Lorde @ Olympiahalle München
Olympiahalle, Spiridon-Louis-Ring 21, 80809 München Kort
mán. 31.08.2026 18:00
Lorde, Audrey Hobert, and Lykke Li at Olympiahalle München at 2026-08-31T18:00:00+0200
Flytjendur
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LordeFew artists can capture the essence of an entire generation like Lorde. Since her breakthrough at just sixteen with the minimalist anthem Royals, the New Zealand singer-songwriter has redefined the sound of modern pop—intimate yet grand, poetic yet grounded in raw emotion. With her distinctive voice and profound lyrics, Lorde has built her own world where introspection and power go hand in hand. From the moody sophistication of Pure Heroine to the pulsating energy and self-discovery of Melodrama to the sun-drenched introspection of Solar Power, Ella Yelich-O'Connor's music is constantly evolving – each album represents a new chapter not only in her artistic career, but also in the emotional lives of her listeners. She writes like a novelist, creating vivid scenes and penetrating truths about youth, fame, loneliness, and joy. Now her career, including live performances, has entered a new phase defined by her latest album, Virgin. Her live performances are literally transformative. Whether she commands the stage in complete silence or leads a euphoric sing-along, Lorde creates an atmosphere that resonates emotionally. At Colours of Ostrava, Lorde will bring her unmistakable energy, a voice that moves between fragility and fire, and a repertoire of songs that have shaped a decade of pop culture. Expect moments of pure joy with the anthems What Was That and Green Light, as well as electrifying emotions with the ballads Liabitlity and Man Of The Year.
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Lykke LiInternationally acclaimed artist Lykke Li has spent nearly two decades shaping a singular lane in pop: one defined by emotional extremity, melodic precision, and a fearless intimacy that has made her one of modern music’s most enduring voices. Since breaking out with her debut Youth Novels (2008) and achieving mainstream success with “I Follow Rivers,” Li has cemented her reputation across the critically beloved Wounded Rhymes (2011), I Never Learn (2014), So Sad So Sexy (2018), and the immersive audiovisual album EYEEYE (2022), continually returning to the fault line between love and heartbreak, destruction and creation. Her new album, THE AFTERPARTY, marks a bold reinvention. Writing from streetwise insight rather than romantic fantasy, Li stages a confrontation with mortality, hedonism, and impermanence—soundtracked by disco-glowing strings, gospel brightness, and Balearic warmth, even as the lyrics fixate on loss, futility, and the search for meaning. At just 24 minutes, the album is exacting and unsparing, what Li calls her “existential era”: a study of shame, survival, and joy held together by sheer will. Written in Los Angeles and recorded in Stockholm with a 17-piece string section, multiple drummers, and numerous singers, THE AFTERPARTY is both her most triumphant and most despondent work to date: a dance record for the end of the world, and a radical new grammar of honesty in pop.