Jamie Jones

Jamie Jones's career began as lead singer with All-4-One, best known for their #1 song on the Billboard for 11 weeks with "I Swear" in addition to other hits such as "I Can Love You Like That", "So Much In Love", "Beautiful As You" which propelled the group to multi-platinum status.

Jamie’s writing and production credits with his Emmy-, Grammy and Billboard nominated production team, The Heavyweights, includes The Disney Channel, Netflix, Nickelodeon, BET as well as a variety of musicians such as Wayne Brady, Lil’ Wayne, Tupac, Anastasia, K-pop artists, J-pop artists and more.

In 2004, Jones released his first solo album, Illuminate, followed by a self-titled neo-soul gospel album in 2006 that charted two singles: “Don’t Stop” and “Rise.”

In 2020, Jones collaborated remotely with his writing team and produced an EP titled Christmas at Home with Jamie Jones for release on his birthday, which fell on Thanksgiving Day that year. The EP features two original songs, “All I Want” featuring Pau and “Christmas Kiss” featuring Marissa Lauren, along with some of Jones’ favorite holiday classics: “Someday at Christmas,” “This Christmas,” and “Give Love on Christmas Day.”

In anticipation of his follow-up R&B/Soul EP, he has put out a single titled “Sunny.” While familiar to anyone who loves music as a song made famous by Marvin Gaye and many others, Jones shines his own light on this feel-good classic, freshening it up for a time in history where happiness and hope seemed to be in short supply. With a fullness of sound such as only The Heavyweights can bring, it became the perfect welcome for the summer of 2021.

Richie Hawtin

@KNTXTmusic label owner.
She plays music and loves food.
“La vida es una Charlotada”

Boys Noize

BOYS NOIZE(Alex Ridha) builds worlds, then builds bridges between them. Propelled by an infatuation with sonic invention, Ridha has developed a peerless sound that transcends all categories. Embraced by the underground and adored on the main stage, the nonconformist German-Iraqi artist, DJ, producer and subcultural oracle has forged a distinctive path through the world of electronic music, all on his own terms. Crisscrossing the globe with masterfully anarchic performances at major festivals like Coachella and Glastonbury, he still plays annually at techno mecca Berghain. Few other artists have achieved Ridha’s level of success while still maintaining such critical respect.The new decade kicked off with a bang for BOYS NOIZEwith a 2020 GRAMMY nomination for “Midnight Hour” alongside Skrillex and Ty Dolla $ignand a 2021 GRAMMY win forLady Gaga “Rain On Me ft. Ariana Grande”. Thesuccess builds on years of momentum,ranging from productions forFrank Ocean, A$AP Rocky, and Mark Ronson to collaborations with Bon Iver, Chance The Rapper, Snoop Dogg, Rico Nasty, Tommy Cash,and Francis and the Lights. Ridha’s multifaceted outputalso includes remixes for Daft Punk, Depeche Mode, Rammstein, N.E.R.D, and David Lynch, the soundtrack for Oliver Stone’s movie Snowden,and the first musical release from designerVirgil Abloh, accompanied by the OFF-WHITE x BOYS NOIZE’s MAYDAY clothing capsule collection. Whether composing and performing live as OCTAVE MINDS with piano maestro Chilly Gonzales, crafting club hits with Skrillex as DOG BLOOD, or DJing underhis house pseudonym ELAX, BOYS NOIZE is constantly developing new forms of expression, fueled by a creativity that knows no boundaries.

Franky Rizardo

Indira Paganotto

999999999

999999999 are an imposing and inescapable presence at the vanguard of the hard techno scene. In the studio and on stage, the immediacy of uncompromising machine music collides with the unpredictability of improvisation to create an

ever-shifting, forward-pushing energetic force.

Since the project started in 2016, the Italian duo have released a potent run of gnarly, precision-tooled 12”s on their own NineTimesNine label, most of which have been repressed multiple times in response to widespread demand. Elsewhere, their ‘300000003’ track (released on Planet Rhythm in 2018) was a breakout success, catching a viral wave, going through repress after repress and breaking their take on acid techno to a huge new audience. In 2020, they moved from a vinyl-only operation for their own productions to offering their music up digitally, and welcoming other artists into the fold.

But it’s as a live act 999999999 have truly carved out their reputation, presenting a hardware-only set with the impact and intensity to set alight the world’s largest techno events. Their rap sheet of past achievements is long and winding, taking in monolithic festivals and intense basements alike – every different strand of Awakenings, Fabric in London, Fabrik in Madrid, Crssd in San Diego, Fuse in Brussels, Sub Club in Glasgow, Kompass in Ghent, Possession (with Boiler Room) in Paris. They’ve completed tours across the Americas, in Asia, Australia and through every pulsing pocket of party energy in Europe.

Beyond their tours, 999999999 also take pride in hosting their own specially curated 9×9 Invites events across Europe, most notably in the much-missed Berlin techno mecca Griessmuehle where they welcomed respected artists such as Sunil Sharpe and Umwelt. They also enjoy taking control of the club for the entire night, for example doing the first 12-hour takeover of Khidi in Tbilisi in late 2019.

The secret to the success of the 999999999 project lies in its force of personality. Every thunderous kick, daggering synth stab and twisting acid line is fired off with a clear-sighted intention – everything is pitched to elicit the maximum physical and emotional response from the dancer. There’s no middle ground, just an emphatic tribute to the hard, dark, deep end of the night.

Sosa

Since SOSA unleashed ‘DFCW’ in 2019, he has steadily released track after track, making waves in the industry and earning consistent global play. Highlights include ‘Don't Mess With The 808’ on Solid Grooves RAW, the ‘Dance Lapse EP’ on Hot Creations, and ‘Bring It Back’ on Moxy, all of which have been staples in sets by some of the world’s top selectors.

In 2023, SOSA released the infectious ‘It’s Time To Move,’ which electrified crowds on some of the biggest stages around the world. He capped off the year by collaborating with Cloonee on the heavy-hitting club track ‘Weeping Willow,’ released on Hellbent Records.

The COCO label and event series also saw tremendous success in 2023, releasing tracks from talented producers like Prok & Fitch, and Discip, and hosting sold-out shows across the UK in major cities like Liverpool, Manchester, and Birmingham and London.

This year promises even more from COCO, starting with a sold-out show in Leeds in May, followed by the second COCO release of the year. SOSA’s highly anticipated track ‘Blow’ dropped on June 14th, delivering one of the most requested IDs in house music today. Keep an eye out for more headline and festival appearances by SOSA throughout the year, including big performances at Creamfields, Hard Summer, and Eastern Electrics, as well as key club sets at Ibiza’s finest venues like Hï and Amnesia.

Silvie Loto

Salome

Salomé (born June 21, 1943), born Maria Rosa Marco, is a Spanish Catalan singer.

Salomé was born in Barcelona, Catalonia, Spain. At the Eurovision Song Contest held in Madrid in 1969, she performed "Vivo Cantando", composed by Maria José Cerato with words by Aniano Alcalde. The song (along with the entries from Netherlands, United Kingdom, and France) shared first place that year.

Salomé recorded "Vivo Cantando" in 1969 for the Eurovision Song Contest in eight languages (Spanish, Catalan, Basque, French, German, Italian, English, and Serbo-Croat).

The B-side to "Vivo Cantando" was "Amigos, Amigos" which came in 2nd at the Spanish National Final in 1969.

Salomé appeared on TVE in May 2006, after the Eurovision Song Contest, to discuss the outcome with 1968 winner, Massiel, and a few other friends.

See also IMBD Page
http://www.imdb.com/name/nm0758930/

Yanamaste

Jamie Jones

Flytjendur