DON WEST

Soul music from Sydney, Australia.

twenty one pilots

Formed during the punk era of the 1970s while still in secondary school in Crawley, West Sussex, England, The Cure has been one of the most enduring bands of the last thirty years, even if that has come at the price of multiple line-up changes, with only original frontman Robert Smith remaining in the band. Shunning the anarchistic tendencies of many punk bands after their formation in 1976, The Cure's first release was Killing an Arab, based on material from French writer Albert Camus' "L'Etranger" (translated into English as The Stranger or The Outsider). This track courted controversy because of its theme (misinterpreted as racist, it was in fact, about the futility of killing any ethnicity), but it started to secure a small following, which grew following the release of debut album Three Imaginary Boys and non-LP single Boys Don't Cry in 1979, the latter of which would become one of The Cure's most famous songs.

Following this, The Cure moved from their punk leanings into the portentous post-punk territory, releasing three albums of doom-laden rock in three years, Seventeen Seconds, Faith and Pornography, the latter of which charted inside the UK top 10, though the band were repeatedly dogged by the "Second-class Joy Division" tag. The group's fifth album, following their third set of line-up changes, Japanese Whispers was, through their desire to escape the Joy Division description, a poppier effort, featuring danceable singles like Let's Go to Bed alongside pop songs like Love Cats. Following the commercial disappointment of follow-up album The Top in 1984, The Cure returned to form with 1985's The Head on the Door. Featuring the singles In Between Days and Close to Me, The Head on the Door was distant from the band's punk roots, having more in common with successful alternative bands like The Smiths and Echo & the Bunnymen than their gloomier roots.

Two years later, the eighth studio album Kiss Me, Kiss Me, Kiss Me was a more stadium-sized effort, though featuring audacious pop songs like Why Can't I Be You, it was seemingly caught between two styles. However, it was the band's ninth effort (following the departure of last surviving founder member other than Robert Smith, Lol Tolhurst), Disintegration, that would be their greatest success, both critically and commercially. Disintegration spawned hit singles like Lullaby (no.5 in the UK), Love Song (an impressive no. 2 in the USA), Pictures of You, and Fascination Street. The album itself was a culmination of The Cure's directions through the eighties, featuring the poppier side combined with the more tender aspects, as well as the gloomier facets.

Following this, a remix compilation named Mixed Up was released in 1990, featuring one new track, Never Enough, and two years later tenth studio album Wish surfaced, which was a hit mainly from the momentum gained by Disintegration, though it also featured their most famous pop song, Friday I'm In Love (no.6 in the UK and no.18 in the US). During the years following this, the band became distracted and discouraged by the lawsuit launched by former member Lol Tolhurst, who felt he had been deprived of royalties. As a result, the 1996 album Wild Mood Swings felt unfocused, and was a critical and commercial failure, though the single Mint Car was a moderate hit.

In 1997, the Cure released the compilation Galore, featuring new song Wrong Number. Three years later, at the release of original album Bloodflowers, Robert Smith announced it would be the last album for the band, the album itself being a return to the gloomier rock of Pornography and Faith. Resultantly, another hits compilation was released in 2001. However, in 2004, the band surprised all by returning with a self-titled album, their twelfth studio album, which was a surprise hit, reaching the US Top 10, its lead single - The End of the World - becoming a modest hit on Modern Rock radio, and receiving a relatively warm reception from the press.

In May 2005, Smith fired Roger O'Donnell and Perry Bamonte from the band, along with Bamonte's brother Daryl, who had been The Cure's tour manager for many years. The remaining members of the band (Robert Smith, Simon Gallup and Jason Cooper) made a few appearances as a trio before it was announced that Porl Thompson would be returning to The Cure.

Their thirteenth studio album was penciled in for the first quarter of 2007, but its release was postponed. They played one live concert in Miami (23 March 2007) at the unlikely dance-focussed Ultra Music Festival. Further concerts in 2007 followed in Australasia: Fuji Rock Festival, Japan (27 July); Hong Kong (30 July); Singapore (1 August) and a tour of Australia and New Zealand.

The Australasian concerts were the first in the region since the Dream Tour of 2000 in support of Bloodflowers. These 4Tour dates featured a heavier, guitar-based sound (with Roger O'Donnell's departure The Cure's signature delicate guitar/keyboard layering also vanished) and no new songs were included in the sets. However, fans were treated to close to three hours of pure, classic The Cure, the band playing a long string of hits and fan-favourites before ending their shows with thrashing encores which delved into their back catalogue to some of their earliest recordings such as, Fire in Cairo, Grinding Halt and Three Imaginary Boys.

An Autumn US tour was to follow but was eventually cancelled to enable the band to finish the recording and mixing of the new record. Despite the cancellation of the tour, four shows were played in October 2007, the last three in Mexico City. Here The Cure introduced a handful of new songs which displayed both the melodic/pop as well as the sombre/tender aspect of their songwriting.

In 2008, The Cure embarked on the next leg of the 4Tour, starting in Stockholm (9 Feb) and continuing through to London (20 Mar) before heading across the Atlantic to complete the previously cancelled tour of 2007. The European 4Tour saw the band deliver powerful shows lasting over three hours, none more exhilarating and charged than their superb performance at Vienna's small-sized, 3000-capacity Gasometer (23 Feb). In Paris, Bercy (12 March), The Cure returned to the stage for an amazing fourth encore, ending the 3 hour 30 mins show with their emotional classic, Faith. In London (20 Mar), The Cure were again in top form, performing for over 3 hours and offering a great set including brilliant versions of A Night Like This, From the Edge of the Deep Green Sea, Friday I'm In Love and Disintegration. Also notable was the magnificant, swirling guitar playing of Porl Thompson on the often over-looked Wrong Number and Never Enough, featuring a guitar-less and dancing Robert. The set included a large number of pop hits drawing a huge reaction from the crowd; amongst them: Hot Hot Hot !!!, The Lovecats, Close to Me and Why Can't I Be You?. New songs played were: The Only One (formerly known as Please Project), Freakshow and the emotional A Boy I Never Knew.

Finally, the 4Tour reached stateside in May/June 2008. The Cure again thrilled fans by playing epic yet energetic shows. Although the setlists on this leg of the tour followed a similar structure to those heard in Europe, the band also mixed in a few songs and encores that added a darker energy. To open and close the main set, the band occasionally played, Out of This World and Bloodflowers whilst The Holy Hour, Other Voices, Faith and the rarely-played Forever entered their set as part of The Cure's hour-long three-section encores. A further glimpse of their forthcoming album was heard via the inclusion of more new songs: Underneath The Stars, The Perfect Boy, Sleep When I'm Dead and Baby Rag Dog Book. In addition to the recording of the Paris, France show, both the Charlotte, N.C. and New York City, N.Y. (Madison Square Garden) concerts were filmed for a possible TV/DVD release.

In preparation for the release of their new album (believed to be titled) 'Dream 13', The Cure released 4 singles and a remix EP in 2008. Starting with the long-awaited release of The Only One/NY Trip on May 13, each single was released on the 13th of each month leading up to the October 13 release of the album. The artwork for the singles, The Only One, Freakshow/All Kinds of Stuff, Sleep When I'm Dead/Down Under, The Perfect Boy/Without you and Hypnagogic States EP (remixes of all 4 singles), was produced by Porl Thompson's 'Parched Art' and was reminiscent of the covers for, Primary, The Caterpillar, Lovesong, High, Friday I'm In Love, A Letter to Elise and the album Wish.

The Cure...

The Cure official website: www.thecure.com
Chain of Flowers fan website: http://ourworld.compuserve.com/homepages/ChainofFlowers

Reneé Rapp

Reneé Rapp knew she was born to perform ever since she was a child. Even in her earliest memories, her love of music was always present. "I couldn't sit still in the car unless there was music," she says. "Otherwise, I would cry the entire time." The North Carolina native began harnessing her natural creativity by writing and recording songs when she was just a teenager. Eventually, her career took off when she landed the coveted role of Regina George in the Tony-nominated Mean Girls musical on Broadway. Shortly after, she found widespread recognition and praise for her performance as Leighton on the HBO Max series "The Sex Lives of College Girls" written by Mindy Kaling. Now, more empowered than ever, Rapp now turns her attention back to music, where sharing threadbare insecurities on "Tattoos" is just the beginning. In this song and in the rest of her music to come Rapp leans into a uniquely bold showcase of vulnerability to connect with her ever growing fandom.

Våld

Zaho

VOILÀ

Luke Eisner and Gus Ross make up the duo, VOILÀ. Respectively from Wisconsin and London, the

Emmy-nominated pair self-produce, write, and perform their own songs. They released their third

album,“Glass Half Empty” last year and just released their FOURTH album “The Last Laugh” (Part I) this month with Part II coming this Fall. With over 500 million global streams (+ RIAA GOLD), the fully independent band’s commitment to a magically themed aesthetic has resulted in the creation of a loyal global community that call themselves “the magicians.”They are about to embark on their sold out headline tour and have landed support on radio and an array of major editorial playlists across every DSP as well as entering the Global Top 25 on Shazam.

Balu Brigada

‘The Question’ out now ⬇️✨

balubrigada.lnk.to/thequestion

Vladimir Cauchemar

Perceval

Supermodel

To Die For

Montreux

Charlotte Cardin

Born in Montreal and based in Paris for the past few years, Charlotte Cardin shines on the global stage thanks to her striking authenticity and emotional depth. Named Billboard’s Global Woman of the Year in 2025, the Canadian singer-songwriter has amassed hundreds of millions of streams worldwide, confirming her remarkable international reach. She has graced some of the world’s most renowned stages — from Bonnaroo to Festival d’Été de Québec to Les Vieilles Charrues — earning praise from major outlets such as Harper’s BAZAAR, W Magazine, TF1, and Le Parisien.

In late 2024, following a triumphant sold-out show at the Zénith de Paris and a standout performance on Star Academy, Charlotte was thrust into the spotlight with the single Feel Good. The song quickly became a true phenomenon, standing out as the most-played track on French radio and television. It sustained over three million weekly streams for several weeks and earned Platinum certification.

Released in 2023, Charlotte Cardin’s second album, 99 Nights, marked a major turning point in her career. The project brought her international visibility, with a billboard in Times Square, a dedicated Apple Music 1 radio show, a COLORS performance, and a debut at #9 on Spotify’s Global Debut Chart. In Canada, the album was widely acclaimed, earning JUNO Awards for Album of the Year and Pop Album of the Year.

Charlotte first broke through in 2021 with Phoenix, a critically acclaimed debut that garnered six JUNO Award nominations and four wins, including Album of the Year and Single of the Year for Meaningless. Certified Platinum in Canada, Phoenix made Charlotte the first Canadian artist to reach the top of the Canadian Billboard chart since Céline Dion in 2016.

Following the Big Boy EP and Main Girl EP, Cardin emerged as an international phenomenon with her 2021 debut Phoenix. At the 2022 JUNO Awards, the LP took home “Album of the Year” and “Pop Album of the Year,” while Meaningless garnered “Single of the Year” and she personally received “Artist of the Year.” Inciting unanimous tastemaker applause, HYPEBAE christened her “one of Canada’s brightest young talents.” Following sold-out headline dates and powerhouse turns at Bonnaroo and Festival d’Été de Québec, Cardin topped the bill at Osheaga in 2021, marking a momentous Montréal homecoming.

DON WEST

Flytjendur