Midgardsblot Festival Pass 2026
Midgard Vikingsenter, , 3184 Horten Kort
lau. 15.08.2026 00:00
Midgardsblot Festival 2026 at Midgard Vikingsenter at 2026-08-12T14:00:00+0200
Flytjendur
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Einherjer
WHO DO WE THINK WE ARE? We were there when Norwegian extreme metal grew forth and took shape as an enormous cultural export. We played far and wide. At home and abroad. We were part of something new. Something special and innovative. We were there and swung the hammer when Viking metal was forged as a unique expression that later inspired countless bands, worldwide. Now the horns of war sound again... Our Norse heritage is a phenomenon that reaches far beyond what one can hear alone. It is an amalgamation of the mystique and sagas of old, of songs and poems, of woodcutting and sword grinding and the vikings merciless way of life. It’s a cultural patchwork that fills the consciousness with the brutal majesty of the Nordic nature, the elemental strain, of mighty longships plowing the black seas to reach unknown shores. The wisdom of the gods and their Valhalla. Of cultural encounters and trade. Of violence and brutality. Of tough men in a tough time. Our hometown Haugesund also rings with historic sound, and from our own shores on the west coast of Norway the influence of the vikings stretched towards the sea and the world beyond. The adventurers, pioneers, poets and craftsmen have inspired Einherjer to go their own way. The vikings courage and boldness have inspired us to never compromise our vision: A vision that is a unique, self-made, original and modern interpretation of our mighty Nordic heritage.
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VreidNorwegian Black'n Roll!
Listen, pre-order & more: https://linktr.ee/vreidnews
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Gehenna
There are three bands named Gehenna. The first Gehenna (Norway) was formed in January 1993 as a nameless project by Sanrabb, Dolgar and Sir Vereda. They didn't give the band a name until they had enough material which would represent their voice. In May of the same year, the trio entered the studio to record a Demo. Sanrabb and Dolgar shared the duty of guitars, vocals, bass and synth, while Sir Vereda took his seat behind the drum set. The demo was recorded between the 3rd and 7th of June 1993 in Soundsuite Studios. It was released under The name "Black Seared Heart" as a tape limited to 100 copies. After several years of inactivity, the band returned with WW in 2005, heralding a much welcomed return to their black metal roots. The following is a far more accurate biography taken from allmusic.com: According to some gospels, when Jesus Christ referred to Hell, he often used the word Gehenna, which was actually the name of Jerusalem's garbage dump -- where fires were constantly kept burning to cope with the city's refuse. Fast forward roughly 2,000 years and the name was adopted by one of Norway's most influential black metal bands, which formed in the town of Stavanger, in January 1993, in the wake of local forefathers Mayhem's ascendance, and integrated a now heralded generation also including such contemporaries as Emperor, Enslaved, Darkthrone, and Ulver. Initially comprising vocalist/guitarist Sanrabb, guitarist/bassist Dolgar (real name Steffen Simenstad), and drummer Sir Vereda, the initially nameless project that would become Gehenna recorded a pair of demos, Black Seared Heart and Ancestors of the Darkly Sky, in their first year, before earning their Scandinavian black metal stripes in dubious fashion when the drummer joined several other more prominent scene members behind bars. Even so, by the following year, Sanrabb and Dolgar had drafted bassist Svartalv, keyboardist Sarcana, and drummer Dirge Rep (aka Per Husebø), played their first local shows, and recorded a debut mini-album entitled First Spell for Head Not Found Records. Still widely regarded to be their definitive work, First Spell showcased a unique style of black metal, both somber and melodic in nature, and earned the group a new recording contract with Cacophonous Records, which also released subsequent efforts Seen Through the Veils of Darkness (1995) and Malice (1996) to serious acclaim in the underground metal world. But Gehenna almost came to a grinding halt in 1997, when internal tensions led to Svartalv's departure to found thrash band Nocturnal Breed, Dirge Rep's defection to Enslaved, and Sarcana's retirement from the scene. Sanrabb and Dolgar would re-emerge the following year with a new album entitled Adimiron Black for Moonfog Productions, and new members E.N. Death (bass), Blod (drums), and Damien (keyboards), but the latter would soon be dismissed due to Gehenna's distinctly more aggressive sound. In fact, by the release of 2000's Murder, Gehenna had reinvented themselves as a death metal band, leaving many observers puzzled. Come 2005's WW, they'd once again returned to their haunting black metal roots, but time has yet to tell whether their fans returned to it with them. The other Gehenna is a nihilistic metallic hardcore band from San Diego, CA. / Reno, NV. one of hardcore's most notorious and vicious bands, thats have released records on CrimethInc, Crawlspace and Area 51. Third band is Progressive Heavy Metal band from Mexico.Back in 1987 this band released one LP called "EN BUSCA DEL VALLE DE GEHENNA" Also note, there is a Swedish Metal band called Gehennah. They play an old style of Thrash. Note; they spell their name with an "h" on the end.
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SkáldA new and exciting group of poets reading poems from a collaborative workshop.
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Turbonegro
Hailing from Oslo, Norway, the wildly eccentric ‘death punk’ act, Turbonegro, have been terrorising audiences with their hedonistic live show since starting in 1989, blending their eclectic influences such as Black Flag, KISS, David Bowie, The Stooges and Circle Jerks to create their unique style.
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Nemuer
🐺 Dark Pagan Music from Prague
🔥 13.12. Pagan Nights (Prague)
𓂀 Ancient gods still speak to us. You just have to listen.
𓋹 Booking: michael@nemuer.com
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VenomVENOM "Vigilantes" (Dj Premier Remix) Out now! Twitter : https://www.twitter.com/VENOM_vigilante Marvel Records : www.marvelrecords.com -
Sólstafir
SÓLSTAFIR are different. Their unique blend of metal with beautiful melodies, psychedelic moments and a strong undercurrent of classic / hard rock comes as varied and at times appealingly bizarre as the landscapes of their native Iceland. Their fifth full-length "Ótta" is the logical continuation of the musical course this four-piece adopted on the highly acclaimed forerunner "Svartir Sandar" (2011). Expect the unexpected, such as seduction by subtle strings or a hypnotic banjo. None of this was apparent when SÓLSTAFIR released their album debut "Í Blóði og Anda", which translates as 'In Blood and Spirit' in 2002. Instead of today's Icelandic gravel throated siren chants, frontman Aðalbjörn Tryggvason spit forth vitriolic crust-like vocals and the ripping guitars were clearly black metal inspired. Yet the band was as clearly identifiable back then as now and along their way with the next albums "Masterpiece of Bitterness" (2005) and "Köld" (2009) introducing new elements in a continuous evolution. SÓLSTAFIR's music is as much the product of Arctic blizzards as of red hot volcanic magma, erupting geysers, lush green pastures, and salty waves. With "Ótta" the Icelanders touch something ancient and timeless, while defying easy categorisation. This album needs to be heard again and again to peel back layers of details, each different and yet always revealing the same: great songs – all of them. The song titles of "Ótta" form a concept based on an old Icelandic system of time keeping similar to the monastic hours called "Eykt" ("eight"). The 24 hour day was divided into 8 parts of 3 hours each. The album starts at midnight, the beginning of "Lágnætti" ("low night"), continues through each Eyktir of the day and ends with "Náttmál" ("nighttime") from 21:00 to 0:00. This form of time keeping is more open than the relentless ticking of modern times, where each second is made to count, which turns humanity into cocks of the corporate clockwork. Now SÓLSTAFIR give you the antidote. Just lean back, close your eyes, take your time and lose yourself in this masterpiece called "Ótta"!
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Wolves In the Throne Room
Nearly two decades into their journey as masters of US Black Metal, Wolves In The Throne
Room have emerged from the forest with PRIMORDIAL ARCANA. Their most majestic
album to date.
While the proverbial blaze in the northern sky remains the band’s artistic palette of choice,
Primordial Arcana expands upon black metal to include musical forms that pre-date the
genre’s devastating second wave. “After we discovered Metallica and Slayer in our early
teens, the first extreme metal bands we were into were Deicide and Morbid Angel,” Aaron
explains. “So death metal was there from the very beginning, and I think it especially comes
to the fore on this record.”
It’s all more evidence that Wolves In The Throne Room are a band with few
contemporaries. “We have a singular and unique voice in the extreme metal world,” Aaron
says. “We’re coming from an unapologetically real and personal perspective, and we haven't
made any concessions to what's expected of us. We’ve always done things exactly the way
we want to do it and in a super DIY way.”
That methodology has reached a new peak with Primordial Arcana. “We’ve gotten even
deeper into the DIY aspect by building our own recording studio from the ground up, and
producing and mixing the record ourselves,” Aaron points out. “And now we’re making our
own videos within the local wilderness. So we’ve been able to keep all of the creative
control between the three of us while raising the bar creatively. As we become more insular
and rely on ourselves more, the art gets better and sharper—a more perfect representation
of what the band is all about.”
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NYTT LANDNytt Land is a ritual shamanic duo from the sacred land of Siberia
Breath, rhythm, silence.
Siberia as a living source.
Music as a trace of the rite.
Booking / Management contact: nyttlandband@gmail.com / Anatoly
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Koldbrann
NEW ALBUM OUT NOW! INGEN SKÅNSEL! Booking: info@district-19.com
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Mira CetiChant, performance