Cannons: The Everything Glows Tour
The Charleston Music Hall, 37 John St., 29403 Charleston Kort
mán. 12.10.2026 20:00
Doors at 7:00 pm | Show at 8:00 pm ACCESSIBILITY - Accessible seating is available online through Ticketmaster by filtering on the ADA Icon and selecting Accessible Seats or in person or over the phone via The Charleston Music Hall box office during business hours. The Charleston Music Hall does NOT have an elevator. Please take that into consideration when buying balcony tickets (Sections F, G, H, I & J). CASHLESS VENUE - The Charleston Music Hall services all credit and debit payments only. No cash accepted at the box office or bar. BAG POLICY - Bags (max size 12" x 6" x 12") are allowed and will be searched upon entry. Exceptions will be made for necessary medical equipment and nursing mothers. We encourage you to pack light with only the necessities to make the entry process as soon as possible.
Flytjendur
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Caroline Kingsbury
Caroline Kingsbury is a rising force in indie pop, crafting bold, technicolor anthems that celebrate queer identity and radical self-expression. With her theatrical visuals, soaring vocals, and unapologetically maximalist sound, Kingsbury is reshaping pop into something far more expansive—and inclusive.
Her electric festival debut at Lollapalooza introduced audiences to the world of Shock Treatment, her upcoming EP due September 26. Inspired by the 1981 cult film of the same name, the record blends 80s synths, neon-drenched fantasy, and sharp cultural critique. In Kingsbury’s vision, queerness isn’t an outlier—it’s the norm. Shock Treatment imagines a flipped reality where heteronormativity is the exception and queer identity is exalted.
It’s a concept rooted in personal truth. Raised in a conservative Florida town, Kingsbury channels her journey toward liberation into her music. “Leaning into my ‘crazy,’ theatrical self helped me find peace,” she says. “This EP is about owning who you are—loudly.”
Following a recent tour with Pom Pom Squad, Kingsbury continues to build a vibrant space for queer visibility in indie music. With Shock Treatment, she isn’t just making pop—she’s using it to light the path forward.
If her Lollapalooza set was the spark, Shock Treatment is the wildfire. And Caroline Kingsbury? She’s not waiting for pop’s future—she’s creating it.
- Luna Magazine by Kimberly Kapela
