Soccer Mommy x Snail Mail
The Sylvee, 25 S. Livingston Street, 53703 Madison Kort
fös. 09.10.2026 19:00
Doors at 6:00 pm | Show at 7:00 pm CASHLESS VENUE - The Sylvee services all credit and debit payments only. No cash accepted. Bags (max size 12" x 6" x 12") are allowed and will be searched upon entry. Exceptions will be made for necessary medical equipment and bags for nursing mothers. We encourage you to pack light with only the necessities to make the entry process as smooth as possible. All General Admission Tickets are good for the standing General Admission Floor and GA Balcony areas on a first come first serve basis. Accessible Seating: Accessible seating is available online through Ticketmaster by filtering on the ADA Icon and selecting the Accessible Seats, or in person at The Sylvee Box Office during business hours. For additional information call 608-709-8157.
Flytjendur
-
Soccer Mommy
New album 'Evergreen' out October 25 💚
lnk.soccermommyband.com/Evergreen
-
Snail Mail
On ‘Ricochet,’ the third album from Snail Mail coming March 27th 2026, Lindsey
Jordan returns to assert herself as a generational songwriter, clear-eyed and
honest as ever. Time has passed, but she remains a sensitive soul, and here her
incisive introspection is tethered to newly expansive and hypnotic melodies and
ornate string arrangements. While writing ‘Ricochet,’ Jordan found herself
fixating on concerns she’d previously pushed out of her mind, namely death and
what happens after.
Jordan’s early music largely dealt with matters of the heart, a territory that she
tried to step beyond on ‘Ricochet.’ “Misery feels safe to write about because I am
good at it,” she says, “but I’m not bathing in my own agony anymore.” To feel the
pain of everything and then nothing is a lonesome contradiction. ‘Ricochet’ is a
record about being caught in this whirlpool, but Jordan’s music has never been
so transcendent. The luminous opener, “Tractor Beam,” is driven by jangly
guitars, but is ultimately about dissociation and “feeling othered while
acknowledging that you’re spending a lot of your time and energy figuring out
how to float away.”
When it came time to record the songs bouncing around in her head, Jordan
turned to a friend, Aron Kobayashi Ritch, the bassist and producer of the fuzzy
indie rock band Momma. Jordan describes the process as refreshing, trusting,
and comfortable. “I felt like an equal voice,” she says. “He was as interested in
my decisions as I was in his.”
These 11 songs are colored by the anxiety of watching life slip through your
fingers, as well as the vulnerability of loving deeply rather than frenetically.
Ultimately, ‘Ricochet’ is an album about realizing—and accepting—that the world
still turns no matter what is going on in your tiny life.
-
Brennan WedlBrennan Wedl documents those dizzying years spent in the world of ‘twenty-something’. Her radically unvarnished accounts detail an expansive universe that interweaves the everyday with scenes that might include catholic church camps, queer awakenings, one-night stands, or collapsed ‘forever’ relationships. The result? An eminently relatable catalog of moments when profound realizations arrive unexpectedly. While she has been steadily releasing poignant dispatches as a solo artist since 2016, in 2024 she takes a striking step forward with a new series of singles that will be released via Kill Rock Stars. These recordings capture Wedl at her most unbounded and creatively impulsive; delivering sweetly lilting country one minute, and crashing rock the next, ringing out with jangling brightness at times and introspective in hushed acoustic guitar picking elsewhere. Wedl’s knack for encapsulating the moment has been apparent since co-founding the elusive queercore Boston band Dazey & The Scouts in 2017.
