Deftones

https://linktr.ee/idlesband

Nick Cave & the Bad Seeds

Nick Cave & the Bad Seeds are one of the world’s most exciting, influential, innovative and compelling bands. Driven by a continuous creative evolution, their music displays a diverse, often contradictory range of styles. Across 18 studio albums, from 1984’s From Her to Eternity to 2024’s Wild God, they have consistently reinvented their sound, with Cave considering it as their “solemn duty to turn against what has gone before”.

As a live band Nick Cave & the Bad Seeds are one of most thrilling acts to ever take to the stage. With powerful live performances that resonate more deeply that any other show you will see, they are continually called upon to headline major European festivals, and tour extensively in Australia and North and South America.

Faye Webster

Faye Webster loves the feeling of a first take: writing a song, then heading to the studio with her band to track it live the very next day. When you listen to the 23-year-old Atlanta songwriter’s poised and plainspoken albums, you can hear why: she channels emotions that are so aching, they seem to be coming into existence at that very moment. Webster captures the spark before it has a chance to fade; she inks lyrics before they have a chance to seem fleeting. Her signature sound pairs close, whisper-quiet, home-recorded vocals with the unmistakable sound of musicians together in a room.

I Know I’m Funny haha is Webster’s most realized manifestation yet of this emotional and musical alchemy. Continuing to bloom from her 2019 breakthrough and Secretly Canadian debut Atlanta Millionaires Club, Webster’s sound draws as much from the lap-steel singer-songwriter pop of the 1970s and teardrop country tunes as it does from the audacious personalities of her city’s rap and R&B community, where she first found a home on Awful Records.

In the two years since Atlanta Millionaire Club, Webster’s profile has steadily risen—as she played festivals like Austin City Limits and Bonnaroo and found her way onto none other than Barack Obama’s 2020 year-end list—and she also fell in love. “This record is coming from a less lonely place,” Webster says of I Know I’m Funny haha, which finds her sound fuller, brighter, and more confident.

Maitre Gims

I Hate Models - DJ, Producer and owner of the Label Disco Inferno

In a scene choked by formulae, we need voices that cut through the noise to present something unapologetically true and devoutly non-conformist. In his singular path as an artist, I Hate Models swerves standardised structures and instead focuses on emotional response. The energy of club music serves as a vessel for his own feelings and a tool to manipulate others with. The spectrum of moods expressed – in his productions, DJ sets and on his label Disco Inferno – veers from nostalgia and passion to loneliness, melancholia and brutality, often juxtaposing darkness and light in the same pulse as an authentic conduit of his own artistic self-assessment. On his journey thus far, IHM has released music on labels ranging from Arts to Perc Trax, who carried his 2019 album L’Âge Des Métamorphoses. He’s also remixed Depeche Mode. At every turn, his disregard for expectations and conventions has resulted in dynamic, ambitious music that feasts on the flesh of techno, industrial and trance without ever becoming beholden to one source. Within the microcosm of one track, the energy can shift from bruising rhythm to swooning ambience and back again – cascades of pearlescent melody giving way to shards of sheet metal, thunderous percussion offset by softly sculpted sine waves. That the further adventures of I Hate Models feel entirely open-ended is completely by design – generic constriction is the enemy of genuine catharsis.

Ofenbach

Ofenbach is today the most streamed French duo/band in the world. With 2 diamond, 16 platinum and 15 gold certifications, they're young and at the beginning of what is going to be a long and successful career.

Being on stage is their playground and touring the world their day-to-day lifestyle. They've already performed more than 250 shows with 3 European tours, 2 US tours and 1 Asian tour.

Turnstile

"NEVER ENOUGH"

Sebastien Tellier

Sébastien Tellier is an exceptional, highly personal & intimate artist echoing such other one-offs as Robert Wyatt, Syd Barrett or Serge Gainsbourg. His first LP, L'incroyable vérité (The Incredible Truth) (2001), was a fantastical pop album, which careered from lo-fi electronica to bizarre cabaret tunes. Its sleeve featured Tellier in full evening dress on the front, while the back of jacket had a shot of him cavorting in some playboy’s pool. He instructed listeners to only listen to the album by candle light and won a tight band of adherents, who fell for his lush, humorous compositions. Standout track, Fantino, was chosen by Sofia Coppola for the Lost in Translation soundtrack. Sebastien followed this with Politics (2005), which, like his third studio album Sexuality (2008), took single term as both its title and theme. The disc dealt with ways of power and governance, in as much as it discussed the relative merits of genocide versus ketchup, as well as the tennis-playing opportunities presented by the Berlin Wall. Politics’ most prominent song was La Ritournelle, a sublime, string-led tune, which featured Nigerian drummer, Tony Allen, some eighteen months before he joined Damon Albarn for The Good the bad and the queen. La Ritournelle’s international success transformed Sebastien’s life professionally, sexually and domestically. “Many things have changed since La Ritournelle,” he says with a laugh, “now I’m living in a new apartment, I have a new girlfriend and a really beautiful sofa.” Since Politics release he also recorded an acoustic album of his more popular songs, Sessions (2006), which topped the French iTunes chart; this was repackaged for the British market as Universe (2006), to include both highlights from the French CD, as well as compositions from his score to the film Narco. His growing popularity has won him some well-known fans. Once the smart, artsy kid from the 17th Arrondissement could count only one hip musical connection: his father played with nihilist French prog rockers, Magma. Now the Tellier fanbase includes Marc Jacobs, Philip Glass and Karl Lagerfeld. He has also befriended Daft Punk; Hence his third studio album Sexuality (an 11 track, delightfully synthetic mediation on love making) is produced by the duo’s Guy-Manuel de Homem-Christo. Tellier and Homem-Christo live near each other in Paris and, given the modest size of the city’s music scene, it was almost inevitable that the two would meet. “The Parisian world of music is very small,” says Tellier, “so, if you are in the same kind of place in your mind, you’ll meet the guys who are thinking in the same way.” Sebastien wanted to work with Guy-Man because, primarily, he was fan. “I admired his work,” he explains, “Both what he did with his own label Crydamore, and what he did with Daft Punk too. All this stuff for me, he was like a star; I was so happy to touch this star.” Although both Sebastien and Guy-Man admire classic American songwriters like The Beach Boys and Gene Clark, the Daft Punk’s influence on Sexuality was primarily synthetic. “It’s more electronic than before,” Tellier says, “because Guy-Man produced electronic stuff; I don’t want to make rock with Guy-Man. I want the real talent of Guy Man, and his real talent comes from his electronic side.” Indeed, Sexuality is Sebastien’s first fully-electronic album. This is not so great a leap as it may at first seem. “I was always fine with electronic music,” he says, “I liked Jean-Michel Jarre, Kraftwerk, and the very beginning of techno. It’s not a recent love.” The naissance of Sebastien’s, third album, Sexuality was one pre-teen, late night soft-core TV broadcast. “In France, 20 years ago there was a new TV channel, Canal +,” says the bearded Parisian, “It was the first TV channel to broadcast pornographic movies. I was maybe 10, and it was very special; now it’s hard to find some movies that have so great an emotional effect like your first pornographic movie. It was,” he concludes, “a very big trip.” Tellier’s abiding memory and chief inspiration, is not of grim, low-grade close-ups, but rather Italian-style scenes of deep sexual and emotional intimacy. “I wanted to make erotic music,” Sebastien explains, “to use a pure subject to make a very personal album. I wanted to make erotic music with an Italian sensibility; like an erotic movie from Italy. Not porno; that was important for me.” In May 2008 Tellier performed at the Eurovision song contest finals as France´s official entry with his song "Divine" from the Sexuality album. He earned 47 points and finished a disappointing 18th out of 25 competitors. He later told the Observer´s Music Monthly magazine "step-by-step, you go into the game. Like Monopoly or Scrabble.. But it´s a TV show, so when you make this TV show you are a kind of slave of the film-makers. So I was a slave and my master was not so good."

Josman

Nick Cave

www.nickcave.com

Charlotte Cardin

Born in Montreal and based in Paris for the past few years, Charlotte Cardin shines on the global stage thanks to her striking authenticity and emotional depth. Named Billboard’s Global Woman of the Year in 2025, the Canadian singer-songwriter has amassed hundreds of millions of streams worldwide, confirming her remarkable international reach. She has graced some of the world’s most renowned stages — from Bonnaroo to Festival d’Été de Québec to Les Vieilles Charrues — earning praise from major outlets such as Harper’s BAZAAR, W Magazine, TF1, and Le Parisien.

In late 2024, following a triumphant sold-out show at the Zénith de Paris and a standout performance on Star Academy, Charlotte was thrust into the spotlight with the single Feel Good. The song quickly became a true phenomenon, standing out as the most-played track on French radio and television. It sustained over three million weekly streams for several weeks and earned Platinum certification.

Released in 2023, Charlotte Cardin’s second album, 99 Nights, marked a major turning point in her career. The project brought her international visibility, with a billboard in Times Square, a dedicated Apple Music 1 radio show, a COLORS performance, and a debut at #9 on Spotify’s Global Debut Chart. In Canada, the album was widely acclaimed, earning JUNO Awards for Album of the Year and Pop Album of the Year.

Charlotte first broke through in 2021 with Phoenix, a critically acclaimed debut that garnered six JUNO Award nominations and four wins, including Album of the Year and Single of the Year for Meaningless. Certified Platinum in Canada, Phoenix made Charlotte the first Canadian artist to reach the top of the Canadian Billboard chart since Céline Dion in 2016.

Following the Big Boy EP and Main Girl EP, Cardin emerged as an international phenomenon with her 2021 debut Phoenix. At the 2022 JUNO Awards, the LP took home “Album of the Year” and “Pop Album of the Year,” while Meaningless garnered “Single of the Year” and she personally received “Artist of the Year.” Inciting unanimous tastemaker applause, HYPEBAE christened her “one of Canada’s brightest young talents.” Following sold-out headline dates and powerhouse turns at Bonnaroo and Festival d’Été de Québec, Cardin topped the bill at Osheaga in 2021, marking a momentous Montréal homecoming.

Omillio Sparks

Sparks are a rock duo hailing from Los Angeles, California, USA who originally formed in 1968. The band, founded by brothers Ron Mael (keyboards) and Russell Mael (vocals), are known for being able to combine their unique eccentricities with sublime pop songwriting.

Theodora

Duality has always been key for clubland’s cupids DJ HEARTSTRING. Whether it’s their
balance between melancholy and euphoria, the way in which the German duo bring pop
bangers to the dancefloor, or their crossover appeal that makes them equally as at home on big
festival stages as playing Berghain, producers, DJs and songwriters Leo and Jonas have
always played to each other’s strengths.
However, long before they became globe-touring artists with tens of millions of streams who can
turn a Berlin corner shop into a tiny rave (with the help of pop icons Sugababes), they were two
friends making music for fun. Growing up in a small village without a clubbing scene, Leo
instead discovered EDM and artists like Deadmau5 by playing the video game DJ Hero and,
aged 16, seeing Netsky perform at a festival. Watching everyone there dancing to his music
made Leo think it must be the best feeling on earth. Inspired, he asked his parents for a set of
turntables and later received Fruity Loops as a Christmas present.
After a six-month music production course, Leo moved to Berlin, found its techno scene and
was introduced to city native Jonas who, formerly a fan of alternative rock and German hip-hop,
was a regular at renowned underground clubs Magdalena and Tresor. Having been introduced
to electronic music via Paul Kalkbrenner’s movie ‘Berlin Calling’, he got into production and was
throwing open air parties with friends; alongside one pal, Jonas was booked to DJ a small
18-plus party when they were just 16.
After several years of hanging out, it wasn’t until clubs closed in 2020 that Leo and Jonas
started messing around making tunes together – though, crucially, they didn’t put pressure on
themselves. Realising they could do everything using just a laptop, they bounced onto the
scene in 2021 with their Trance Dance Music (TDM) sound. With a generation of new fans
hungry for increased BPMs, the pair - who came up with their artist moniker after brainstorming
the most cliché, cheesy, trance-sounding names possible - quickly found their hard-and-fast
primed audience. Keeping their faces obscured from social media in the early days also made
clear that, while they might not take themselves too seriously, it’s all about the music.
When venues reopened, the duo’s euphoric yet emotionally-charged hits and high-energy
nostalgia-tinged DJ sets - which typically feature unreleased tunes, tracks by like-minded artists
and a big hands-in-the-air Coldplay moment - not only made them stand out from the crowd, but
proved a tonic for ravers ready to let loose post-pandemic. Leo and Jonas have similarly made
up for lost time: in 2024, they played Japan, Europe and America, and went viral with their
Boiler Room Melbourne set; this year, they’ll make their Thailand/southeast Asia debut, head to
South America for the first time, play a string of festivals and tour North America.
Despite such a packed schedule, artistic evolution remains key for the duo whose next EP, the
emotion-filled ‘You Are The Sun, I Am The Sky’, is the result of the pair locking themselves away
in an Airbnb in the German countryside. Doing nothing except making music (and eating frozen
pizzas) resulted in a four-track collection of loved-up dancefloor heaters. Ravey opener

‘Emotion Overload’ not only gets the party popping but truly lives up to the intensity of its name,
embodying the duo’s hard trance sound as synths build to a huge earworm hook before the
whole thing explodes with untamed elation. ‘Last Time Under Purple Skies’ is sure to have
strangers hugging, eyes-closed, beneath neon strobes, and peak-time pumper ‘Green Wide
Open’ is a surefire bet for this year’s summer anthem thanks to its Ibiza-ready hedonism.
Bringing the EP to a close, the comparatively reflective ‘Stay Awake’ is destined to soundtrack
that moment before the club light’s come back on – one last rush before the end of the night.
To celebrate its release, DJ HEARTSTRING will play their biggest show to date in February: a
Valentine’s Day rave at London’s 3,000-capacity Camden Roundhouse that’s likely to get tears
falling on the dancefloor, and plenty of calls to ex-partners. Encapsulating the pair’s live, laugh,
love vibe perfectly, Jonas has the last word: “we just want people to feel something!”

Ice-T

Ice-T (born February 16, 1958) is the stage and recording name of American hip-hop and heavy metal rapper Tracy Marrow, hailing from Crenshaw, Los Angeles, California, U.S.

Disiz

Body Count

Body Count is an American speed and heavy metal band, formed in 1990 by rapper Ice-T and guitarist Ernie. C, hailing from Los Angeles, California, U.S.

Feu! Chatterton

Feu! Chatterton est de retour, plus incandescent que jamais !

Trois ans après la sortie de leur album iconique « Palais d’argile », couronné d’un disque de platine, de multiples nominations aux Victoires de la musique, et d'une tournée triomphale, les Feu! Chatterton rallument la flamme. Ils retrouvent la scène, ce lieu électrique qu’ils envoûtent comme personne, avec cette élégance fiévreuse et cette intensité rare qui font d’eux un groupe à part, viscéralement connecté à son public.

À retrouver en festival tout l'été & en tournée dans toute la France dès novembre 2025.

La Rvfleuze

ULTRA VOMIT

Bonsoir à tous!

Tu es un jeune cadre dynamique qui travaille 23h43 par jour pour un salaire qu'il n'a plus le temps de dépenser?

Tu es un chômeur tellement invétéré que tu as peur de devenir un pauvre invertébré?

Tu es un mec peinard*?

Alors Ultra Vomit est fait pour toi!

Alliant la puissance de la musique metal avec l'hilarisme (ou bien la marranture au choix) décapant du plus talentueux des comiques, Ultra Vomit est un groupuscule comme il n'en existe qu'un.

Ultra Vomit est un groupe tellement unique qu'il songe parfois à splitter pour être encore moins.

Fondé en l'an de grâce 1999 par alors l'humble lycéen Fetus, accompagné d'un acolyte appelé Brian, Ultra Vomit commence sa carrière tranquillement en révolutionnant complètement la musique.

Inventeur d'une nouvelle note de musique, appelée "sil", le groupe sort peinardement une démo 24 titres dont 24 énormes et se met à la recherche d'un batteur.

C'est alors qu'entre en jeu Manard qui à l'époque possédait un pseudo bien meilleur: Stickskiller.

Entendant cette démo, son sang ne fit que deux tours (car son sang est fan du saigneur des anneaux), et il se jura d'intégrer ce groupe fabuleux.

L'an de grâce 2000. Précisons que Manard a alors 20 ans et qu'il bénéficie de moultes réductions de 20% pour avoir 20 ans en l'an 2000.

Ces réductions, il n'en profite pas. Il préfère travailler dans l'ombre avec Fetus sur la nouvelle mouture d'Ultra Vomit.

De cette époque, les historiens retiennent beaucoup de soirées à mater des films gores, des nuits à regarder des films d'horreur, de journée à étudier des films d'épouvante, et donc beaucoup de musique inaudible.

Mais petit à petit le groupe se forge un son. Son son comme dirait Véronique.

Accompagné d'un jeune lascar de banlieue appelé Chris, le groupe concocte son premier album, "M. Patate".

C'est la révolution. Personne n'a encore jamais entendu ça.

Et c'est bien normal, car personne n'avait enregistré cet album avant.

26 min de pure violence agrémentée d'un humour absolument irrésistible. Les spécialistes ne s'y trompent pas, et Ultra Vomit gagne logiquement le grand prix du festival d'Avoriaz 86.

Mais cette reconnaissance ne saurait leur suffire.

Ultra Vomit décide de remettre son titre en jeu. Mais "M. Patate" étant un titre de merde, personne n'en veut.

Le groupe décide donc de virer son bassiste. Et là, c'est la révélation! Une nouvelle énergie, un talent décuplé! C'est avéré, dorénavant, le groupe changera régulièrement de bassiste pour éviter de devenir nul.

L'an 2005, Flockos intègre le groupe. D'abord, il est humilié au poste de bassiste. Mais très vite, le groupe comprend qu'un instrument aussi limité et inaudible n'est pas fait pour un homme aussi beau. Il décide donc de le promouvoir au poste de guitariste. C'est avec cette formation que le groupe enregistre en 2007 le successeur de "M. Patate", j'ai nommé "Objectif: Thunes".

L'album sort en 2008.

Immédiatement, c'est l'hécatombe. Partout des manifestations spontanées se forment, des gens pleurent de bonheur, certains se crèvent les tympans persuadés de ne plus jamais entendre de son aussi merveilleux, des scientifiques remettent en cause l'axiome de la ligne droite plus court chemin entre deux points, des méchants deviennent gentils, des femmes ne veulent plus faire le ménage, bref, c'est la révolution.

"C'est l'album de la consécration" titrera le célèbre magasine spécialisé Modes & Travaux.

Le groupe se met alors à parcourir la France. Pendant des semaines, des mois, des années, des siècles.

Au bout d'un moment, il en a plein le cul, et il arrête. Pendant des semaines, des mois, des années, des siècles.

Et il se met à composer en vue d'un nouvel album. Pendant des semaines, des mois, des... Enfin bon, vous avez compris le principe.

Se disant que 7 ans entre deux albums, c'est encore un peu juste, le groupe décide donc en 2015 de faire une petite tournée d'appoint. Peinardement. Juste pour montrer qu'ils ont encore la forme, la pêche, ou même le "swag" comme le dit son public qu'il ne comprend plus.

Accessoirement, ils en profiteront pour présenter leur 252ème bassiste et chercher un prétexte pour le virer dans 6 mois.

2 ans plus tard, les avocats de Matthieu Bausson tiennent bon. Ils ont rejeté toute sorte de prétexte comme "Matthieu a marché sous mon pied", "On peut pas être bassiste et s'appeler Bausson", ou même "Il sait même pas que i² = -1!" pour le renvoi définitif du bassiste.

Bon gré mal gré, c'est donc encore le bassiste du groupe.

Mais pour combien de temps?

Au moins le temps d'enregistrer le 3ème album.

Car oui, c'est désormais officiel, Ultra Vomit va sortir un 3ème album en 2017.

Ce même 3ème album dont l'existence était encore moins certaine que la matière noire.

Ce même 3ème album dont les Mayas avaient prophétisé la sortie en même temps que la fin du monde.

Ce même 3ème album dont tout le monde sait pertinemment qu'il sera forcément moins bien que le 2ème.

Oui, celui-là même!

Quelques chiffres concernant le délai entre le 2ème et le 3ème album :

- Metallica a eu le temps de sortir 4 albums

- Michael Jackson est mort, ce qui laisse une place vacante qu'Ultra Vomit lorgne sans vergogne

- Lemmy est mort, ce qui amène la probalité d'un titre portant le nom "Quand j'était vivant (Feat. Lemmy)" sur le 3ème album à 92,7%

- Michel Delpech est mort, ce qui amène la probabilité d'une reprise hardcore portant le nom "Quand j'étais slammeur" sur le 3ème album à 87,2%

- Manard a perdu 2/3 de ses cheveux

- Rocket League est sorti

La sortie mondiale française est prévu pour le début de l'année, et la tournée qui s'ensuivra sera la tournée qui vous fera oublier la tournée de Béberd au PMU en 92 quand il avait eu son CACES 3.

Alors surveillez bien l'actualité, car on risque bien de parler d'Ultra Vomit en 2017!

*ou une jolie fille

Rise of the Northstar

Last Train

Yerai Cortés

Miki

Somebody call him The Dolphin,also known as Major Hypnotic Key Institute .

Perceval

Connaissez-vous la légende de Perceval ? On en ne parle pas ici du chevalier de la Table Ronde, mais du producteur breton qui a cassé Internet avec ses prods alliant techno et sonorités médiévales, cumulant des millions de streams en à peine un an. Après un Elysée Montmartre complet début 2025, la première tournée de Perceval l'emmène cette année sur les scènes les plus agitées de France (Solidays, Printemps de Bourges, Madame Loyal, Weekend des Curiosités, Les Vieilles Charrues, Paléo...).

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Perceval, a producer from Brittany, France is breathing new life into techno with a bold and bewitching concept : blending medieval sounds with modern electronic rhythms. With blazing flutes, epic kicks, and knightly visuals, he crafts a rave from another era and is already racking up millions of streams in just one year.

After a sold-out show at Elysée Montmartre in early 2025, Perceval's first tour is taking him to some of the wildest stages in France this year (Solidays, Printemps de Bourges, Madame Loyal, Weekend des Curiosités, Les Vieilles Charrues, Paléo...).

Body Count Ft. Ice-T

Goya official

Fusion from France

Festival Cabaret Vert 2026 @ Square Bayard

Festival Cabaret Vert 2026 @ Square Bayard

Flytjendur