismfof.original@gmail.com

The Acacia Strain

The Acacia Strain is an American metal and punk band, formed in Chicopee, Massachusetts in 2001. Frontman Vincent Bennett is the only remaining original member.

Free Throw

Nashville, TN // Est. 2012

Emery

Emery is an American post-hardcore band from Seattle, Washington. Emery formed in 2001 in Rock Hill, South Carolina but moved to Seattle, Washington in search of a better music scene.

Body Count

Body Count is an American speed and heavy metal band, formed in 1990 by rapper Ice-T and guitarist Ernie. C, hailing from Los Angeles, California, U.S.

Home Team

Real Rockers Only.

IG: @thehometeam

TW: @thehometeamnw

Merch: thehometeammerch.com

Eyes Set To Kill

Eyes Set to Kill have taken the hardcore community by storm with an intense live show and a crushing EP. They unleash a whirlwind of melodic guitar riffs that violently flood into the ears of listeners, emotionally capturing screams, and hypnotizing melodic vocal hooks that seethe with emotion. Originally conceived by as the two piece of consisting of Alexia Rodriguez (Lead Guitar, Vocals), and Anissa Rodriguez (Bass Guitar), this Phoenix, AZ screamo outfit attempted to create a unique sound that would combine the soft, melodic feel of female vocals and gut-wrenching screaming, backed up by powerful instrumentals with a post-hardcore influence. “Having a screamer and a melodic singer has just always been our vision. We wanted to try something different because we didn’t want to be the typical screamo band,” said former singer Lindsey Vogt. “We didn’t try to make our songs a certain sound. We play what we feel.” Searching the local area for talented and dedicated musicians to create this sound the group was frequently ignored and turned down by sexist musicians, despite their obvious talent and potential. The girls were classified, stereotyped, and rejected by the ignorant music scene before their demo was given a mere listen. “People just assumed we were going to be just another chick band that has no musical talent," Vogt said. "Since we were girls, no one took us seriously and assumed that we couldn’t play and write good songs.” After struggling to be heard for what seemed an eternity, the girls found their missing pieces in early 2006 with the addition of Greg Kerwin, (Guitar), Brandon Anderson (Vocals), and Caleb Clifton(Drums) to an already blistering line-up. From there the band would shared stages with the likes of Chiodos, Blessthefall, Goodbye Tomorrow, My American Heart, and Greeley Estates and even did a stint on the Warped Tour. "We booked our first tour this summer completely through MySpace," says Screamer Brandon Anderson about the young band embracing a ‘do it yourself’ work ethic. "The band operates our own MySpace; reply to all comments, messages, and friend requests and does a lot promoting. Our manager made our DVD, music videos and live videos. We do everything on our own and don’t wait around for anyone."

Sleep Theory

pain is only temporary

Counterparts

HEAVEN LET THEM DIE

Armor for Sleep

Paleface Swiss

Switzerland's Finest Cheese Factory.

Buy Merch and CDs at www.palefaceswiss.com

PALEFACE is:

Marc (Zelli) - Vocals

Yannick - Guitar

Tommy - Bass

Cassi - Drums

Dethklok

Hail the Sun

California Progressive Post-Hardcore

http://instagram.com/hailthesun

http://facebook.com/hailthesun

http://hailthesun.bandcamp.com

http://twitter.com/hailthesun

Jutes

As a 90's baby, Jutes' earliest musical influences were rock bands like Radiohead, Nirvana, Red Hot Chili Peppers, Third Eye Blind and Smashing Pumpkins. These are the sounds that have shaped Jutes' recent full length project titled “Ladybug.” From growing up on a farm in Ottawa, Canada to couch surfing in LA, Jutes has seen all walks of life. This contrast of culture comes through in the music, his personality and on stage.

Pentagram

1987'de Hakan Utangaç (gitar) ve Cenk Ünnü (davul) tarafından kurulan Pentagram, aynı yıl Tarkan Gözübüyük'ün (bas gitar) katılmasıyla çekirdek kadrosunu oluşturdu.

İstanbul, Bursa, İzmir ve Ankara'da verilen konserlerle dikkat çeken grup, adını taşıyan ilk albümünü 1990'da Nepa Müzik etiketiyle yayımladı.

Albümün Rock müzik ortamında gördüğü destek sayesinde ulusal basın ve TRT ekranında yer bulan topluluk, kısa sürede Heavy Metal tarzının ülkemizdeki sembolü haline geldi.

1992'de kaydedilen ikinci albüm Trail Blazer, Alman yapım şirketi Nuclear Blast tarafından tüm Avrupa ülkelerinde yayımlandı. Özel radyo ve tv kanallarının açılmasıyla daha çok tanınan Pentagram, yabancı müzik dergilerinde de gündeme gelmeye ve Türkiye dışında da konserler vermeye başladı.

1996'da Raks Müzik'le anlaşan topluluk, bir yıl arayla Anatolia ve Popçular Dışarı (konser) albümlerini kaydetti. Geniş bir dinleyici topluluğu tarafından sahiplenilen Anatolia, diğer bir Alman yapımcı Century Media tarafından lisanslanarak beş kıtada, toplam elli iki ülkede dağıtıldı.

Yabancı basında Anatolia ile ilgili yapılan olumlu değerlendirmeler sayesinde grup bir sonraki albümleri için dönemin büyük yapım şirketlerinden Sanctuary Records ile anlaştı. Kayıtları 2001 yılında Atina'da Sierra stüdyolarında gerçekleşen Unspoken ve Bir albümleri, Türkiye'de de Universal tarafından dağıtıldı. Grup; Unspoken'ın uluslararası yayımı sırasında, olası bir isim hakkı karışıklığını önlemek amacıyla, Türkiye dışındaki ülkelerde Mezarkabul adını da kullanmaya başladı.

2003 yılında çalışmalarına ara veren topluluk; 2006 yılında önceki albümlerinin Sony Music kataloğunda toplanmasıyla, kaldığı yerden devam etme kararı aldı. 2007 yılında kuruluşunun 20. yılını dinleyicileriyle birlikte kutlamak amacıyla verilen Bostancı Gösteri Merkezi konseri, CD ve DVD formatlarında yayımlanmak üzere kaydedildi. Bu yapıma, grubun kuruluş tarihinden yola çıkılarak 1987 adı verildi.

Bu dönem yapılan konserlerde genç dinleyicilerle iletişiminin halen sürdüğünü gözlemleyen grup, Vokalde Gökalp Ergen ve gitarda Metin Türkcan'lı kadrosuyla yeni bir albüm kaydetmek üzere tekrar stüdyoya girdi. 2012 yılında MMXII adıyla yayımlanan bu çalışma, Headbang dergisi okuyucularının oylamasıyla yılın albümü seçildi.

1970'lerin Progressive Rock ve 1980'lerin Heavy Metal akımlarından esinlenerek yola çıkan Pentagram, zaman içinde Anadolu ve Mezopotamya müziklerinin de güçlü şekilde hissedildiği üslubunu oluşturdu. Aralarında Demir Demirkan, Ogün Sanlısoy ve Murat İlkan'ın da bulunduğu değerli müzisyenler, çeşitli dönemlerde grubun kadrosunda yer alarak bu sürece katkı sağladı. Pentagram; Sonisphere, Wacken ve Rock'n Coke gibi uluslararası festivallere katıldı ve Judas Priest, Whitesnake, Accept, Manowar, Metallica, Slayer, Megadeth, Anthrax, Queensryche, Guns N’ Roses, Alice in Chains ve Rammstein gibi dünyaca ünlü gruplarla birlikte sahne alma imkanı buldu.

PENTAGRAM:

Gökalp Ergen – Vocal
Tarkan Gözübüyük – Bass
Hakan Utangaç – Guitar
Metin Türkcan – Guitar
Cenk Ünnü - Drums

Wind Walkers

Psychostick

Powerglove are a video game metal band from Arlington, Massachusetts. They are an unsigned band currently with two releases, the "Total Pwnage EP" and the "Metal Kombat for the Mortal Man" album. The band plays a variety of heavy metal/speed metal covers of popular video game music such as "Tetris" and "Power Rangers". The band's name comes from the name of a Nintendo product which was worn as a glove to control video games.

Doobie

“GIVE EM HELL UNTIL YOU GET TO HEAVEN”

Out Now on All Platforms.

Kylesa

Since this Savannah, Georgia quintet first formed in early 2001, worrying about genre limitations has never been a priority. Taking musical chances, however, always has been. While KYLESA are as heavy as any band out there, they are beholden to no one scene and no preconceived notions of what heavy music should be. "Lots of people like to stick to one kind of music," guitarist/vocalist Philip Cope elaborates, "and even with the underground, lots of people segregate themselves into small little categories and place lots of imaginary rules on these scenes." “We just like playing heavy music and we've always liked playing it regardless of what is popular or trendy,” guitarist/vocalist Laura Pleasants adds. “It’s most rewarding for us to try and push our own boundaries of what we can to do with our music and hopefully, in the end, offer something that is at least original.” Kylesa's third full-length, Time Will Fuse Its Worth, is the eagerly-awaited follow-up to 2005’s To Walk A Middle Course, which topped many year end lists and landed the band in metal and mainstream press alike. After grabbing ink in Spin, the New York Times, and metal mainstays Revolver alike, Time Will Fuse Its Worth again showcases the band as the ultimate definition of do-it-yourself dedication. With Cope lending his ears and hands for production duties at The Jam Room, and featuring comprehensive artistic layout and packaging from Pleasants, the KYLESA of current day continues to put the band’s future in their own hands by relentlessly touring Europe and North America alike. Time Will Fuse Its Worth sees the band continuing to evolve upon KYLESA’s signature sound, seamlessly flowing from track to track encompassing listeners with sounds far and wide and an utter disregard for musical boundaries. Bringing together avant-garde experimentalism with the pure fury of dirty, sludgy riffs and raw, coexisting male and female vocals, KYLESA’s ambient noise interludes, grimy rock riffs and impassioned, gruff vocals portray the doom-inspired punishment they are capable of dishing out through the power of the band’s music. Now adding to KYLESA’s signature sound and trademark triple vocal attack is the recent addition of drumming duo Jeff Porter and Carl McGinley. “When we first started the band, we had planned on having two drummers but it didn't work out, so now it feels like everything is coming together,” Pleasants says. “There is definitely a new level of intensity to Kylesa now. Since the new lineup has gotten together we have felt the strongest creative spark yet.” The band's reluctance to attach itself to one sound or scene and to not play by conventional rules, along with that strong creative spark, has ultimately made KYLESA that much more versatile. With a constantly heavy touring schedule has found the band crossing boundaries, sharing bills with bands as diverse as High On Fire, Circle Takes the Square, Coliseum, Torche, and Darkest Hour, as well as playing to enthusiastic crowds throughout Europe. "While we are no kings of one scene," says Cope, "we have, in a sense, just developed our own thing.”

Gideon

MORE POWER. MORE PAIN.

Cro Mags

The Cro-Mags were a band from New York City formed in 1982. The band, which had a strong cult following, released many records, their first two considered the most influential. They were among the first bands to fuse hardcore punk with thrash metal and were associated with the birth of a tougher attitude within the hardcore scene in the late 1980s. They were also one of the first hardcore punk bands associated with the Hare Krishna movement.

They first released a demo with songs that would eventually find themselves on their debut album The Age Of Quarrel (1986). The bass player Harley Flanagan and singer John Joseph were not the best of friends and eventually Joseph would part ways with the band leaving Harley to sing on the following Cro-Mags release. After The Age of Quarrel, the band released the record Best Wishes (1989). The record had a more heavy metal-influenced sound which alienated many of their fans. The band released another record Alpha Omega (1992), that saw the return of Joseph, and the departure of guitarist and songwriter Parris Mitchell Mayhew, a record that was only embraced by the most devoted of their fanbase, and followed by Near Death Experience (1993). After suffering from many lineup changes and frequent breakups, the group finally disbanded, seemingly for the last time, after this record. However, in 2000 they released a record that would almost make up for their past two releases. With Revenge the Cro-Mags came back to their early hardcore roots with songs that were comparable to their first release plus some songs with a more melodic/punk rock feel. After the release of Revenge the band broke up once again, and the internal hostility amongst band members (mainly between Mayhew and Flanagan) has never been resolved.

Spite

spite.

Drain

Anyone who’s seen Drain live has felt it. The electricity coming off of the stage. The communal energy of the fans singing upfront. The primal thrills of fists flying in the moshpit. The uninhibited joy emanating from every banging head, screaming lung, and airborne foot in that room. There’s nothing like a Drain show. There’s no other hardcore band like Drain. The Santa Cruz band is an institution in their genre and an affable neighbor to their adjacent ones. Punks love Drain. Metalheads love Drain. Haters can’t help but love Drain. Drain is for everyone. Well, venue security guards might not love Drain. But to everyone else: Drain…Is Your Friend.

Drain -- frontman Sammy Ciaramitaro, guitarist Cody Chavez, and drummer Tim Flegal -- formed back in 2014 and cut their teeth in Santa Cruz’s fertile DIY hardcore scene. COVID lockdown couldn’t stop their 2020 debut, California Cursed, from making waves, and their 2023 follow-up, Living Proof, hit the hardcore scene like a Cali beach during hurricane season -- a torrential classic. Since then, Drain have blazed through hundreds of shows worldwide: headlining festivals, taking their friends and heroes on tour, and even playing arenas with Blink-182. Regardless of whether they're opening for pop-punk jukeboxes like Neck Deep or grabbing the stage-dive torch from Terror, Drain’s only goal is to make the crowd go buckwild.

“We call the shots for these 30 minutes,” Ciaramitaro beams excitedly while describing Drain’s nightly ritual. “I’m the boss and I’m gonna turn this place into a warzone. We’re ripping shit up, we’re breaking shit, but it’s coming from a good place in our hearts. People are feeling alive and we’re sharing this energy back and forth.”

With their third full-length album and second for Epitaph Records, …Is Your Friend, Drain had two primary goals in mind: to capture their quintessential live essence on recording, and to write new songs that’ll make their next shows even crazier. Their previous albums were written before Drain were on the road all year, and they spent the last few hundred nights onstage making note of which songs their fans respond best to. …Is Your Friend is designed to maximize their audience’s shit-losing abilities. Its 10-song tracklist includes the heaviest mosh parts, the catchiest choruses, the tastiest thrash riffs, and the most scream-able lyrics Drain have ever written. Producer Jon Markson (The Story So Far, Drug Church, One Step Closer) tracked the whole album live -- 100% real-time drums, no metronome, no programmed bullshit. It sounds the way Drain were always meant to: crisp, serrated, animated.

“There are a few moments that we call the Drain push and pull,” says Ciaramitaro, who played bass on this record for the first time in Drain’s history. “I’m pretty sure every one of these songs gets a little faster before the chorus. Just because we’re feeling it, it’s fucking happening right now. It feels alive.”

Drain are a group of best friends playing at the top of their game, and …Is Your Friend flexes their instinctive chemistry. Therefore, it made sense for Ciaramitaro to take a similar approach while writing the album’s lyrics. Instead of intently scribbling his words into a notepad like on previous Drain records, the frontman put the pen down and freestyled many of the album’s subjects off the dome. The words flowed easily because so much has happened to Ciaramitaro since California Cursed, both within the band and on a personal level. Ciaramatiro got married. Drain became a full-time touring machine. So many of their wildest dreams became everyday occurrences. However, every coin has its flipside, and Drain’s success hasn’t come without its disadvantages. The trio are spending less time at home with family, losing touch with longtime friends, and occasionally feeling weird energy from people who treat them like they’ve changed just because their band has grown.

…Is Your Friend takes stock of both the good and the bad. In the bouncy banger “Nights Like These,” Ciaramatiro pauses to cherish the lifelong goals that have become Drain’s average Tuesday: leveling a 1,000-capacity room, hopping in the van with their dearest pals, and motoring off to the next city while commencing their version of a rowdy night on tour. “Basically, it’s like a seventh grade sleepover, but we’re 30-year-old men,” Ciaramitaro quips. In the thrashy “Nothing But Love,” Ciaramitaro gives Drain’s fairweather friends the middle finger while simultaneously taking the high road: “There’s room for all of us to win/just worry about yourself and stop watching my fucking pockets,” he barks.

”I want to be a good person,” Ciaramitaro says. “But sometimes I’m like, ‘you know what? Fuck these guys!’”

There couldn’t be a better visual representation of that thematic dichotomy than …Is Your Friend’s cover art. The visual depicts the band’s iconic kewpie mascot lounging back on a beach chair, grinning into the sunlight while an angel and a devil hover above each shoulder, taunting Drain’s cartoon protagonist with two opposing paths. “That little kewpie character is exactly where I personally want to be,” Ciaramitaro says. “There’s good, there’s bad, and then there's me in the middle just tuning out all the bullshit, listening to music and trying to vibe exactly where I am. Also, the art is just sick, dude. Devils, angels -- kind of badass.”

The cover art also illustrates where Drain see themselves on a macro level. Not on either side of the punk/metal spectrum; not entirely posi-core nor one-dimensionally brooding; not just for scene newbies and not just for grizzled pit veterans. But right at the center of it all. For anyone who’s ever felt it, for everyone who wants to.

“My favorite thing right now is for someone to say, ‘I’ve never heard of you but I’m excited to see you play,’” Ciaramitro says. “This band is for everybody. We’re not different from you, we’re not going to treat anybody different than us. I’m gonna give the same respect to the kid at his first show as I will to the dude from the really cool band in that city. No one’s too cool at the Drain show.”

The title puts a bow on it. …Is Your Friend is a slogan that Drain have been printing on merch since they were playing to 15 people on a floor. Over the years, Drain have gotten bigger, their crowds have gotten more diverse, and their music has become more eclectic. But Ciaramitaro underscores what this album makes abundantly clear: their founding ethos remains unchanged. “Drain is your friend, Drain was your friend, Drain will forever be your friend.”

ivri

^_^☆🦕 - Beginning her musical journey at the age of 15, ivri started off by posting snippets of her works on Instagram. After being discovered and sampled by numerous producers around the world she was uncovered and would quickly achieve millions of streams. Soon after she began her solo project known as ‘ivri", existing as a faceless artist until late 2020 when she uploaded her first ever official releases. Although her works are set ‘in one place only’, the feelings they evoke are universal. Her angelic, soft voice allows listeners to feel a sense of comfort and warmth in each one of her songs. Central to ivri's music is the wide array of concepts heard such as spirituality, the universe, mental health and more.

Nekrogoblikon

Bodysnatcher

Debut album "Death Of Me" available 11.10.17 via Stay Sick Recordings

Oleander

Rivers Of Nihil

Rivers of Nihil have never fit neatly into a box, but with 2018’s Where Owls Know My Name, they transcended all labels applied to them. Returning in 2021 with The Work, they forged further into new territory, once again upending any expectations fans had placed on them. And now, following a new series of singles recorded in early 2023, the band returns with their self-titled album, out May 30 via Metal Blade, a triumphant statement that has once again shattered the ceiling of how far they are willing to go in search of new sonic terrain.

The Reading, Pennsylvania-based progressive death metallers spent 2021 and 2022 burning the candle at both ends with a frenzied tour schedule including headline runs of the U.S. and Europe, a jaunt on the European festival circuit and two runs in support of The Black Dahlia Murder and The Contortionist in North America. But once the latter tour wrapped up, they were short a band member.

For personal reasons, founding member and lead vocalist Jake Dieffenbach and the band went their separate ways. The split took place just three days after the recording of a live video and audio session for Audiotree’s new 'From Nothing' series, which was released on April 20, 2023. And while initially the band wasn't sure how to approach the release with the departure of a founding member and lead singer — or whether to release it at all — they decided to move forward with it to honor Dieffenbach's contributions to the group over the years and mark the beginning of a new chapter.

In March 2023, Rivers of Nihil wrapped up a recording session that saw the now four-piece band birth a considerable amount of new music featuring their previous bassist/backup vocalist Adam Biggs as the new lead vocalist/bassist. This recording session also marked the first appearance of new guitarist Andy Thomas (ex-Black Crown Initiate), whose vocals also play prominently in the music, as a member of Rivers of Nihil. These new singles are the first to showcase the band’s new lineup in full-on collaboration, and demonstrates that while this is a new, brave sound with tons of potential, it also carries the band's classic energy.

Released across all digital platforms on June 15, “The Sub-Orbital Blues,” the first single from those sessions, is about the dichotomy of living in a 21st century society rife with scientific and technological advancements such as artificial intelligence and ever more sophisticated space travel, while also dealing with the increasing threat of old world problems like out of control governments and the looming threat of world war.

The remaining three singles from the April 2023 recording session will be released leading up to the release of the band’s next full-length studio album, which the band is eager to begin work on.

Previous Releases:

2023: Audiotree From Nothing Sessions EP

2021: The Work

2018: Where Owls Know My Name

2015: Monarchy

2013: The Conscious Seed of Light

Find Rivers of Nihil at:

http://www.facebook.com/riversofnihil

http://www.youtube.com/Riversofnihilpa

https://www.instagram.com/riversofnihil/

http://www.twitter.com/riversofnihil

PRESIDENT

Brujeria

Fear and Loathing in Las Vegas

A film based on the book by Hunter S. Thompson, depicting a wild journey through Las Vegas.

Horse the Band

Heroes Die

Union Underground

LS DUNES

PeelingFlesh

Suicide Boys

Holywatr

Leap

Kublai Khan

Silly Goose

Codefendants

Zakk Sabbath

Featuring Zakk Wylde, Blasko, and Joey C! www.zakksabbath.com

Haywire

vianova

Alissa White-Gluz

Cro-Mags

The Violent Hour

PRESIDENT (UK)

The Pretty Wild (US)

nothingmore

Body Count Ft. Ice-T

Chad Grey

Drop Dead Gorgeous (NYC)

Hot Mulligan

Hot Mulligan writes songs for people to sing as loud as possible. Their music is the cathartic outcry for growth from a generation of forward-thinking Midwesterners caught in the gears of a rusted system in desperate need of hope. The members — Tades Sanville, Chris Freeman, Ryan Malicsi, and Brandon Blakeley — use songwriting to explore the lessons they’ve learned from lives lead in the pursuit of dreams with full awareness of the cost. From relationships to personal development, Hot Mulligan captures the human experience with unflinching honesty and infectious hooks that, above all else, make people feel something.

On their Sophomore LP, You’ll Be Fine, Hot Mulligan shares a collection of stories that capture their growth, or lack thereof, since the release of 2018’s Pilot. It’s an album about losing yourself in the pursuit of your dreams, and how that conundrum can create a ripple effect that touches every relationship in our lives. For every show played, there are moments missed back home. For every song, a commitment is made to staying on the road.

But don’t let the emotional intelligence displayed on You’ll Be Fine fool you. Hot Mulligan makes serious music for people that don’t take themselves too seriously. You may feel sad or stressed or lost in life right now, but don’t worry too much because those feelings will pass in time. When all is said and done, after dreams are chased, hearts are broken, and memories are made, you’ll be fine.

Monster Energy Aftershock 2026 @ Discovery Park

Monster Energy Aftershock 2026 @ Discovery Park

Flytjendur