Psychedelic Porn Crumpets

Psychedelic Porn Crumpets

Various Venues: EartH, Shacklewell Arms, The Victoria, Cafe OTO, St Matthias Church, Dalston, North London Kort

lau. 07.11.2026 16:30

Psychedelic Porn Crumpets at Various Venues: EartH, Shacklewell Arms, The Victoria, Cafe OTO, St Matthias Church 2026-11-07T16:30:00

Flytjendur

  • Psychedelic Porn Crumpets
    Psychedelic Porn Crumpets

    MUSIC/MERCH/TICKETS

    https://psychedelicporncrumpets.com

  • 60 JUNO
    60 JUNO
    Emerging from Merced, CA, 60 JUNO (sixty juno) leads Central Valley Post-Punk with his own distinct blend of DIY indie-rock and dark-wave elements that create a truly notable sound worth remembering. By incorporating heightened energy and rough, low vocals into the usual wistful, dreamy componenets typical of the Indie-Rock genre, 60 JUNO has truly created a lane of his own making.

    The independent 22-year old musician is the sole driving force behind the bass, drums, guitar and vocals that seamlessly translate heavy nostalgia into deep, dreamy melodies.
  • MX LONELY
    MX LONELY
    MX LONELY BIO MX Lonely formed in 2022 out of the ashes of other projects. Rae Haas (lead vocals/synth) and Jake Harms (vocals/guitar) sought to create a heavier, more punk rock version of a dual-vocal, spidery songwriting style they had begun exploring. After a few lineup changes, the group solidified with Gabriel Garman (bass) and Andrew Rapp (drums), who together add a heavy, propulsive rhythm section to the band.
    Since early 2024 MX Lonely has been touring nationally. The live show aspect of their sound has a huge hand in shaping the dynamics and feeling of their recorded music. They describe themselves as “Loud As F*ck”, and tow multiple amps to every show.
  • Swapmeet
    Swapmeet

    Swapmeet is a band based on unceded Kaurna land. With an ever changing energy and aesthetic, Swapmeet’s sound is at once light-hearted and raw. With indie rock foundations, characterised by sonic experimentation, and a punk spirit, Swapmeet are known in the Adelaide circuit for their playful, chaotic onstage presence.

  • Victoryland
    Victoryland

    Victoryland is the Brooklyn-based project of musician Julian McCamman. His label-debut, My Heart Is A Room With No Cameras In It, out January 23, 2026 via Good English, is a triumphant, despondent, and ultimately fun experimental pop-rock album. Victoryland started in Philly 2023 with the release of tape, Sprain, which echoed more of what the Philly scene was dishing out: lo-fi, tape-recorded rock with a capital R. It was the collaborative efforts of producer Dan Howard that brought the new vision and sound into full focus.Dan and Julian previously worked on Julian’s now-defunct Texas-to-Philly based band, Blood’s Loving You Backwards LP, a collaborative effort between six bandmates. That experience pushed Julian toward a more personal process of recording, starting with home demos and then bringing them to Dan to shape into songs. This relationship ultimately led Julian to move to NYC.

    The sound of the album, recorded between Julian’s Bed Stuy basement and Dan’s Williamsburg studio, is the sound of a bright and beaming collaboration. Landing somewhere between lo-fi and hi-fi production, the songs have the glossiness of a radio-friendly hit mixed with the distortion and rough edges of a home demo. Every song keeps at least one element of the initial recording, while building around the loops and half-songs Julian scrapped together. The lyrics on the record span from humorous self-aware popisms (“‘you and I’ will soon be, used to be ‘us’”) to crushing realities of bitterness(“i’ll never forgive you, that’s how I keep you close”) to abstract imagery (“mothers wave from doorways, in ostinato”), all delivered with such an immediacy and fervor that in the middle of singing along, you wonder if this guy slept much last night.

    My Heart wrangles with heavy subject matter (love, disconnection, sexual frustration, emptiness etc.), but the terminal statement of the record is about the cleansing nature of pop music. That, if a song can force you to “bliss out” over a hook or a loop, or even make you dance, it can be the spoonful of sugar to swallow the hard pill with; this is what Victoryland strives to do: package the most exhausting realities of life, love, and the search for connection in a world starved of it, into a fun 2-5 minutes, and for the runtime of Victoryland’s first major statement, you might even feel like you’re not alone.