FESTIVAL LES ESCALES 2026 PASS 1 JOUR VENDREDI

Flytjendur

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  Josman

  Josman booking/contact : jeezyjeezybaby@gmail.com instrus/beats/prods : josprodz@gmail.com

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  GAEL FAYE

  Franco-rwandais, Gaël Faye est auteur compositeur interprète de rap. Aussi influencé par les littératures créoles que par la culture hip hop, il sort un album en 2010 avec le groupe Milk Coffee & Sugar. En 2013 paraît son premier album solo, Pili Pili sur un Croissant au Beurre. Enregistré entre Bujumbura et Paris, il se nourrit d’influences musicales plurielles : du rap teinté de soul et de jazz, du semba, de la rumba congolaise, du sébène… Son premier roman, « Petit pays » paru en août 2016 aux Editions Grasset a reçu le Prix Roman Fnac et le Prix Goncourt des Lycéens.

  Un EP intitulé « Rythmes & Botanique » sortira en 2017.

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  Georgio

  "Années Sauvages" nouvel album disponible

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  SAMI GALBI

  A Swiss-Moroccan musician from alternative French-speaking scenes, Sami Galbi draws on the music of his childhood. He rediscovered this in the cabarets of Casablanca, based on Raï and the Chaâbi, that he interprets in his own way. With his analog machines, synthesizers and guitar effects, he likes to modulate some of the North African folk music influences by giving them a pop texture and a club atmosphere. On stage, Sami serves high energy music borrowing the codes of urban styles like bass and West Coast hip hop.
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  Archive

  Archive are an "electronic rock" band, originating from London, UK. They are signed to Warner Music France, but live in London. Archive was formed by Londoners Darius Keeler and Danny Griffiths in 1994 and began as an electronica project. At the beginning, they mixed Bristol-style, Massive Attack, Portishead with rap. The first album of the band, Londinium released in 1996 (with Roya Arab and Rosko John as guest vocalists). The second album, Take my Head, (which the band hates) was released in 1999 (with a new guest vocalist Suzanne Wooder), it is much more melodic than Londinium. The first song of the album, You Make Me Feel, illustrates this change in the Archive's music. After being dropped by their label and more changes in the lineup, the band seemed to hit its stride on the third album You All Look The Same To Me (2002), featuring singer Craig Walker (formerly of Power of Dreams), which took a decided turn toward more progressive music (with some Progressive Rock influences, notably Pink Floyd whose indelible influence is audible on tracks such as 'Finding it so Hard' and 'Again'), while still maintaining electronic elements. The band saw growing popularity and critical acclaim, especially in France, Greece, Germany and Poland. After recording two more artistically -but not too commercially- successful albums, Michel Vaillant (2003) and Noise (2004), Walker left the band for reasons the band and he will not talk about. The project continued on as a Collective, with new vocalists, Pollard Berrier and Dave Peny. In May 2006 they released the album Lights with Pollard Berrier on lead vocals, who is also a member/guest member of the innovative group, "Bauchklang" - a completely vocal beat-box (Vocal Groove) group based in Vienna, Austria. Archive released a live album, entitled,Live at Paris Zenith, in May, 2007 - which was recorded on January 20th, 2007 at the sold out Zentih Arena in Paris. Rolling Stone called it, "The best live album ever made." Archive continues to tour and is working on a number of forthcoming releases in the near future. Archive are not a trip-hop band as many people think, though this reputation was merited understandably by the soundcapes of their first release, Londinium, which is a trip-hop album. Archive are a Collective, not a band.

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  Fatoumata Diawara

  2x Grammy-Nominated Artist

  Singer | Composer | Actress

  New Album Massa: https://idol-io.ffm.to/massa.OYD

  On Tour : fatoumatadiawara.lnk.to/Tour

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  THYLACINE

  Il faut parfois se déraciner pour s’accorder avec soi-même et avec le monde alentour.

  C’est en tout cas selon ce précepte qui lui a jusqu’ici si bien réussi que Thylacine a décidé de poursuivre sa quête créative. L’artiste qu’on a suivi à bord du Transsibérien, sur les routes de la Cordillère des Andes et des Îles Féroé, ou en Turquie pour y apprendre à jouer du bağlama, a décidé pour son nouvel album Roads vol. 3 de s’éloigner à nouveau des automatismes créatifs de son studio parisien. Lui, qui confesse avoir du mal à composer deux morceaux dans un seul et même endroit, a cette fois décidé d’arpenter pendant trois mois un nouveau continent.

  Toujours embarqué dans sa désormais fameuse caravane flamboyante, une Airstream de 1972 équipée pour enregistrer, travailler et interpréter ses voyages pas comme les autres, William Rezé-Thylacine s’est donné le temps dont il avait besoin. Ce temps qui manque quand on est ensablé dans la routine et le rythme des tournées, ce temps qu’il faut pour que les voyages soient d’authentiques expériences et que l’intuition se transforme en une matière toujours plus audacieuse et originale.

  Cet album s’annonce à l’image d’un étonnant périple. Un véritable vertige créatif, résultat de profondes interrogations sur son art et sa pratique face aux équilibres du monde qui l’entoure.

  Une nouvelle odyssée musicale qui fait de Thylacine un artiste fondamentalement unique en son genre.

  EN

  Sometimes, you have to uproot yourself to truly align with who you are, and with the world around you.

  It’s this guiding principle, one that has served him so well so far, that Thylacine has chosen to follow once again in his creative journey. The artist we’ve traveled with aboard the Trans-Siberian Railway, along the roads of the Andes and the Faroe Islands, and through Turkey where he learned to play the bağlama, has once again stepped away from the familiar patterns of his Paris studio to create Roads Vol. 3.

  True to his now-iconic mode of travel, a blazing 1972 Airstream caravan converted into a mobile studio, William Rezé, aka Thylacine, gave himself the most precious resource of all: time. Time that’s so often missing when caught in the grind of touring and routine. Time that allows travel to become a real experience, where intuition can evolve into something bolder, deeper, more original.

  This album emerges as a mirror to that astonishing journey, a true creative vertigo born of deep reflection on his craft and how it relates to the shifting balance of the world around him.

  A new musical odyssey that further defines Thylacine as a profoundly singular artist in today’s landscape.

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  Benjamin Biolay

  Benjamin Biolay is a singer-songwriter, musician and record producer who was born January 20, 1973 in Villefranche-sur-Saone, France. He first came to the music industry's attention with his collaboration with, and arrangements for, Keren Ann and his sister Coralie Clément. Finally earning a solo contract after many years of struggle, Biolay released his debut album, Rose Kennedy, in 2002. A concept album, Rose Kennedy looks at early 1960s America through the cataractic eyes of the late matriarch, who went from attending dinner parties to suffering the assassination of two of her sons. Next up was Négatif, a double CD full of sometimes violent imagery surrounding a group of drifters, which included a disaffected, oddly sympathetic, american named Billy Bob. Biolay released two albums in 2005, A L'origine (translated: In The Beginning) is a darker, denser work than his previous outings, while Home is a light, sunny duet album with his wife, started when they noticed that they needed good road trip CD to listen to while on vacation. He has also written film scores, songs and arrangements for such beloved french stars as Françoise Hardy, Juliette Greco and Henri Salvador. He worked with Elodie Frégé on her second album Le Jeu Des 7 Erreurs (including lead single "La Ceinture") which was released in autumn 2006.