Of Monsters and Men

Our album is out now!

https://OMAM.lnk.to/AllIsLoveAndPainInTheMouseParade

The Mouse Parade Tour:

https://laylo.com/ofmonstersandmen/mouseparadetour

Lorde

Few artists can capture the essence of an entire generation like Lorde. Since her breakthrough at just sixteen with the minimalist anthem Royals, the New Zealand singer-songwriter has redefined the sound of modern pop—intimate yet grand, poetic yet grounded in raw emotion. With her distinctive voice and profound lyrics, Lorde has built her own world where introspection and power go hand in hand. From the moody sophistication of Pure Heroine to the pulsating energy and self-discovery of Melodrama to the sun-drenched introspection of Solar Power, Ella Yelich-O'Connor's music is constantly evolving – each album represents a new chapter not only in her artistic career, but also in the emotional lives of her listeners. She writes like a novelist, creating vivid scenes and penetrating truths about youth, fame, loneliness, and joy. Now her career, including live performances, has entered a new phase defined by her latest album, Virgin. Her live performances are literally transformative. Whether she commands the stage in complete silence or leads a euphoric sing-along, Lorde creates an atmosphere that resonates emotionally. At Colours of Ostrava, Lorde will bring her unmistakable energy, a voice that moves between fragility and fire, and a repertoire of songs that have shaped a decade of pop culture. Expect moments of pure joy with the anthems What Was That and Green Light, as well as electrifying emotions with the ballads Liabitlity and Man Of The Year.

twenty one pilots

Formed during the punk era of the 1970s while still in secondary school in Crawley, West Sussex, England, The Cure has been one of the most enduring bands of the last thirty years, even if that has come at the price of multiple line-up changes, with only original frontman Robert Smith remaining in the band. Shunning the anarchistic tendencies of many punk bands after their formation in 1976, The Cure's first release was Killing an Arab, based on material from French writer Albert Camus' "L'Etranger" (translated into English as The Stranger or The Outsider). This track courted controversy because of its theme (misinterpreted as racist, it was in fact, about the futility of killing any ethnicity), but it started to secure a small following, which grew following the release of debut album Three Imaginary Boys and non-LP single Boys Don't Cry in 1979, the latter of which would become one of The Cure's most famous songs.

Following this, The Cure moved from their punk leanings into the portentous post-punk territory, releasing three albums of doom-laden rock in three years, Seventeen Seconds, Faith and Pornography, the latter of which charted inside the UK top 10, though the band were repeatedly dogged by the "Second-class Joy Division" tag. The group's fifth album, following their third set of line-up changes, Japanese Whispers was, through their desire to escape the Joy Division description, a poppier effort, featuring danceable singles like Let's Go to Bed alongside pop songs like Love Cats. Following the commercial disappointment of follow-up album The Top in 1984, The Cure returned to form with 1985's The Head on the Door. Featuring the singles In Between Days and Close to Me, The Head on the Door was distant from the band's punk roots, having more in common with successful alternative bands like The Smiths and Echo & the Bunnymen than their gloomier roots.

Two years later, the eighth studio album Kiss Me, Kiss Me, Kiss Me was a more stadium-sized effort, though featuring audacious pop songs like Why Can't I Be You, it was seemingly caught between two styles. However, it was the band's ninth effort (following the departure of last surviving founder member other than Robert Smith, Lol Tolhurst), Disintegration, that would be their greatest success, both critically and commercially. Disintegration spawned hit singles like Lullaby (no.5 in the UK), Love Song (an impressive no. 2 in the USA), Pictures of You, and Fascination Street. The album itself was a culmination of The Cure's directions through the eighties, featuring the poppier side combined with the more tender aspects, as well as the gloomier facets.

Following this, a remix compilation named Mixed Up was released in 1990, featuring one new track, Never Enough, and two years later tenth studio album Wish surfaced, which was a hit mainly from the momentum gained by Disintegration, though it also featured their most famous pop song, Friday I'm In Love (no.6 in the UK and no.18 in the US). During the years following this, the band became distracted and discouraged by the lawsuit launched by former member Lol Tolhurst, who felt he had been deprived of royalties. As a result, the 1996 album Wild Mood Swings felt unfocused, and was a critical and commercial failure, though the single Mint Car was a moderate hit.

In 1997, the Cure released the compilation Galore, featuring new song Wrong Number. Three years later, at the release of original album Bloodflowers, Robert Smith announced it would be the last album for the band, the album itself being a return to the gloomier rock of Pornography and Faith. Resultantly, another hits compilation was released in 2001. However, in 2004, the band surprised all by returning with a self-titled album, their twelfth studio album, which was a surprise hit, reaching the US Top 10, its lead single - The End of the World - becoming a modest hit on Modern Rock radio, and receiving a relatively warm reception from the press.

In May 2005, Smith fired Roger O'Donnell and Perry Bamonte from the band, along with Bamonte's brother Daryl, who had been The Cure's tour manager for many years. The remaining members of the band (Robert Smith, Simon Gallup and Jason Cooper) made a few appearances as a trio before it was announced that Porl Thompson would be returning to The Cure.

Their thirteenth studio album was penciled in for the first quarter of 2007, but its release was postponed. They played one live concert in Miami (23 March 2007) at the unlikely dance-focussed Ultra Music Festival. Further concerts in 2007 followed in Australasia: Fuji Rock Festival, Japan (27 July); Hong Kong (30 July); Singapore (1 August) and a tour of Australia and New Zealand.

The Australasian concerts were the first in the region since the Dream Tour of 2000 in support of Bloodflowers. These 4Tour dates featured a heavier, guitar-based sound (with Roger O'Donnell's departure The Cure's signature delicate guitar/keyboard layering also vanished) and no new songs were included in the sets. However, fans were treated to close to three hours of pure, classic The Cure, the band playing a long string of hits and fan-favourites before ending their shows with thrashing encores which delved into their back catalogue to some of their earliest recordings such as, Fire in Cairo, Grinding Halt and Three Imaginary Boys.

An Autumn US tour was to follow but was eventually cancelled to enable the band to finish the recording and mixing of the new record. Despite the cancellation of the tour, four shows were played in October 2007, the last three in Mexico City. Here The Cure introduced a handful of new songs which displayed both the melodic/pop as well as the sombre/tender aspect of their songwriting.

In 2008, The Cure embarked on the next leg of the 4Tour, starting in Stockholm (9 Feb) and continuing through to London (20 Mar) before heading across the Atlantic to complete the previously cancelled tour of 2007. The European 4Tour saw the band deliver powerful shows lasting over three hours, none more exhilarating and charged than their superb performance at Vienna's small-sized, 3000-capacity Gasometer (23 Feb). In Paris, Bercy (12 March), The Cure returned to the stage for an amazing fourth encore, ending the 3 hour 30 mins show with their emotional classic, Faith. In London (20 Mar), The Cure were again in top form, performing for over 3 hours and offering a great set including brilliant versions of A Night Like This, From the Edge of the Deep Green Sea, Friday I'm In Love and Disintegration. Also notable was the magnificant, swirling guitar playing of Porl Thompson on the often over-looked Wrong Number and Never Enough, featuring a guitar-less and dancing Robert. The set included a large number of pop hits drawing a huge reaction from the crowd; amongst them: Hot Hot Hot !!!, The Lovecats, Close to Me and Why Can't I Be You?. New songs played were: The Only One (formerly known as Please Project), Freakshow and the emotional A Boy I Never Knew.

Finally, the 4Tour reached stateside in May/June 2008. The Cure again thrilled fans by playing epic yet energetic shows. Although the setlists on this leg of the tour followed a similar structure to those heard in Europe, the band also mixed in a few songs and encores that added a darker energy. To open and close the main set, the band occasionally played, Out of This World and Bloodflowers whilst The Holy Hour, Other Voices, Faith and the rarely-played Forever entered their set as part of The Cure's hour-long three-section encores. A further glimpse of their forthcoming album was heard via the inclusion of more new songs: Underneath The Stars, The Perfect Boy, Sleep When I'm Dead and Baby Rag Dog Book. In addition to the recording of the Paris, France show, both the Charlotte, N.C. and New York City, N.Y. (Madison Square Garden) concerts were filmed for a possible TV/DVD release.

In preparation for the release of their new album (believed to be titled) 'Dream 13', The Cure released 4 singles and a remix EP in 2008. Starting with the long-awaited release of The Only One/NY Trip on May 13, each single was released on the 13th of each month leading up to the October 13 release of the album. The artwork for the singles, The Only One, Freakshow/All Kinds of Stuff, Sleep When I'm Dead/Down Under, The Perfect Boy/Without you and Hypnagogic States EP (remixes of all 4 singles), was produced by Porl Thompson's 'Parched Art' and was reminiscent of the covers for, Primary, The Caterpillar, Lovesong, High, Friday I'm In Love, A Letter to Elise and the album Wish.

The Cure...

The Cure official website: www.thecure.com
Chain of Flowers fan website: http://ourworld.compuserve.com/homepages/ChainofFlowers

The xx

It all started in a bedroom in south west london, after school, drinking too much pepsi. We just keep on growing.

The NBHD (The Neighbourhood)

(((((ultraSOUND)))))+ out now 🔊🫧

nbhd.lnk.to/ultrasoundeluxe

Major Lazer

The brain project of American EDM artist, Thomas Wesley Pentz (AKA Diplo), Major Lazer was originally a collaboration with fellow EDM artist Switch, and later on Jillionaire and Walshy Fire.

Franz Ferdinand

Franz Ferdinand (formed in 2002) is a Scottish indie/alternative rock four-piece, led by frontman Alex Kapranos, hailing from Glasgow, Scotland.

Kehlani

Singer/Songwriter Oakland to Los Angeles

Empire of the Sun

Nick Littlemore & Luke Steele.

Stream/Order 'Ask That God' Now: https://empireofthesun.lnk.to/AskThatGod

The Feeling You Get - Music Video Premiere:

https://empireofthesun.lnk.to/TheFeelingYouGetVideo

Tate McRae

greedy out now https://tatemcrae.lnk.to/greedy

Zara Larsson

Zara Larsson is a Swedish singer and songwriter.

Website: http://zaralarssonofficial.com/

Twitter: @ZaraLarsson

Instagram: http://instagram.com/ZaraLarsson

Facebook: https://www.facebook.com/ZaraLarssonOfficial

Snapchat: zaralarsson

Mother Mother

Mother Mother is a Canadian indie rock band formed in early 2005 from Quadra Island, British Columbia, Canada, based in Vancouver, Canada.

Gunna

Turnstile

"NEVER ENOUGH"

Wolf Alice

Our new album The Clearing out now

https://wolfalice.os.fan/finsbury-park

Mt. Joy

These dreams are more than paper things,” sings Matt Quinn on Mt. Joy’s infectious folk-rocker “Astrovan,” a warm, yearning bit of road-trip philosophy that posits the existence of a Deadhead Jesus cruising the dusty highways of the countryside, nursing a roach on his way to only He knows where. It’s an auspicious line from a band predicated on the revival of teenage dreams.

Mt. Joy started off as a rekindling of shared musical ambitions between Philadelphia high school friends Matt Quinn (vocals, guitar) and Sam Cooper (guitar). Reunited in Los Angeles thanks to the ebbs and flows of adult life, the pair met multi-instrumentalist Michael Byrnes through a Craigslist ad. They named themselves Mt. Joy as an ode to a mountain in Valley Forge National Park near Sam’s childhood home, and together, with Byrnes’ roommate Caleb Nelson producing, they recorded three songs and sent them out into the world, hoping for the best. “I knew I still wanted to write songs, but the realities of life made that dream seem pretty impossible,” Quinn says.

Much to the band’s amazement, “Astrovan” accomplished the impossible. Without initial promotion or fanfare, the song took off on Spotify, racking up 5 million streams to date. “The irony of ‘Astrovan’ was that song was really about being stuck in a life and wanting to have the opportunity to pursue a dream, and in an instant it gave us that opportunity. ” Quinn says. Mt. Joy quickly transitioned from a part-time calling into a full-fledged band rounded out by Byrnes on bass, Sotiris Eliopoulos on drums and Jackie Miclau on keyboard.

Come 2017, Mt. Joy hit the road, and hit it hard: They played tour dates alongside the likes of The Shins, The Head and The Heart, The Lone Bellow, and Whitney, and popped up at some of the summer’s biggest festivals, including Bonnaroo, Newport Folk Festival, Lollapalooza and Made In America. “We were put on some big shows very quickly,” Quinn says. “The growth for us has been exponential - we’ve really just become a family that’s constantly pushing each other and the live show to be great.” They eventually caught the attention of Dualtone Records and began work on their debut album.

Steeped in folk-rock tradition and powered by the intuitive creative connection between Quinn and Cooper, the songs on ‘Mt. Joy’ depict Quinn wrestling with his own conscience, where the mundane and the fantastic collide as he processes tragedy, society, and love. Opener “I’m Your Wreck” describes “monsters in (the) closet, using up the wi-fi” as it cycles from its desperate, spiraling verses to its swinging, stubbornly optimistic coda, while the loping, plaintive chords of “Younger Days” meditate on a frayed psyche and the fear of choosing the wrong path. “Sheep,” with its collapsing, hoarse-voiced cry of “freedom was paid in blood,” is a post-Trump salvo on the responsibilities of the fortunate to overcome political and social despondency. And on “Silver Lining,” perhaps the album’s brightest moment, Quinn surveys the damage of hard drugs and the vicious cycle of addiction, as the song’s melancholic sentiment kicks into its fervid, defiant chorus, all shout-along vocals and trilling guitars.

Taken together, the self titled ‘Mt. Joy’ LP is a startlingly open document, wracked with the anxieties and fears that come just as life seems to start working out. It’s a natural reaction from a wary band like Mt. Joy - the result of a sort of professional vertigo, as they’ve gone from virtual unknowns to hot young commodity in little over a year. But there’s a sense of hope underlying everything, girded by the fact that the Mt. Joy LP is an impressive, honest portrayal of a young band facing that moment where dreams become reality, and finding beauty in the exhilarating uncertainty of it all.

J.I.D

This Is The Official Artist Page Of J.I.D From The Spillage Village Collective

Wet Leg

International pop star. Writer of songs. Fearer of bugs. Girlboss of the Very Sexy CMAT Band. Once, twice, three times a loser at 2024’s BRITs, Mercury Music Prize and Ivors. Soon to release a new album, EURO-COUNTRY, which will rectify these errors.

Little Simz

Buy/listen to my new album 'Sometimes I Might Be Introvert': https://littlesimz.ffm.to/simbi

sombr

late nights and young romance. instagram: @sombr

Subtronics

Hedex has become a flagbearer for a new generation of hi-energy, jump up drum & bass
that has captured the imagination of dancefloors all over the world over the last two
years.
Riding high o@ the back of his recent UK Top 20 single 'Liquor and Cigarettes' alongside
drum & bass kingpins Chase & Status and ArrDee, and a heavyweight collaboration
'Lowkey' with multi-Platinum selling, BRIT-nominated rapper, Tion Wayne, Hedex joins
the mighty Tiesto for his new mega collab.
Recent highlights include a landmark, sold-out show at OVO Arena Wembley on January
27, numerous tours sold out across the globe and a buddening new label 'MHITR' in the
works, this really is just the start for the young DNB kingpin.

Bob Moses

"Howie and Vallance are worthy of attention for how they fuse house with genuine singing and songwriting talent, as well as a live aesthetic that comes through clear and cohesively" - Ibiza Voice

"Hankering for some moody, post-club music that doesn't totally expunge the fire within? Bob Moses might just be your men." - Resident Advisor

"Vancouver deep house duo Bob Moses are giving us all a glimpse into the future" - DJ Mag Canada

Canadian grown (legally), New York formed duo Jimmy Vallance and Tom Howie are one of the latest acts to release on the boutique label Scissor and Thread. Although only cordially discussing music and life in the same high school art class in Vancouver BC, it wasn't until several years later that they bumped into each other at a Lowe's parking lot and teamed up to make the act now known as Bob Moses.

Music that will make you want to build a highway through a low income neighbourhood.

www.twitter.com/bobmosesmusic

www.soundcloud.com/the-bob-moses

www.youtube.com/bobmosesmusic

Viagra Boys

Street blues Contact: info@year0001.com

Wolf Parade

Amelie Lens

Amelie Lens has taken the techno scene to another level, with her unrelenting passion for the genre, with a strong message that she always was, and always will be a raver at heart.

SG Lewis

SG Lewis has cemented his status as one of musics' most sought after producers and has collaborated with the likes of Elton John, Clairo, Khalid, Aluna, Victoria Monet, Raye, Ray BLK, The Neptunes/N.E.R.D’s Chad Hugo, Gerd Janson, Conducta + many more. Louis Vuitton also launched their pre-Fall campaign with Soulwax’s remix of ‘Impact’ earlier this year and Sam is well regarded in fashion circles, attending and performing an array of parties across his illustrious career. Behind the scenes, he also produced Dave’s seminal breakout track ‘100M’s’ and co-wrote ‘Hallucinate’ for Dua Lipa’s record-smashing number one album, Future Nostalgia. Sam has sold out headline shows across the US, Asia, Australia and Europe as well as multiple festival appearances including prime-time slots at Coachella and Glastonbury - his raucous live shows not only make him one of London’s hottest talents, but also a formidable artist capable of making a splash on both sides of the Atlantic and beyond.

Clipse

Spacey Jane

It’s all just f****g noise

Yoasobi

Paris Paloma

Paris Paloma is a 23 year old singer-songwriter from the U.K. Originally hailing from Ashbourne, Derbyshire, Paris Paloma channels the experience of womanhood into her songwriting, speaking to the female experience, and to the human experience at large, exploring themes of grief, love, death, and power. Her songwriting reads like poetry, drawing inspiration from figures throughout mythology, art history and the Romantics. Ranging from the tender and heartbreaking to the sublimely aggressive and vengeful, her ethereal sound takes influences from dark pop, folk, and indie genres; creating a magical discography that evokes something primal, powerful, and innately feminine.

Max McNown

Singer-songwriter from Bend, OR.

Amber Mark

Aj Tracey

Performer and recording artist from West London. Member of MTP.

Popof

Billie Marten

Billie Marten is really clever and has incredibly soft yellow hair and green eyes. She has spindly hands that are good at picking things, pointing at things, stroking things and playing really nice guitar.

Also she likes really delicious satisfying treats and reads good books.

She's made a profoundly cool, catchy, emotionally intelligent new album and you'd be a fool not to help her tell the world this masterclass of song-writing and production exists.

Kindest regards to all who listen,

Close friend (anon)

Valley

Geese

NYC

Wunderhorse

Wunderhorse have seen their popularity snowball the old fashioned way; winning fans over through visceral live performances and Jacob Slater’s vivid songwriting. 2024 saw ‘the arrival of a band that could become generational’ (Rolling Stone UK) with the release of their sophomore album, Midas. Recorded at Minnesota’s Pachyderm Studio (birthplace of Nirvana’s In Utero & PJ Harvey’s Rid Of Me) with producer Craig Silvey, Midas follows their acclaimed 2022 debut, Cub, and captures the visceral atmosphere of the band’s lauded live performances. Following a year supporting the likes of Fontaines D.C and Sam Fender, 2025 sees the band touring North America ahead of playing their biggest headline shows to date, and their first European headline tour. Wunderhorse are a band who have quickly become one of British guitar music’s most exciting outfits.

Brutalismus 3000

RA: Resident Advisor

SOFIA ISELLA

Hate People Who Hate People.

Kingfishr

Are ye still at the music? 👵🏻

Oklou

Contained in Ninajirachi’s music is all the beauty, mystery, and danger of the natural world. The 23-year-old Central Coast-raised dance producer makes bristling electronic pop and club music that’s glassy, uncanny, and totally enthralling; like stalactites or spiderwebs, each of her songs is structurally impossible but spectacular to behold. A restless innovator and a renowned collaborator, she’s spent her teenage summers making adored, festival-ready pop from the avant-garde fringes, becoming an in-demand producer and one of the first landmark names of Australia’s burgeoning hyperpop scene. But even as her productions have shifted form and context, from the maximalist experimentation of her debut single “Pure Luck”, with Freya Staer, through to last year’s sprawling and intricate Second Nature Mixtape, Ninajirachi’s vision has remained remarkably consistent, each increasingly sophisticated track a new microcosm of organic fantasy to step into.

Born Nina Wilson, Ninajirachi first started making music before she had even left primary school, absorbing myriad influences — namely her piano classes and the maximalist dance-pop of Lady Gaga and Ke$ha — and channelling them into rudimentary Garageband sessions that led to an instant interest in production. At high school, Wilson discovered electronic and dance music, first stumbling across a Madeon song in the background of a YouTube tie-dye tutorial. In contrast to school, where few friends shared her decidedly niche interests, the internet — and, specifically, the internet electronic music communities she found herself in — provided a unique space where Wilson could be herself and celebrate her interests. Spurred on by a Porter Robinson fan community she was active in, Wilson began producing her own electronic music, taking inspiration from avant-garde electronic luminaries like Mura Masa, Flume, SOPHIE, and Robinson himself.

Once she started producing her own songs and remixes, Wilson began uploading them to SoundCloud and YouTube, and when she felt they were good enough, put them on triple j Unearthed, where she ended up as an Unearthed High finalist two years running. Wilson followed up the release of “Pure Luck”, and her success on Unearthed, with a string of gossamer, sugary singles released on NLV Records: tracks like “Lapland”, and its namesake EP, that combine the ambient rave aesthetics of Drain Gang with attention-grabbing, post-Y2K touchpoints, as well as remixes for everyone from Flight Facilities to Deadmau5. Between working on music, Ninajirachi established herself as a must-see artist, performing at Spilt Milk, Beyond The Valley, Listen Out, Splendour, Groovin’ The Moo, FOMO, and Falls Festival, and touring with Mallrat, Charli XCX, What So Not, and, in a perfect twist of fate, her production idol Cashmere Cat.

In 2020, despite the chaos occurring throughout the world, Ninajirachi thrived, releasing both the Blumiere EP and releasing the acclaimed True North (Deluxe) — one of The Atlantic’s top 10 albums of 2021 — and selling out Oxford Art Factory with Kota Banks. As other musicians struggled to adapt to existing solely online, Ninajirachi had a leg up, having spent much of her life in virtual worlds already. Throughout the pandemic, Ninajirachi performed at all of the international hyperpop scene’s most epochal events, including Club Immaterial, Nocturne, and Club Quarantine, as well as livestreams for Brownies and Lemonade and RL Grime’s Sable Valley — for whom she also released singles “Dracodraco” and “Stoneteller”. Known for her work on electronic music’s cutting edge, Ninajirachi has also worked with iconic brands like Ableton, Logitech and the
Over the course of 2022, Ninajirachi made good on the “One To Watch” promise made by Billboard Dance with the release of her debut full-length project, “Second Nature”. Led by the infectious “Start Small”, “Second Nature” captures a darker, more variegated side of her production, and which brings her songwriting and lyricism to the fore. A set of glassy electronic pop and club songs that are transporative and bracingly real, Second Nature was quickly identified as a turning point in her career, culminating with her covering NME Magazine’s December issue, and EDM.com naming her as one of the Top Producers of 2022.

Trixie Mattel

Trixie Mattel. Ages 3 and up. Accessories sold separately. Batteries not included.

ODD MOB

For Australian producer and DJ, Odd Mob, there are no limits in sight as he goes from strength to strength with every innovative production. Developing a flair for identifying unique sounds, he has become known for his ability to diversify across genres, emphasising the unconventional. Spending years meticulously honing his craft, Odd Mob has firmly planted himself at the forefront of the global electronic music’s future.

Odd Mob broke through with the ubiquitous 2014 track ‘Is It A Banger’, a track that resonated with Australian listeners, charting in triple j’s ‘Hottest 100’ and has since amassed over 8 million streams across platforms. The boundary-pushing producer showed no signs of slowing down, subsequently releasing tracks ‘Intrinsic’, ‘Lithium’, ‘LEFT TO RIGHT’, ‘Give You’ as well a slew of collaborations with LA producer on OMNOM on ‘Losing Control’, ‘Mind Awake, Body Asleep’ and most recently ‘All Day, All Night’ which saw Odd Mob surpass well over 50 million streams across platforms.

On top of a busy release schedule, the last 12 months saw Odd Mob craft official remixes for the likes of Dom Dolla, Hayden James, Martin Solveig, Jax Jones & D.O.D. From remakes, vocal tracks, remixes, and right through to his original productions he is non-stop flexing his production prowess. With a genre-defying catalogue of songs, he has given back to his audience fashioning bootlegs under his Oddities brand, which have amassed millions of plays. Constantly pushing boundaries has earnt Odd Mob the support of industry heavyweights including the likes of Diplo, Fisher, Calvin Harris, John Summit, Oliver Heldens, David Guetta, Eats Everything, Fatboy Slim, Sofi Tukker, Tiesto, and Disclosure.

Odd Mob’s 2022 single ‘LEFT TO RIGHT’ launched him into the spotlight with a slew of AAA tastemaker support from the likes of Skrillex, Fred Again.., Dom Dolla, Disclosure, Diplo, Chris Lake, Tiesha, Salute, ACRAZE, and John Summit, to name a few, all showcasing this record in their sets throughout 2022 and 2023. ‘LEFT TO RIGHT’ is based around portions of the Soulja Boy cult classic ‘Crank That’ which had the blessing and sign off from Soulja Boy himself.

Ending 2023 on a high, after a huge run of touring with performances at EDC, Coachella, Hard Summer, Shambhala, Sunset Music Festival and an official support at BMO for John Summit’s headline event, Odd Mob dropped club hit ‘Losing Control’ on John Summit’s Experts Only imprint. By far his biggest moment yet, Odd Mob skyrocketed to the top of the Beatport charts in the first few days of release and clocked a whopping 1.5 million streams in the first two weeks of release across all platforms. Not stopping there, Odd Mob was also named 42nd in the 2023 ‘1001 Tracklist Top 100 Producer’s of The Year’.

2024 will see Odd Mob continue on his rapid trajectory to the top with a slew of North American back to back tours throughout March, May, June, August and October, his first ever European tour playing at the likes of Tomorrowland, Parookaville and Elrow @ Amnesia (Ibiza), with more to be announced shortly.

MICO

my mom thinks i'm cool

Avenoir

Amble

Amble are Robbie Cunningham, Oisin McCaffrey and Ross Mc Nerney, a 3-piece ensemble of songwriters hailing from the Midlands and West of Ireland.

If Amble’s debut EP, 2023’s “Amble (Live)”, introduced a new, musing, trad-tinged trio of songwriters to the Irish music scene, 2024’s highly distinctive “Of Land and Sea” finds the group expanding their sound to an ever-more global audience.

The unique perspective of three individual songwriters creates a peerless body of work - built on the now familiar, ruminative observations on the world and more fitting to the Amble journey - the stories unfolding each day within it.

it's murph

The power of music is multi-sensory, and it’s murph wants his music to do more than just catch your attention. With each note, it’s murph aims to unlock something within the listener, whether it's an emotion, a memory, or an experience; the listener is welcomed to immerse themself into his music.

Hailing from Nashville, it’s murph, alias of producer Garrett Murphy, is making a splash in the dance world with his euphoric melodies, gritty baselines and sonically expansive atmospheres. His production draws in elements of tech, bass, and heavy dance inspired by artists such as Fred Again…, Cloonee, Chris Lake and Flume.

In February, it’s murph released his debut solo single “Food For The Soul.” The track garnered over 4 million streams in a month, landing on editorial playlist such as Spotify’s mint, big on the internet, Housewerk etc. Alongside the track murph created a viral social media moment, landing “Food For The Soul” in the Viral 50 US chart.

Growing up in a musical household, it’s murph was exposed to various types of music from a young age, taking piano lessons and singing in school choir. In high school, he was exposed to electronic music at a Porter Robinson concert where he fell in love with the ambience that electronic music generated. Wanting to provide that same feeling for others while on stage, he began learning to produce as a sophomore in high school. Upon high school graduation, he moved to LA to attend the University of Southern California. it’s murph then fell in love with the never ending energetic groove of house music, making music with his friends in between classes, DJing parties and utilizing social media to share his tracks.

it’s murph is set to graduate USC in the spring of 2023 and continue building on the success of “Food For The Soul,” and his social channels. On TikTok alone, it’s murph has garnered millions of views by teasing his music and sharing live clips, including b2b sets with Dombresky, Noizu, and Dr. Fresch.

it’s murph is just getting started.

Ecca Vandal

Ecca Vandal is a high octane, genre-defying performer from Melbourne, utilizing her punk rock routes to produce music that sounds like nothing else you’re hearing right now.

Bar Italia

Vandelux

Vandelux spins a kaleidoscope of emotions into a myriad of sounds, refracting happiness, sadness, confusion, and clarity through a prism of pulsating beats, glistening keys, and iridescent melodies.

The Vancouver-born vocalist, multi-instrumentalist, and producer a.k.a. Evan White utilizes music as a means to convey feeling and truth. As such, his songs effectively draw his innermost thoughts into the light. After gathering hundreds of millions of streams and performing to packed crowds worldwide, this emotionality underscores the artistry of his second full-length offering, Closer [Mom + Pop Music].

Kettama

For the past few years, KETTAMA is a name that has continued to burn hot on the tips of tongues.

Real name Evan Campbell, the Galway born, London based artist has spent the best part of the last decade bringing the sounds of his native ‘G-Town’ to the world, embarking on a seemingly ever-evolving, never-ending sonic pilgrimage in the process.

From his humble roots in the Irish electronic underground scene, to spreading his wings in the UK and across Europe, KETTAMA now undertakes an unrelenting worldwide touring schedule, most recently with a standout tour across North America, Canada and South America.

With performances at Coachella, Glastonbury, Kappa Futur, Creamfields, Arc Festival, Portola, to name a few, this year is shaping up to be his biggest yet. Currently halfway through an Ibiza residency at the iconic Amnesia nightclub, KETTAMA also hosted a solo Boiler Room show in London which drew over 15000 sign ups, and has just announced his biggest London show to date, at the legendary 02 Academy in Brixton on 4th October.

Two years on from landing his Fallen Angel EP, KETTAMA now presents what could be his magnum opus, with his Archangel debut album set to land on Steel City Dance Discs on Friday October 3. Having already released a number of standout singles from the forthcoming record; ‘Yosemite’ with Interplanetary Criminal, ‘It Gets Better’ (Forever Mix), ‘Air Maxes’ with Fred Again.. And Shady Nasty and most recently ‘If U Want My Heart’ ft. KLP with DJ Heartstring, Archangel is primed to be a serious milestone moment in KETTAMA’s unrelenting career.

KETTAMA ARCHANGEL 03/10/2025

Not for Radio

horsegiirL

Hi I'm Stella. Welcome to my Resident Advisor profil.

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