Creed

Hinder’s story begins in 2001, when Cody Hanson (drums), Joe “Blower” Garvey (lead guitar), and Mike Rodden (bass) met and activated their musical chemistry. The 2005 hit “Lips of an Angel” from the band’s debut album Extreme Behavior, since certified 3x Platinum, topped the charts and remains a radio mainstay. Powerful lead vocalist Marshal Dutton joined them in 2015. Throughout their discography, Hinder has embodied an ethos of defiance and tenacity through gutsy lyrics, rousing melodies, and soaring choruses. Each album in their musical journey has reflected a progression, from the grittier early days of Take It to the Limit to the more introspective and exploratory energy of their most recent album, 2017’s The Reign.

Hinder emerges from the storm more focused and resilient than ever. With a renewed sense of purpose and drive, and still never afraid to take risks, Hinder is poised to continue forging its legacy as one of rock’s most enduring and dynamic bands. The band members’ resilience and adaptability have kept them at the forefront of the modern rock scene.

Limp Bizkit

*THIS IS THE OFFICIAL LIMP BIZKIT FACEBOOK PAGE*

The original line-up of Fred Durst, Wes Borland, Sam Rivers, John Otto, and DJ Lethal are back from an eight year hiatus to bring their world back to ours. Fred Durst and Wes Borland said in a joint statement:

"We decided we were more disgusted and bored with the state of heavy popular music than we were with each other. Regardless of where our separate paths have taken us, we recognize there is a powerful and unique energy with this particular group of people we have not found anywhere else. This is why Limp Bizkit is back."

The guys will kick off a world tour in the Spring on the overseas festival circuit with headline shows sprinkled in throughout Eastern Europe and Europe, selected dates include, in late May, Russia, Ukraine, and the Baltic countries where Limp Bizkit has never played before despite huge demand, along with major festivals like Rock Am Ring and Rock Im Park in Germany, more dates to be announced shortly. A new album, which would be the original group’s first full-length effort since 2000, is also planned. Limp Bizkit’s first three albums have sold over 20 million copies in the U.S. alone, and another 13 million in the rest of the world.

Cypress Hill

Cypress Hill is an American hip-hop group hailing from South Gate in California, USA. Cypress Hill was the first Latino-American hip hop group to have both platinum and multi-platinum albums.

Bush

The headline of the Billboard article said it all: “Like They Never Left.” The story, which ran in the Oct 29, 2011 issue, hailed the return of mega-platinum rock band BUSH, who had just self-released The Sea of Memories, their first album in 10 years and wasted no time returning to the top of the charts. In fact, they did it in grand style: the album’s lead single, “The Sound of Winter,” made rock radio history by becoming the first self-released song ever to hit No. 1 at Alternative Radio. “The Sound of Winter” also holds the distinction of being the reunited group’s first No. 1 single since 1999’s chart-topping hit, “The Chemicals Between Us.”

“It's the most brilliant start we could have imagined,” says Bush vocalist/guitarist Gavin Rossdale. “Having a No. 1 song at radio is a testament to not only the band, but the great team that surrounds us, the support at radio and of course, the tireless fans who give us daily oxygen – we’re thankful for it all.”

The band supported the album with a whirlwind media blitz and tour, which included performances on “Jimmy Kimmel Live” and “The Tonight Show with Jay Leno,” as well as concert specials for DirecTV’s “Guitar Center Sessions” and HDNet and a sold-out international tour. Tickets for some of the shows sold out in under a minute.

“It's really humbling because you never know what to expect,” says Rossdale. “I had no idea that it would go like this. I just wanted to make a great record.”

That record, The Sea of Memories, is steeped in the notion that one has to know where they came from to know where they’re going. “We are the sum of everything we’ve done -- right, wrong and in-between,” says Rossdale. “We’re all victims, and benefactors, of our past.” And Bush should know. The British-born band has had more success over the course of their first half-dozen years than most artists do in a lifetime. From Sixteen Stone to The Science of Things, they made some of the most successful rock albums in recent memory. The seminal outfit also forged a sound that would come to characterize an entire decade.

Today, Rossdale is mining the past for clues to the future, and has come up with an album that reflects both sides of that time quotient. On The Sea of Memories, he’s resurrected the band with drummer Robin Goodridge, guitarist Chris Traynor and bassist Corey Britz. “When making music, you have a choice to repeat what you’ve done or move on,” says Rossdale. “It would’ve been safe to just rework [1994’s debut album] Sixteen Stone over and over, but what kind of life would that be? When you’re driving down the road, you’re focused on what’s in front of you; you don’t really think to keep checking in your rear view mirror. I like the idea of art changing, developing and morphing.”

The Sea of Memories is drenched in Bush’s trademark intensity and driven by Rossdale’s emotive, bittersweet vocals, but it’s also infused with an immediacy that pushes the album into new, compelling directions. From their lead single, the atmospheric powerhouse “The Sound of Winter,” to the rapid-fire exuberance of “All My Life,” Bush reveals itself as a re-energized band. It’s a fresh mindset that’s at least partially influenced by events surrounding the making of this record.

Rossdale thought they had finished the CD late last year after recording with producer Bob Rock (Metallica, Aerosmith). But creative differences with its label led to an amicable parting of ways and the band left with album in hand and a choice of places to call home. While their team fielded offers from a plethora of labels, the band went back into Rossdale’s home Kingston Sound studios in LA and emerged with five new songs. “I didn’t want to get caught up in the process of signing a new deal,” says Rossdale. “I wanted to keep moving and creating. We had good ideas and wanted to flesh them out.”

It was during this re-energized state that the band decided to take control of the reins and release the album themselves. Thus, The Sea of Memories is Bush’s first indie effort since the early 1990s. Rossdale’s own imprint, Zuma Rock Records, issued the album through an exclusive partnership with eOne Music, with earMusic handling the European release. “It’s been a relief and a breath of fresh air,” says Rossdale of making the leap from a major label, and being able to work under fewer creative constraints. “There’s a pressure that comes with being on a major. If you’re nurtured and looked after properly, it gives you the freedom and confidence to be creative, and from that comes good results. But it can also be disheartening. This feels good. This feels right.”

After the release of Golden State in 2001, Bush began unraveling from a grueling tour schedule and pressure brought on by their own success. Guitarist Nigel Pulsford finally begged off touring altogether, and in 2002, left the band to spend more time with his family. Bassist Dave Parsons soon followed. “There was no big bang,” says Rossdale of the break-up. “We did it in a very English way—quietly.”

Rossdale spent the next eight years pursuing new projects—from forming the band Institute in 2004 (which also included guitarist Traynor) to launching a solo career in 2008. Still, a Bush reunion was never that far off in his thoughts. “My delay in reuniting the band was really waiting for Nigel to come back, but he just didn’t want to tour anymore,” says Rossdale. “It was like ‘What am I going to do?’ As much as I wanted to wait, I also like to be in the studio and perform. So Institute and then my solo career were much more by default then by design. And I felt a bit off-kilter. It all felt less powerful, and just less all around. As long as I make music, I’d much rather make it under the name Bush than my own.” Says Robin Goodridge of the reunion: “I always knew Bush would make another record. It was only a matter of time before the itch got too much for some of us. When you have something that great, it never leaves you.”

The Sea of Memories has a foot in Bush’s past and its future: a balance the band was determined to strike if they were to connect with loyal fans and reach new listeners. “I was a fan of Bush, so I wanted to do the music justice,” says Corey Britz, the newest member, though no stranger to the camp, as he’s played with Rossdale on various projects over the past few years. “Bush has always had a particular feel, and I hope to get as close to the mark as possible. I’m proud, nervous, and excited to be a part of a band that I have been a fan of for so many years.”

Guitarist Chris Traynor has played with Bush since the Golden State tour. He was also part of Rossdale’s ensuing band, Institute, and on the singer’s more recent solo projects. “I think every Bush record has been sonically and stylistically different from the last,” says Traynor. “The engine that drives the band, and makes it Bush, is Gavin's songwriting and singing. The ever-expanding vocabulary and musical territory of the band has to do with his overall vision as an artist. I really respect the fact that Gavin is driven to push forward and progress musically.”

The freedom Rossdale has found musically on The Sea of Memories also translates into his lyrics. Throughout the record, he offers up poetic, colorful and often ironic narratives on day-to-day living—sometimes biographical, sometimes not. “I think the record has that balance of living: the struggle, romance, loss, desire, aspirations,” says Rossdale. “Like the song ‘All Night Doctors,’ I enjoyed writing a dialogue, showing a snapshot of someone else’s life. For most people, happiness revolves around what they’ve achieved. But success is really about how they reconcile their aspirations with where they actually land in life. That balance has always intrigued me. I’ve found that depression, stress and worry is almost always rooted in the past and the future. But there’

Puddle of Mudd

With a career spanning over two decades, Puddle of Mudd has cemented themselves as a prominent force in the world of rock music. Formed in 1991, multi-platinum-selling rock band, Puddle of Mudd has sold over seven million albums worldwide and has had a string of chart-topping hits, including “Blurry,” "She Hates Me," “Psycho,” "Famous,” “Drift and Die,” and “Control.”

Puddle of Mudd’s lead vocalist and rhythm guitarist, Wes Scantlin, has been the driving force behind the band’s success since the band’s inception. With his distinctive vocals and songwriting style, Scantlin has helped to define the band’s sound and create some of the most memorable rock hits of the past two decades.

Shortly after being discovered and signed by Limp Bizkit’s Fred Durst, Puddle of Mudd released their major-label debut album, Come Clean, on August 28, 2001. Come Clean spawned the singles “Blurry,” “Control,” “Drift & Die” and “She Hates Me.” These hits propelled Puddle of Mudd to reach the number 5 slot on the Billboard Hot 100 chart. This success led to the band venturing out on a full-scale European and American tour, hitting the road with Linkin Park, Stone Temple Pilots, and Staind. Come Clean reached triple platinum status in January of 2003.

Puddle of Mudd's subsequent albums, Life on Display (2003), Famous (2007), and Vol. 4: Songs in the Key of Love and Hate (2009), solidified their place in the rock pantheon. The band also released an album of cover songs, entitled Re:(disc)overed, in 2011.

Puddle of Mudd’s 2019 album release, Welcome To Galvania, was produced by Cameron Webb (Alkaline Trio, Disturbed, Motorhead). “Uh Oh”, the first single off of Welcome To Galvania, reached the number 9 position on the Billboard Mainstream Rock Chart.

In September 2023, Puddle of Mudd unveiled their seventh studio album, Ubiquitous, showcasing a fresh take on their unique style.

Puddle of Mudd’s new album, Kiss The Machine, was released on May 2, 2025 via Pavement Entertainment. With over two decades of rock history behind them, Kiss the Machine is a powerful reminder of their staying power and evolution. The airwaves are about to experience a heavy dose of Puddle of Mudd’s signature hard-hitting sound once again.

Sevendust

Sevendust is an American alternative metal band from Atlanta, Georgia. Formed in 1994, the group went through multiple name changes before settling on the name Sevendust and releasing their debut album.

Hoobastank

The Reason 15th Anniversary - Out Now on all digital streaming services and vinyl for the first time ever!

Candlebox

Kittie

Born in June 2019, CRYPTA is a Brazilian Metal four-piece, influenced by the old school sub-genres of the style.

The Verve Pipe

Sleep Theory

Sleep Theory delivers the dynamic, heavy bounce and massive vocal hooks that the rock world desperately needs. Cullen Moore is a powerhouse singer who outmatches nearly all his peers, recalling the most classic and timeless pop, R&B, and rock n’ roll vocalists of the last several decades.

In less than two years, they became the fifth most-played artist on Active Rock radio, with three songs on the year-end rock charts on YouTube and Amazon. “Fallout” was the ninth most-played song on Active Rock in 2024. Jelly Roll and David Draiman sing the band’s praises. Shinedown, Falling In Reverse, Beartooth, Nothing More, Wage War, Set It Off, and Daughtry have taken them on tour.

On Afterglow, Sleep Theory’s full-length debut, and the Paper Hearts EP, the band’s rich, emotional sound combines anthemic heavy rock like Linkin Park and Bring Me The Horizon with pop and R&B, equally adept at breakdowns and ballads. Amazon Music, Loudwire, and Revolver named them an Artist To Watch in 2025. Revolver rightly declared, “The band’s exciting mix of metalcore, pop, and R&B … has positioned Sleep Theory as one of heavy music’s biggest breakouts.”

Sleep Theory pushes themselves creatively at every turn, catapulting the genre to new sonic heights.

Magnolia Park

MAGNOLIA PARK have never been ones to settle for subtlety. Since forming in 2018, the Orlando, Florida-based quintet have, over and over again, proven themselves to be one of the most exciting and forward-thinking groups in the underground, spinning a chameleonic, genre-spanning sound that incorporates punk, rock, pop, hip-hop and metalcore into a dizzying, multisensory experience.

Blazing onto the scene with an insatiable social media work ethic and prolific musical output, their popular Halloween mixtapes, multi-part Eater EP series and full-length debut, Baku’s Revenge, cemented them not only as a playlist and For You Page favorite for millions of listeners around the world, but a must-see live act on tour with Simple Plan, Sum 41, A Day To Remember and the inaugural Summer School tour (where they served as a headliner), as well as major festivals like Reading and Leeds, When We Were Young, Sonic Temple and Welcome To Rockville.

Now, Magnolia Park – vocalist Joshua Roberts, guitarists Tristan Torres and Freddie Criales, drummer Joe Horsham and bassist Vincent Ernst – are set to unleash their most ambitious effort yet: VAMP (Epitaph Records), a neo-gothic concept album rich in world-building and gripping storytelling. Culling influence from the band’s favorite anime including the long-running Vampire Hunter D, along with inspiration from iconic works like Star Wars, Dracula and Joseph Cambell’s legendary monomyth, Vamp unravels an ominous journey through Nocturne Nexus, where rulers and rebels battle with the future hanging in the balance.

The project’s roots took place in Australia, where, after performing triumphant sets to thousands at the 2023 Good Things Festival, the band was more encouraged than ever to chase a bold, new, musical direction: one that found them tapping into the heavier influences they’d begun dabbling in on Halloween Mixtape II, adding a ferocious bite to their trademark pop-punk-meets-hip-hop sound.

“Seeing the crowd react to our heavier songs was really eye-opening for us,” says Torres, referencing “Animal,” featuring Ethan Ross and PLVTINUM, and the 20 million-streamer “Do Or Die,” songs that showcase the true versatility of the group. “That reaction inspired us to continue exploring that side of our sound, which informed how we started building out the world of Vamp.”

Leaning into these more morose, minor-key impulses, the band began crafting their next chapter. Songs like “SHALLOW” and “SHADOW TALK,” some of the first the band penned for the follow-up to Halloween Mixtape II, set the tone, with repeated references to darkness, shadows, and monsters – leading them to think bigger about what the set of songs could become. Before long, they were entrenched in building out the album’s details, crafting characters, settings, and storylines that added new layers of complexity and creativity to their already captivating sound.

Vamp follows Aurora X1, a half-cyborg/half-human heroine thrust into turmoil when the Shadow Cult, led by her estranged father, Obsidian, launches a plan to merge the Shadow Realm with the physical world. Following ancient legends, occult mysticism and the destruction left by the Shadow Cult, Aurora and her army of Shadow Breakers search for the Bloodstone, a powerful gem that grants them superhuman speed and strength – but not without its own cost.

Across the album’s 11 tracks – produced by the band’s own producers, Torres, Criales and Ernst, alongside Andrew Wade (A Day To Remember, Wage War), Hiram Hernandez (blessthefall, Real Friends) and Andy Karpovck (408, Taylor Acorn) and mixed by Zakk Cervini (Bad Omens, Bring Me The Horizon) – Magnolia Park soundtrack this dramatic tale of crimson blood and chrome-plated courage through their own mix of man and machine, stacking whirring electronics and industrial undertones alongside sledgehammer breakdowns, walls of detuned guitars and Roberts’ seam-splitting vocals.

The anthemic nü-metal rage, replete with sky-high melodies, is front and center on tracks like pre-release singles “WORSHIP” (ft. PLVTINUM and Vana) and “CULT,” which see both Aurora and Obsidian readying their followers for the epic battle ahead. Elsewhere, “CRAVE” finds Aurora’s followers, the Vampires, fighting a war within, battling their thirst for blood while attempting to sidestep a horrific act that might doom them forever.

But despite the intricately detailed, jet-black motif of Vamp – not just the music itself, but the accompanying photos, videos, artwork, merchandise and, as fans will soon see on tour, production at the band’s already raved-about live show – at its heart, the album is deeply personal. The songs stand as a unified, cohesive body of work, complete with a cliffhanger that sets up even more epic events in the future of Aurora X1 and the Shadow Realm. But divorced from the larger narrative, they also represent the push and pull of personal life. So while a song like the mournful “OPHELIA” stands as a reminder of the cost of war, and “THE SCREAMS” details Obsidian’s power to infiltrate the minds of his enemies, they’re born from very real places in the band’s personal lives: love and loss, the internal strength required to tune out the forces looking to shake us from our dreams.

It’s this ability to blur the lines – between genres, yes, but even between how their songs can resonate with audiences – that’s made Magnolia Park such an exciting band to watch. There are few acts in the scene who could effortlessly alternate between covering a beloved Disney track (“I2I,” which the band lent to the 2024 A Whole New Sound compilation) and conceptualizing a heady, intricate work like Vamp, but that unpredictability is truly what keeps fans – and Magnolia Park themselves – on their toes.

“The most exciting thing about this band is how everyone elevates everyone else,” Roberts says. “I'm just so glad that we're all able to do that and come out with great music and great vibes and feel like we’ve accomplished something special. That's the whole mission: to make sure that at the end of the journey, we're better than we were in the beginning.” ##

Big Wreck

Hailing from Boston, US Big Wreck is a grunge-infused neo-prog outfit with a hard rocking sound, starting life in the early 90s having met as students at the Berklee College of Music.

The mammoth

The Pretty Wild

Slay Squad

Ashes of Billy

A Rock/Alternative rock band from Denmark!🇩🇰 Roskilde📍Johan, Anton, Daniel

Creed

Flytjendur